The desire of Verdi realized by Nabugo and the factors that excite the Italian music scene are uncovering and expanding the formula of Bel Canto opera. He quoted a bigger orchestra, and the momentum was naturally more magnificent. Compared with any bel canto opera, the music in his opera is more dramatic and direct. "That failed" reveals strong personal characteristics. Even though Verdi borrowed the rules of Bel Canto opera, there are still new ways to make the effect more magnificent. He found himself in opera, and the music in it also contained the seeds of Verdi's later musical thoughts.
In fact, Verdi is heading for a musical.
La Traviata, 185 1 to 1853, is a mature work, which represents the maturity of his personal style. Verdi has successively produced three operas-Joker (185 1), bard and Opera. After these three structures, his style has completely changed. Since then, his operas have become bigger, more beautiful, longer and more ambitious. Verdi is secretly groping for a broader road, and he would rather grope his way forward step by step. 1859' s masquerade is a drama mainly about singing, with mysterious and ingenious ideas everywhere: it can be called the most interesting lyricist in Verdi's creation. The Force of Destiny compiled for St. Petersburg was launched on 1862, which was rumored by all parties, but the bad script in it has not been improved.
187 1 The representative work Aida showed signs of reversal in Verdi's creative career. It is probably Verdi's most popular opera, and whenever people mention large-scale opera, its shadow will come to mind. Verdi's first two acts, which were compiled according to Mayabel's gorgeous technique, are the weakest link in all his operas. Even today, the March and ballet in the second act can only be accepted with a broad mind. It was not until the scene of the Nile in the third act that Verdi showed his true skills, and it was only in the finale that he became a masterpiece.