1, Liu Sheng Jin LV Yu Yi
1968 The Liu Sheng golden jade clothes unearthed from the tomb of Liu Sheng, the king of Zhongshan, Mancheng County, Hebei Province, are the highest and most complete jade clothes discovered for the first time in China. It provides extremely precious physical data for studying the tomb system and the crafts of jade and gold in the Western Han Dynasty.
The appearance of Liu Sheng Jinlv Jade Clothes is similar to that of men, with a large body and a bulging abdomen, which consists of five parts: hood, coat, gloves, trousers and shoes. The whole set of jade clothes consists of jade pieces of various shapes, woven with gold wire. * * * There are 2,498 jade pieces, and the weight of gold wire is about1100g. The edges of all parts of the jade clothes are trimmed with fabrics and iron bars, reinforced and shaped to make them neat and beautiful.
Liu Sheng's gold and jade clothes are superb. According to the different parts of human body, determine the size and shape of jade. Some jade articles can still vaguely identify the ink book number at that time, indicating that the production has been carefully designed. The choice of jade material has also been carefully considered. The color is harmonious and beautiful, the upper body is bright green, the lower body is yellow-gray and the weaver is exquisite. It is conceivable that the manpower and material resources spent on making this set of golden jade clothes are huge.
2. Changxin Palace Lantern
Changxin Palace Lantern was found in Dou Wan's tomb, wife of Liu Sheng, Zhongshan Wang, Mancheng County, Hebei Province, on 1968. This palace lantern is made of bronze, but it has changed the mystery and massiness of bronze vessels in the past. The overall shape is exquisite and compact, and it is a practical and beautiful lamp treasure, which is known as "the first artistic lamp in China".
The long Xin Palace lantern is gilded with gold, and the shape is that the maid-in-waiting holds the lamp on her knees, and her expression is elegant. The lamp is exquisite in structure, hollow as a whole, and its parts can be disassembled flexibly. The lampshade can control the brightness of the lamp by adjusting the opening and closing angle. The maid-in-waiting holds the right arm of the lamp high as a flue, and the soot enters the body through the right arm after burning the lamp, thus keeping the room clean.
Changxin Palace Lantern is regarded as the pinnacle of arts and crafts in China and an important representative of national arts and crafts. Its exquisite craftsmanship and unique artistic conception are second to none among palace lanterns in the Han Dynasty.
3, Zhongshan Wang Tiezu big bronze tripod
The bronze tripod at the foot of Wang Tie in Zhongshan was unearthed from the tomb of King Zhongshan in the Warring States Period in Pingshan County, Hebei Province. This is the first tripod unearthed from the tomb of the king of Chu in Jiuding. The outer wall of the tripod is engraved with a 469-word inscription, which is the longest bronze ware of the Warring States period seen at present, allowing people to see that the characters of the Warring States period are slender and beautiful, and the dictionary is elegant and beautiful. Zhongshan Wang Tiezu's bronze tripod is made of copper and iron, with a round belly and a bottom, a convex chord pattern in the middle, a bowl-shaped cover on the top and a three-ring buckle on the top.
4, carved dragon and phoenix copper paving head
The bronze auxiliary head carved with dragon and phoenix patterns is an integral part of the palace gate of Yan State and a representative object of Yan State. The bronze auxiliary bow is huge in shape and 74.5 cm long, which is the largest bronze auxiliary bow found in the Warring States period in China. Carve dragon, phoenix and copper auxiliary head as animal face title ring. This animal has an erect eyebrow on its face, an octagonal ring in its mouth, and its fangs are exposed. A phoenix bird is embossed in the middle of the animal's forehead, its wings are entangled by two long snakes, and there is a climbing dragon on each side of the auxiliary head.
This pair of heads adopts the casting process of combining relief with through carving, with gorgeous patterns, vivid images and strong artistic appeal. It is a rare artistic treasure.
5. Colored stone Sanle relief
Sanle relief of stone relief is a kind of mural decoration of tombs, which was unearthed in Chu King's Tomb in Xiyanchuan Village, Quyang County, Hebei Province on 1995. This relief not only truly reproduces the scene of music and dance in the late Tang Dynasty and the Five Dynasties, but also shows the artistic style of Quyang stone carving in the Five Dynasties, so it is precious. The relief of colored stone Sanle is a relief form, carved with white jade, which is colorful.
There are 15 people in the picture, which shows the lively scene played by the band. The first person on the right is dressed in men's clothing, maybe the conductor. 12 performers are all women, with their hair tied in a high bun, wearing narrow-sleeved shirts, long skirts sweeping the floor, and holding different musical instruments such as crickets, sheng, Zheng and flute, which seem to be playing in unison. These musicians have a "legacy of the late Tang Dynasty", each with a round face and a plump figure, which embodies the aesthetics of the society at that time.
