In chapter 24 of the book, I wrote his greedy expression after swallowing ginseng fruit.
The forty-seventh time in the book, Chen Guzhuang's servant called "polished tiles have a smooth throat" because he ate too much. ...
The most attractive words for Bajie are "Zhai" and "Fan". Queen Xiliang taught her to take three Jin of imperial rice. As soon as Pig heard the word "rice", he took it and put it in his luggage, which was not too heavy. He was tricked by the Monkey King several times to help him with his work, and he was teased and teased. It can be said that Pig Bajie only eats to fill his stomach and doesn't care whether it is delicious or not.
Extended data:
All the immortals in The Journey to the West basically borrowed the immortal records of orthodox Taoism. It can be seen from the mention of Pig Bajie in the episode of Gao Lao Zhuang that Tian Peng, the previous life of Pig Bajie, was a sacred sacrifice to the water god Tianhe. After flirting with the fairy in the dress, provoking the spiritual officer to picket, he overthrew the bullfighting palace and came to the world, but mistakenly threw a pig fetus. Later, enlightened by Guanyin, he became a disciple of Tang Priest. Together with the Monkey King, he protected the Tang Priest from going to the Western Heaven to learn Buddhist scriptures, and was finally appointed as the messenger of the net altar.
In the novel, Tang priest and his disciples are often in trouble because of their laziness, gluttony and lust. After retrieving the scriptures, Zhu Bajie was named the altar messenger because of his "stubborn heart and persistent color". It can change into thirty-six, fly clouds and fog, and the weapon used is nine-tooth nail palladium, also known as Baoqin Gold Palladium.
In The Journey to the West, Pig Bajie is also known as Mu Mu or Mulong (Pig Bajie belongs to true yin and five elements belong to wood), which often appears in books or poems.
In the works, this character image has unique ideological and aesthetic significance. He is in sharp contrast with the Monkey King and Tang Priest, each according to a corner of the triangle, which sets each other off and brings out the best in each other.
He and the Monkey King are both unrealistic figures carefully shaped by romanticism. As Xie said, the Monkey King is the "Italian God". Although he is restless, he is always pursuing a lofty spiritual realm, and it is inevitable to take detours, but as long as he is guided and restricted, he can reach the highest and purest realm of life. Pig Bajie, on the other hand, is "listless", showing his longing for real life enjoyment, being content with the status quo and not seeking progress.
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