Appreciation and Translation of Li Qingzhao's "Idle Plums in the River"

Linjiang Xianmei's original work: the courtyard is deep and deep, and the cloud window fog pavilion is in the Spring Festival Evening. Who are you haggard and spoiled for? Just dream at night. It should be Nanzhi. Jade thin sandalwood light infinite hate, south building Qiang tube Hugh blowing. Who knows when the fragrance will blow out? Don't fatten apricot flowers on warm days and nights.

There are many floors in the yard, and there are clouds on the attic windows, and the faint fog permeates all around, but spring comes late. Missing makes your face haggard, and you can only get together in a dream at night, and the sunny plum branches are also in the season of germination. Plum blossoms are graceful and graceful, and the Qiangdi in the south building should not play a sad tune. I don't know how many clubs have been blown off. Warm spring wind, don't let time come to apricot blossom season.

Note 1 Jiang Lin Xian Mei: This poem may be one of several Jiang Lin Xian written by Li Qingzhao after imitating Ouyang Xiu's Butterfly Hua Lian. South branch: to the south, that is, plum branches in the morning light. 3 Jade is fine and sandalwood is light: it refers to plum blossoms with a light red color. Tan: It was originally a wooden name, and here it refers to a faint crimson color. Stop playing: it means not to play the flute "Plum Blossom Fall" in a plaintive tone. 5 Warm air is late for the sun: Sun Guangxian's "Huanxisha" says: "Before the beginning of the Lamb Song, warm air washes your hair late." Evening Day: Spring Day, quoting Du Fu's poem "Crossing Xiangjiang River": "In the evening, the garden is worried about the past, and flowers and birds are worried this spring." 6 Fat: This refers to flowering.

Appreciation of Yongmei, a poem by Xianmei in Linjiang, uses plum blossom as a metaphor for the poet himself, which shows the lady's lonely thoughts and short-lived account of her youth.

The first sentence of How Deep is the Courtyard uses European words. Without changing a word, it is harmonious but not astringent, and its artistic conception is unique. This way of winning by fame shows the courage and artistic confidence of Yu Shu poets. Repeated use of the word "deep" in the tone of questions can cause profound and beautiful sound and emotional effects in readers' minds. The word "overlapping" is well used, but it can be described as wonderful and moving unconsciously ... One or two sentences in Li Qingzhao's "Linjiang Fairy" have changed a lot. So as to avoid the sense of similarity that is easy to occur because of copying sentences. "Courtyard" is profound, and "cloud window" is high. One vertical and one horizontal set each other off into interest, outlining the rich and quiet atmosphere of an expensive billiards hall. The clouds are light and the wind is light, and the fog is on the shelf. It is so ethereal and quiet that it is above the world. The word "Spring Festival Evening" is a semantic pun, too profound to be read casually. At first glance, it seems that the protagonist is lamenting the late arrival of spring. However, this is only a superficial understanding. In fact, spring is orderly, the world is selfless, and the splendid spring will not abandon this Jinping building. The meaning reflected by the word "late" is both an objective landscape and a subjective feeling. The author expresses the melancholy mood of thinking of women in spring with the artistic conception of lack of spring. Just like "Strong Brother". Why blame the willow tree? The spring breeze does not pass through Yumen Pass. ""Jade is not as beautiful as western Western jackdaw, so I still take the shadow of Zhaoyang. "Wait, it can be said that it is the same euphemism." Who is haggard and detrimental to Fangzi? Ask a few more questions and make up for it with ups and downs. It is pointed out that it is not the yearning for distant people and the torture of love that makes the boudoir have no intention to enjoy spring and lose its beauty. After several preparations, a topic was revealed here. "It's good to dream clearly at night. It should be sent to Nanke." Pointing out plum blossoms during the break is very enlightening. China's high school is a bit sad. "Meng Qing" is a fictional meeting of Conan. If people far away don't go home, the happiness in this dream is also a kind of enjoyment.

Writing down difficult thoughts in clear words will increase the pain ... She doesn't directly compare plum blossoms with people, but connects plum blossoms with clear dreams, because beautiful dreams date back to plum blossoms, and people are more and more interested in using the word "should" at such moments. Shuyu's ci is full of imagery beauty, especially the flexible use of comparative adjectives. For example, "green fat, red thin" and "don't serve apricot blossom fat" here can be ingenious and refreshing. "Apricot blossom fat" is also a word for apricot blossom. However, replacing the word "fat" with ordinary language and using adjectives as predicates will greatly increase its intuitive beauty. Clever but not sharp, new but not strange, can really transcend the secular and create new things. Here is a word "fat", which is closely related to the word "thin". It is vivid and vivid with the jade thin of plum blossom and the silly fat of red apricot. At the same time, the two contrast bands also point out the span of time. From the early plum blossom to apricot blossom, Hua Xinfeng has blown it twenty-four times, and now it has blown it ten times. In the middle of spring, the Iraqis did not return, and the flowers blossomed and fell, only to be rewarded alone. No wonder all the spring scenery in the garden is sad. The ending is sad and endless, and it is a masterpiece in poetry.

Chen Zumei, a background scholar in the creation of Linjiang Xianmei, inferred the background of this word and the reason why Yuefu elegant words were not included in the Song Dynasty: from this homophonic sequence, it can be seen that Li Qingzhao clearly wrote Linjiang Xianmei, which should obviously be included. In addition to the reasons that people often mention, the main reason of doubt is that Zeng Yao's Yuefu Ya Ci only accepted the previous one but not this one. It is Zeng Yao who thinks this song is indecent, which is similar to his view of "slow sound" At the end of Ming Dynasty and the beginning of Qing Dynasty, a lot of Li Qingzhao's works were lost. As a contemporary slightly later than Li Qingzhao, Zeng Yi had the opportunity to see more Yu Shu Ci, including only 23 Yuefu elegant Ci. It was probably echoed by her contemporaries, who thought that Li's ci was indecent, while the latter said that she was "fearless". Some descendants are pedantic or take such words for granted, and even expel them from Shuyu. Poetry: Linjiang Xianmei Poetry Author: Song Dynasty Li Qingzhao Poetry Classification: chanting things, Yongmei, expressing feelings