The soldier on the left shoots with a bow, and the main shot is the front of a car, which is called "the left side of the car" or "the front of the car";
The soldier on the right holds a spear (or spear) and is responsible for removing obstacles for the chariot, which is called "the right head of the chariot" and also called "riding";
In the middle is the charioteer driving the chariot, with only the body weapon dagger.
This multiplication can be traced back to Shang Dynasty.
For example, there are three warriors in two places, two in the back of the car, and1on the side;
Three sets of weapons, the first set is luxurious and exquisite, and the other two sets are just ordinary copper, which has obvious grade difference, and the types of weapons are also clearly divided into shooting and royal.
How to improve your personal status quickly? The most convenient way is to evaluate yourself from the heart first.
Where are the champions Tai Sen and Ali from, and who has a higher position? Muhammad Ali, the boxing champion, is a Muslim and an absolute legend in the world boxing, although people remember the beautiful image in the boxing ring. However, his mind is as agile as his skills, and his judgment and personality are even more memorable. His contacts and entanglements with religious organizations, * * and the law made him one of the most representative figures in that era-the 1960s, and his influence has continued to this day. Ali in the film is a young fighter who makes choices according to his own beliefs. Although he struggled with powerful forces and made mistakes himself, he never gave up. He and his mind are not perfect, but they are full of vitality and responsibility. In an exciting boxing ring, the last person standing is the winner.
Muhammad Ali is more influential.
Which position was higher, Zhao Yi or a beautiful woman in ancient times? Zhao Yi has a high position.
Zhao Yi is a kind of imperial palace in ancient China. In the Western Han Dynasty, Fu Jieyu, his concubine, was particularly fond of him, while Feng Jieyu gave his life for the savior. Both of them had princes (Fu Jieyu was born king and Feng Jieyu was born Zhongshan). In order to show their different love for the two concubines, but Emperor Xian of Han Dynasty is still in power, and the two concubines can't be called the Empress Dowager, so they are in Jieyu. Since then, the concubines used in the Han Dynasty have the highest rank, second only to the Empress. During the Three Kingdoms period, there was Zhao Yi in Cao Wei's harem, and his wife was the marquis of Juebi County. In order to avoid giving birth to Emperor Si Mazhao, the rulers did not set the title of Zhao Yi. But in the same period, the sixteen countries of Wuhu still used it from time to time. Zhao Yi's title was restored in the Northern Dynasties, and it was still used to confer titles on senior officials or the highest concubines. The Southern Dynasties only served as a wife, and the Tang Dynasty was the first of nine wives, second only to the fourth concubine. Since the early Ming Dynasty, Zhao Yi was no longer set in the harem.
Shang Dynasty: Empress in the Middle Palace, Imperial concubine in the East Palace and Imperial concubine in the West Palace: De Fei, Shu Fei, Hui Fei and Zhuang Fei. The rest are collectively called beauty.
Western Han Dynasty: Empress, Lady, Beauty, Lover, Eight sons, Seven sons, Long Ambassadors and Few Ambassadors. Jieyu, Jing E, Hua Rong and Fu Yi were added during the reign of Emperor Wu of the Han Dynasty. Yuan Di added that Zhao Yi, with five senses, has no trickle, harmony, entertainment, forest protection and a good ambassador.
Eastern Han Dynasty: Empress, Noble Person, Beauty, Talented Woman, Imperial Secretary.
Wei: Empress, Lady, Zhao Yi, Jieyu, and Beauty. Wendi added Guidi, Shuyuan, Xiurong, Shuncheng and a lover. Ming Di Jia Shufei, Zhao Hua and Yixiu.
Jin: Empress, Third Lady (ladies and gentlemen), Ninth Wife (,,,Xiuhua, Xiurong,, Jieyu, Chonghua), beauty, gifted scholar and middle gifted scholar.
Northern Wei Dynasty: Empress, Left and Right Zhao Yi, Third Lady, Third Wife, Sixth Wife, World Wife and Imperial Daughter.
