Zhang Yuling, female, pen name Heng Xiaoyu, now lives in China. Modern emotional novel writer, member of Chinese Writers Association. Her main representative works are Zero Need and The Fifth Cloud.
Chinese name: Zhang Yuling.
Occupation: writer of emotional novels
Representative works: Zero Need, Fifth Cloud, etc.
Pen name: Heng Xiaoyu
Constellation: Pisces
Gender: Female
Character experience
Zhang Yuling, whose pen name is Heng Xiaoyu, is a famous writer of emotional novels and a girl who stays at home. Writing is a part of her life. He has published more than 300 works in major newspapers and periodicals in China, including Feeling of the Wind, Zero Need and The Fifth Cloud.
Zhang Yuling, female, member of Chinese Writers Association.
His works are scattered in readers, Foshan literature and art, Nanfang Daily, Yangcheng Evening News, Great South, Selected Short Stories and Ancient and Modern Stories. His works have been selected as the best short story of the year for many times.
Masterpieces: See a Snowflake, Flute in the Distance, Idol, Classic Deduction, Falling in Love with Sanmao, Nothing to do with Ammache, Zero Need, The Fifth Cloud and other novels.
His works interpret the love and indifference between people with meticulous social insight, gentle and graceful text description and touching stories, which are deeply loved by readers.
Personality achievement
In 2008, he won the fourth place in the national short story rookie competition, the list of the most important people in the new century novels, and the star of tomorrow. Some of his works have been selected into China Contemporary Novel Series, Selected Literary Works for the 60th Anniversary of the Founding of the People's Republic of China and New China Literature Series for the 60th Anniversary, with a total of more than 300 works. He is the author of a collection of novels, The Feeling of the Wind (published by Henan Literature and Art Publishing House).
Personality assessment
1, "Yang Xiaomin comments on Zhang Yuling's novels"
Zhang Yuling's novels have distinct personalities: petty bourgeoisie sentiment in material selection, graceful description in words, lingering plots, and secular life seems to have nothing to do with the author. Writing about unlucky and sentimental women, while fighting against fate, they are still paying attention to the undercurrent and undercurrent under calm. The entries "Sculpting for Life", "Smile on the Wall" and "Feeling of Wind and Ash" are full of gorgeous and sentimental words, weaving stories of "self", roaming in the world of personal feelings and only listening to the stories of "minorities". The white-collar life of handsome men and beautiful women and the "middle class" under the candlelight of coffee houses are active elements in modern life, which constitute the objects carefully carved by the author.
The feeling of the wind may become a classic of her aesthetic style. In the struggle of my career, the protagonist always sticks to the feelings of first love, and I only take a scoop of water despite my weak water of 3 thousand. The whole language is concise and fluent, ethereal and elegant, and the writing method makes the two lines of combination of reality and reality parallel, leaving a blank like snow mud and claws for readers to imagine and remember. In the leisurely narrative, Smile on the Wall haunts the internal relationship between environmental protection and aesthetic education, and stimulates the readers' peripheral nerves with desolate facts. Ashe's hero is gentle, dissolute and self-aware, while the heroine is clever but has no lack of opinions. Can the rising smoke leave no trace, and can the love that once rose in the depths of the soul really float without a trace? The life of modern people lingers on the edge of traditional life.
Reading Zhang Yuling's subtle and eloquent language is like listening to a saxophone at night. A breeze glided over the hills, and the moonlight was filled with a trace of melancholy and sadness. The aestheticism pursued by Zhang Yuling is a kind of gentle beauty.
2. Non-fish "Women's World of Love and Sadness-Zhang Yuling and Her Short Stories"
When I first met Zhang Yuling, she was very timid.
That was Guanshan in the summer of 2008. The short story Youth Pen Club was held here. As a local author in Xinxiang, she went to the front to serve everyone.
She speaks softly and does things carefully for fear of saying or doing something wrong. On the night of closing the mountain, Liu Jianchao, red wine and Zhang Yuling and I watched the stars in the yard. The silence in the mountains makes people feel clear, the sound of wind and streams is magnified many times, and the stars become bright and close. At this time, the power went out. The waiter brought candles, and we hollowed out the bottom of the cup with disposable paper cups to make a small lampshade, lit candles and continued to drink tea and chat. Zhang Yuling seems to be listening to us seriously, occasionally interrupting, but she feels as if she didn't hear what we are talking about, just dreaming her own dream, only awakened by our noise, and people are still wandering in the dream. We laughed, and she smiled, shyly.
Perhaps, Zhang Yuling is a woman who often dreams. There is no great event, no changeable situation, no intrigue, no ugliness and even no fireworks of life in her world. It seems that she just sits by the window every day, holding a cup of tea or coffee and dreaming.
A dreamer has a very pure heart. Zhang Yuling is a pure-hearted woman. She is not very narrow-minded and wary of people. She takes everyone's words seriously, and sometimes she takes other people's jokes seriously. When she knows that others are just joking, she will hastily admit her mistake: I was wrong. I was wrong, wasn't I? In the face of her gentle voice and innocent apology, everyone will burst into laughter again.
