Jin Xiaotong's Personality Achievement

The reason why Mr. Jin Xiaotong can become a master of Jun porcelain art has a lot to do with his continuous efforts in the development of Jun glaze. Mr. Jin Xiaotong's Jun porcelain works are famous for their bright glaze color and elegant shape, and they are the perfect combination of kiln glaze and ceramics. Walking into the showroom of Jinjiajun Kiln, we can clearly see that his works are very different from other Jun porcelain kilns in style and characteristics. I saw that its glaze color is gorgeous and changeable, rich and dignified, green as grass, red as begonia, purple as tomato skin, far-reaching artistic conception, like flamingo silver flowers, like exploring the bottom of the sea, like the west wind of ancient roads, and exquisite and wonderful patterns composed of natural kiln changes, which often make people think, and its shape is simple and elegant, which makes people think beyond time and space and connect ancient and future. For more than 30 years, he has always grasped the unique artistic characteristics of Jun porcelain kiln transformation, insisted on applying modern technology to Jun porcelain production technology, carried out technological innovation, and improved Jun porcelain technology level.

Shennan's furnace jun craft began with Lu Tianen, the second generation artist of Shennan Lujia. This is a high-temperature jun porcelain firing process different from Jingdezhen kiln jun porcelain. As the saying goes, "Ten kilns and Nine Decays", the process is very difficult. At that time, the technical formula inherited by Mr. Jin Lao from the older generation of Jun porcelain artists was relatively simple. After years of repeated experiments by the old gentleman, the formula proportion of the furnace gentleman tends to be stable. When this technology was transferred to Jin Xiaotong, he was not satisfied with the existing technical achievements. Combining modern production conditions and technical means, firmly grasping the unique artistic characteristics of Jun porcelain kiln transformation, it has developed into a brand-new Jun flower glaze process for kiln transformation furnace, adding a new branch to the development of Jun porcelain art. As an influential Jun porcelain artist in the hometown of Jun porcelain, Jin Xiaotong has inherited and absorbed the essence of traditional Jun porcelain culture and art in more than 30 years of study and exploration practice, and constantly carried out artistic innovation and development.

Talking about the cultural tradition and future development direction of Jun porcelain, Mr. Jin Xiaotong said: the traditional culture of Jun porcelain is the root and foundation of Jun porcelain culture, and the development of Jun porcelain must cherish and respect this foundation. Only by constantly improving product quality, beautifying people's lives and enriching the cultural connotation of Jun porcelain can Jun porcelain, a Millennium art, glow with new brilliance. For a long time, Mr. Jin Xiaotong insisted on making his own works by manual blank making process, firing his own works by Jun porcelain wood burning process, and creating his own works by adopting new artistic concepts. Taking the appreciation of Jun porcelain kiln transformation art as the focus of interaction with Jun porcelain lovers, and firmly grasping the fundamental principle that "kiln transformation art is the soul of Jun porcelain art" on the basis of creative ideas and techniques, it is even more commendable to inject new vitality into Jun porcelain. The magical art of Jun porcelain kiln transformation has made Jun porcelain play an important role in contemporary ceramic art, and the accumulation of decades of study and research by the second generation of Jin artists will make this artistic treasure with a thousand years of history shine forever.

As the technical inheritor of Jinjiajun Kiln, Jin Xiaotong has been studying Jun porcelain small furnace firing technology with his father since he was 14 years old. From 1980 to Yuxian Jun Porcelain Art Factory, I learned from Mr. Wen to fire Jun Porcelain. 65438-0984 Participated in the training course of ceramic modeling design in Henan Province organized by Henan Arts and Crafts Association. Since then, Mr. Xu Guozhen, the benefactor, strongly recommended him to work as a designer in the laboratory of Yuxian Jun Porcelain Factory No.2, and to engage in the carving and design of Jun Porcelain modeling with famous teachers such as Xing, Wen and Wen Guoli. /kloc-in the winter of 0/989, Liu Shanyao's art research room was founded with his father Jin, and he served as a stylist, production technician and craftsman. From 1992 to 1998, Mr. Jin Xiaotong's works were exhibited in museums in Hongkong, Osaka and new york. Starting from 200 1, Mr. Jin Xiaotong independently operated Jinjiajun kiln, became the general manager, and embarked on the road of Jun porcelain creation, research and development, and process research. After years of study and exploration, he gradually matured from groping to development. Although difficulties, setbacks and even hardships come one after another, he has come all the way with the persistent spirit of never giving up. It is this persistent spirit that makes Jin Xiaotong lay a solid practical and theoretical foundation and grow into a Jun porcelain artist with superb skills and all-round development.

As a local descendant of Jun porcelain, he combined traditional crafts with modern science and technology, which made the ancient Jun porcelain culture glow with new brilliance. Mr. Jin Xiaotong's Jun porcelain works are the perfect combination of kiln glaze and ceramic modeling, which is famous for its gorgeous glaze color and elegant modeling. Jin Xiaotong's works are rich in glaze color. Under the special effect of high temperature and reducing atmosphere, the rich glaze with certain fluidity melts and flows on the surface of ceramic ware, and the kiln changes various lines. This grain and the glaze color of Jun glaze produce all kinds of wonderful colors in the restored atmosphere, which complement each other, and the magical picture formed is like an uncanny workmanship, which is amazing and amazing.