Southern Dynasties: Empress, Third Lady (Guifei, Guidi, Guiji), Ninth Wife (Shuyuan, Yi Shu, Rong Shu, Zhao Hua, Zhao Yi, Zhao Rong, Xiuhua, Yixiu, Xiurong), Five Duties (Jieyu, Ronghua, Chonghua, Cheng Hui, Lierong).
Sui: Empress, Third Lady (Imperial Lady, Shu Princess, De Princess), Nine Princess (Shunyi, Shunrong, Shunhua, Yixiu, Xiurong, Xiuhua, Fu Yi, Fu Rong, Chonghua), Jieyu, Beauty, Talent, Imperial Daughter, Cai Daughter, * *.
Tang: The Empress and the Fourth Lady (Imperial concubine, Shu princess and De princess). Xianfei), Jiuyi (Zhaoyi, Zhao Rong, Zhao Yuan, Yixiu, Xiurong, Xiu Yuan, Chongyi, Chongrong and Chongyuan), Jiujieyu, JiuRen Mei, Jiucai, 27 Lin Bao, 27 imperial women and 27 flower picking women. Kaiyuan changed the four ladies into three ladies (Hui Fei, Hua Fei and Li Fei), Liu Yi, four beauties and seven gifted scholars.
Song Dynasty: Empress, Imperial concubine, virtuous princess, virtuous princess, Zhao Yi,,, Xiurong, Chongyuan, Wanrong, Shunrong, Imperial concubine, Jieyu, beauty, gifted scholar, wife of the country, (wife of Jun's reform in Southern Song Dynasty) and Hong.
Yuan: Empresses (there is more than one queen, usually three, and at most five) and concubines.
Ming: Empress, imperial concubine, imperial concubine, concubine and concubine.
Qing Dynasty: Huang Taiji set up five concubines in imitation of the Yuan Dynasty: Queen Qingning Palace, Guanzhi Palace, Imperial Concubine Linzhi Palace, Imperial Concubine Yanqing Palace and Imperial Concubine Yongfu Palace (that is, Empress Xiaozhuangwen). Every dynasty will have a queen, a concubine, two concubines, four concubines and six concubines. These fourteen people are called "themes" and can be the masters of one of the twelve eastern and western palaces. Noble people, usually, promise to occupy a room in the palace without quota.
In folklore, when it comes to the emperor's family life, it is often said that there are seventy-two concubines in three palaces and six courtyards.
Why was the status of ancient men higher than that of women? In the matriarchal society with a long history of mankind, women once occupied a dominant position in production and life. Due to natural and humanistic reasons, women occupy an important position in social life and become the organizers of production and life, thus becoming the representatives of social center and order. In the west, as the supreme power, God is through the intermediary of the Virgin Mary. The first female image in ancient myths and legends in China is a goddess of creation-Nu Wa. In the maternal age, even the gods were in charge of all aspects of the goddess, and the male gods took a back seat. In ancient matriarchal society, women were superior to men, and women were in charge of social power, which reflected the superior position of ancient women.
With the development of productivity, farming has become the main production activity, and men with strong physical strength are gradually in a dominant position in the production sector. The change of production and lifestyle has shaken the material foundation of matriarchal clan; However, with the increase of products and uneven distribution, the gap between the rich and the poor has arisen, and the matriarchal clan public ownership has been challenged. The war between groups caused by interest differentiation has strengthened the increasing trend of male leaders' power, status and wealth, and then they demanded to change the tradition of lineage inheritance, that is, from female lineage inheritance to male lineage inheritance. In this historical stage, the private family centered on patriarchy has replaced the natural form centered on the blood relationship between mother and child, which has also contributed to the rise of a patriarchal society with men as the social subject. Women gradually changed from male dominance to subordinate, and were driven to a living space different from men, which led to women's collective silence.
The inequality of social status between men and women is not the inevitable result of biology, but the result of cultural factors. Since the patriarchal society replaced the matriarchal society, men have gradually pushed women to the altar of ethics by using their own power to safeguard male authority. By virtue of the right to speak and interpret, men have formulated a series of codes of conduct for women, so that their every move is bound by ethics, all the independence and heterogeneity of women are washed away, and then they are incorporated into the social order with the specific social functions of mother, wife and daughter, and women are transformed into tools for carrying on the family line and managing housework.