6. Western Han Dynasty Cuo Jinbo Mountain Furnace
Boshan furnace is an ancient incense burner, which flourished in the Han and Wei Dynasties and played an important role in the history of incense burners in China. 1968 The Jinboshan furnace unearthed from the tomb of Liu Sheng, the king of Zhongshan scenery, has excellent craftsmanship, which embodies the skilled casting skills of craftsmen in the Han Dynasty and has unique artistic and cultural characteristics.
In the Western Han Dynasty, the Jinbo Mountain Furnace is spectacular in shape, just like a multi-peak mountain. The whole device is divided into three parts: furnace seat, furnace plate and furnace cover. The furnace plate and the furnace cover create rolling mountains, and the looming human and beast in Shan Ye adds mystery to it. The stretch moire of the golden silk piece decorates the mountains, showing the artistic effect of flowing water. When incense is being smoked, the fireworks in Boshan furnace curl up, and the mountains, rivers and people are looming, smart and mysterious, just like a fairyland, which makes people never tire of seeing it.
7. Wrong gold, wrong silver, wrong dragon, wrong phoenix, wrong copper
1977 pinch of silver, silver, four dragons, four phoenixes and copper unearthed from the tomb of Zhongshan King in Pingshan County, Hebei Province. When unearthed, the case surface had rotted, leaving only the case block. This case seat is complex in shape, integrating casting, inlaying, welding and other processes, and is beautifully made. It is a master of bronze manufacturing technology since Shang and Zhou Dynasties, and it can be called the pinnacle of bronze technology in the Warring States period.
The bronze scheme seat with gold, silver, four dragons and four phoenixes is round. Two male and two female kneeling sika deer support the case surface, and the four dragons and four phoenixes form the case body. The deer has a gentle manner, and the patterns on its body and cheeks are elegant and smart, both rigid and flexible. The dragon holds its head high and vividly depicts its majestic bearing and unique charm.
Phoenix, with its long neck ringing, is decorated with mottled feathers on its neck and slender Henaan patterns on its drooping tail, which is vivid, gorgeous, elegant and charming. The structure of the whole case is complex, with dragons and phoenixes dancing. Whether it is modeling design or casting technology, this case seat is exquisite and outstanding, and it is a treasure in the wrong gold and silver technology.
8, the wrong gold and silver tiger eats the deer screen seat
The socket connecting the two screens-Cuojin Yinhu Deer-eating Screen Seat-was unearthed in Zhongshan King's Tomb 1977 in Pingshan County, Hebei Province. At the same time, the wrong gold, silver and copper rhinoceros screen seat and the wrong gold, silver and copper cattle screen seat were unearthed. These three bronze screens are the earliest screens found in China.
The design of the gold and silver deer-eating tiger screen is unique, showing the moment when the tiger preys. The tiger is vigorous and colorful, its bow bends to the right, and it is sending a deer into its open mouth. The tiger eating deer vividly outlines a vivid picture of the jungle in nature. This imaginative artistic creation vividly shows the primitive and unrestrained nomadic customs of Zhongshan during the Warring States period, and reflects the aesthetic taste of an era.
9. Wen Xuandi Levin Tomb Mural.
Mural of Wen Xuandi Levin's Tomb, 1989, unearthed from Levin's Tomb in Zhang Wan Village, Cixian County, Hebei Province. It is 37 meters long and 8 meters deep, covering an area of about 320 square meters. It is the largest existing tomb mural in China during the Northern Dynasties, representing the highest level of painting art in the Northern Dynasties. The murals in Levin's tomb in Wen Xuandi show the trip of Emperor Levin, which is magnificent.
There are 106 life-size etiquette figures and 4 1 auspicious birds and beasts painted on the east and west walls, with symmetrical layout, vivid image and vivid charm. The grand ceremony picture reflects the noble status and position of the tomb owner. This tomb mural is not only of great significance to the study of painting art in the Northern Dynasties, but also of great reference value to the study of etiquette system and clothing development in the Northern Dynasties.
10, blue-and-white underglaze red decal can cover.
1964 Yuan Period Blue and white underglaze red decals were unearthed in the cellar of Yonghua South Road Primary School in Baoding City, Hebei Province. Blue-and-white underglaze red works in Yuan Dynasty are extremely rare. This kind of can cover is a masterpiece of painting, relief, sticking plastic and other techniques, and it is the top art treasure in blue and white in Yuan Dynasty. In-glaze red applique is covered with blue and white glaze on the jar, and the glaze layer is thick, moist and bright. The tank body adopts various decorative techniques such as painting, carving and laminating, and the decorative patterns are as many as 1 1 layer.
The theme decoration of the abdomen is four groups of diamond-shaped flowers, and the flowers and stones of the four seasons are carved at the opening. Branches and leaves are rendered in blue and white, flowers and stones are depicted in glaze red, and blue and red are interesting. On the whole, this kind of can cover not only has the elegant characteristics of blue and white, but also combines the strong and warm color of underglaze red, forming an elegant and flowery artistic effect; The belly decoration adopts applique technique, which adds the three-dimensional effect of carving art to the plane decoration of the objects, and the craft is exquisite, which is the masterpiece of blue and white porcelain in Yuan Dynasty.