Zhang Yuling hasn't written short stories for a long time. In my memory, it should have started from the short story writers' online rookie competition in 2008. If Zhang Yuling gave me a gentle and lovely impression in Guanshan in 2008, I was impressed by her extraordinary figure when she showed her sword on the first day of the rookie competition.
Holding a soft-hearted sword, she tells a soothing story in a pure and beautiful artistic conception. Ashes is exquisitely written, Smiles on the Wall is elegant and warm, and Feelings of the Wind is meaningful. Finally, she won the fourth place in the rookie competition. Tender sword drawn, equally sharp and decisive, people have to sit up and take notice. Later, Zhang Yuling published a series of works with the theme of female emotion, which gradually became a style, and published a collection of short stories, The Feeling of the Wind.
Most of Zhang Yuling's works focus on the current emotional life. Just like reading Qiong Yao's romance novels in those years, the tenderness we read seems to have Qian Qian's knot. Reading Zhang Yuling's short stories is also full of tender feelings, writing the sweetness, sadness, helplessness and subtlety in love life. At the same time, Zhang Yuling endows love life with more fashionable elements and modern people's confusion, which is fascinating and meaningful to read.
In Ashes, she described a vague emotion. Men and women, from love to disappointment and then to disappearance, are like soot. Such feelings, ethereal and light, can be seen and grasped. With one breath, they can disappear without a trace. It is easy to write such a subject, but it is not easy to write about feelings and "pain". Zhang Yuling showed us such an emotional world with her delicacy.
In "Leave this Day to You", Zhang Yuling tells the story of a newly engaged man and woman. Ye Zi envied her aunt's life, but her aunt told her not to be like her, but to be a happy woman, which was a hint. Just as Ye Zi and he were going to visit his menstruation, she saw him with his ex-girlfriend. The leaves are gone, so I have to wait for him to make a decision and leave this day for him to clean up. In the end, the leaves waited for him and happiness. In addition to the beauty as always, this paper expounds the forbearance and loneliness, pursuit and abandonment in love life.
There are as many love stories as there are men and women in the world, each of which is unique, romantic and secular, sweet and painful. Zhang Yuling weaves the story of love and affection with gentle and elegant style. The protagonists of these stories are mostly young women, such as Chen Zi in Soot, Ye Zi in Leave This Day to You, You You and Xu Xiaoyue in Looking at the Stars, Zuo Xiaoman in Seven Days of Cherry Blossom and Ruozi in Feeling of the Wind, all of which are very colorful love stories.
Most of the love novels written by Zhang Yuling are slightly sad. Even if it is a happy ending, there are sad emotions lingering in the process, which haunt the readers' hearts. In "When Classics reappear", I tried to match the reality with the classic plots in film and television dramas, but I was disappointed. Whether love can be compared in this way, everyone has his own views and practices, but for Xiao Mo, it is compared to "classic things are sometimes toxic, and in some cases, it is entirely possible to murder life." Life is life, not every man is Song Siming, and not every woman is seaweed. When I realized this, he also lost his love. In Nothing to do with Ammache, _ and "I" suffered a material blow in the process of choosing Ammache. _ I chose to continue to love Amash, but advised "I" to listen to the opinions of seven aunts and eight aunts. As a result, "I" still insisted on my position and stayed in the boudoir. There is no comparability between material and pure love, only the hero's own choice, which also contains some helplessness. Ashes is a model of Zhang Yuling's sad love story. Location, scene, relationship between people, everywhere filled with sad emotions, beautiful and painful.
Dreamy Zhang Yuling always chooses a very petty bourgeoisie and a very beautiful story environment for her protagonist. Coffee, tea, cigarettes, bars, online writers, painters, etc. It is a word that often appears in her works. Just as there is no "big event and big society" in her own world, her protagonists also live in a paradise-like world, regardless of the price, rice, oil and salt, and intrigue.
Zhang Yuling has a strong aesthetic complex. Let's look at the titles of her short stories, such as Sitting on the Balcony Waiting for bloom, Muxiangteng, Seven Days of Cherry Blossom, Grey, Stargazing, Lily Bing, Water Mulberry and so on. Without looking at the content, just looking at these titles is very attractive and has the desire to urge readers to continue reading. Moreover, her protagonists all have nice names, such as Ruozi, _, Yu,, You and so on. I always think that the name of the protagonist in short stories should be suggestive, in line with the identity of the characters, in line with the needs of story development and with a sense of the times. Giving the protagonist a name casually will definitely make the reading pleasure of the work greatly reduced. Obviously, Zhang Yuling attached great importance to the characteristics of her characters, and she took great pains to choose her name. That "_" is a flawed jade, and the meaning of the name is consistent with the character itself, which adds a lot of color to the connotation of the work.
As a woman, personally, I like reading these emotional stories of Zhang Yuling, which will inadvertently touch emotional memories and make people feel moved and moved. However, I prefer the diversity and vague sexualization of women's works. This kind of writing is more challenging and will enrich the works, which will be my expectation for Zhang Yuling's future writing.
However, Zhang Yuling used her unique writing style to outline a watery, soft and sad female world, where all kinds of love stories happened and attracted a large number of readers, which was her success.
Duras said, "I'm a writer, which is good." In this way, I wish Zhang Yuling a wider and wider writing path.