After men's double transformation of women's body and spirit, women are increasingly reduced to the edge and bottom of society. The shaping of female body is carried out according to the standards in men's eyes. For a long period of history, women were asked to endure painful and inconvenient actions to change their natural bodies. Oriental women have to put up with Japanese wide belts, Burmese collars and China's foot binding, while western women have to wear tight corsets and corsets supported by steel. On the one hand, foot-binding distorts a woman's feet into a "three-inch golden lotus" that can be played according to a man's aesthetic hobby; on the other hand, it can use a woman's immobility to imprison her in narrow and closed walls and fences. In this way, women are getting farther and farther away from their real bodies and real desires. In the double atrophy of desire and body, they are gradually forgotten and dusty. It also makes the regional differences between men and women artificially exaggerated and highlighted.
Men have long given women "three obedience and four virtues". The so-called "three obedience" means "don't marry your father, don't marry your husband, and don't die." From birth to death, not a day goes by without obedience. Obedience is the foundation of women's morality and the destination from the end. As one of the "three cardinal principles", "husband as wife" became the highest ethical principle and moral norm in dealing with the relationship between men and women in medieval China. In addition, there are "four virtues" specially set for women to restrain women's manners. This male-dominated patriarchal culture suppresses women and makes their social status lower and lower. Feudalism, while establishing male dominance, deprived women of the opportunity to show their wisdom in the social field. Women are confined within the high walls of the family, and their life value is almost entirely reflected in marriage and family. Women can only be attached to men and cannot have independent consciousness and personality.
Actually, it's not. Everyone thinks that men are superior to women in ancient times. Actually, it's just doing their job. Men earn money to support their families, while women are husbands and godchildren. Women play a greater role. Now they want women to work, which is called equality, and they can only say nothing.
Ancient chariots appeared in ancient China and Western Europe in the cold weapon era, but they were all like a flash in the pan.
Inspired by the "turtle", it is said that Lu Ban once made one, but it was destroyed because he was afraid of killing too many people, and it was a draft of Leonardo da Vinci's painting in Western Europe.
Luban's structure is like this: one person is tall, wooden frame, covered with copper plates (at that time, iron smelting technology was not so developed), of course, there is no bottom. There are eight wheels, which are distributed in the front, back, left and right. It is worth noting that the direction of the wheels is not the same. The four wheels on the left and right sides are in the same direction, and the front and rear four wheels are vertical. When the forward direction needs to be changed, such as going straight, I want to leave now. At the height of the human eye, there is a circle of small windows that can see the outside. Copper plates have sharp edges hanging to the ground, and the whole body also has sharp edges. And drew a fierce beast that is said to be fierce. This machine can accommodate about 16 people, among whom 8 people are responsible for moving the machine, 4 people are responsible for observing the enemy's situation, and 4 people are responsible for attacking and archery.
In ancient times, which was taller, Kirin or Phoenix? Phoenix is at the same level, and Kirin is the son of dragon.
Which position was higher, the ancient general or the prime minister? The prime minister is above the general.
Which position was higher, the ancient landlord or the rich man: the ruling class in feudal society was the landlord class, the emperor was the largest landlord and the highest representative of the interests of the landlord class.
Landlord is the foundation of feudal society. Just as capitalists are the foundation of capitalist society.
Two: Rich people mean people with a lot of money, right? If it is simply rich, it should be the representative of the businessman. In feudal society, businessmen were despised. Scholars, farmers, workers and businessmen. Among them, "scholar" refers to a well-educated and prestigious class. "Agriculture" refers to people born from farming, including farmers, landlords and rich peasants. "Workers" refer to craftsmen, such as blacksmiths and carpenters. "Shang" of course refers to businessmen.
If we simply compare landlords and businessmen, of course, landlords have a higher status than businessmen.
But according to the reality of feudal society, wealthy businessmen generally buy land, so there is little difference between landlords and rich people. Are landlords who own land.
Status depends only on who owns more and better land. This is the standard in the normal state of feudal society.
In an abnormal state, that is, a state of war, it can only be divided by the strength of force!