The poem is divided into two parts, the first ten sentences actively imitate the sound. The first sentence is different. There is no mention of the pianist, nor the time and place to play the piano. Instead, stick to the word "listening" in the topic, go straight to the theme, and introduce readers into a wonderful musical realm. The sound of the piano curled up, soft and thin, as if young children were whispering and telling each other their hearts when they were intimate. There is some blame in the middle, which is just an informal way to express love. Just as the listener was immersed in an atmosphere full of tenderness and sweetness, the sound of the piano suddenly became high-spirited and agitated, just like a brave soldier galloping through the enemy lines, which was extraordinary. Then the sound of the piano changed from rigid to soft, and the ups and downs echoed. Just like after a bloody battle, the enemy's breath was completely swept away. At this time, the sky is clear and sunny, with a few white clouds floating in the distance and catkins floating nearby. They are floating, elusive, but fascinating. The artistic conception expressed by the sound of the piano is lofty and broad, which makes people feel endless.
Suddenly, birds are singing and chirping, and the quiet environment is replaced by noisy scenes. Among all the birds, a phoenix flies high and sings for a long time. "If you can't climb the scale, you will fall sharply." This aloof phoenix, unwilling to associate with every bird, struggled to climb, but still fell, falling so fast and miserably. Here, there seems to be other sustenance besides showing the ups and downs of the piano sound with visual metaphors. Related to the following sentences, such as "wet clothes and tears", probably contains the poet's lament about his situation. He has written several times to analyze the gains and losses of political affairs, hoping that the authorities will be alert to get rid of the shortcomings and make great efforts to govern. As a result, he was repeatedly vilified and resentful. The phrase "wet clothes" is quite similar to "this Jiujiang official". "My blue sleeves are wet" in Bai Juyi's Pipa Trip, but the latter is more straightforward.
The last eight sentences are about my feelings and reactions when listening to the piano, which set off the beauty of the piano sound from the side. "Yu Yu" is a self-deprecating remark, which shows that you don't know music and can't understand the mystery. Nevertheless, I was deeply moved by Ying Shi's piano sound. At first, I sat up uncomfortably. Later, tears ran down my skirt, and I kept dripping. This intense emotional stimulation was unbearable, so I tried to stop it with my hands and couldn't bear to listen. The last two sentences further enhanced Ying Shi's superb piano skills. Ice and charcoal can't be in the same furnace, but the clever teacher's piano music brings people into the paradise of joy for a while, and then throws people into the hell of suffering, just like throwing ice and charcoal into the listener's chest at the same time, which makes people unable to bear such emotional fluctuations.
The whole poem is full of ups and downs, such as the Qiantang River tide, which is choppy and changeable. The first couplet and the second couplet, even the first sentence and the next sentence, have great ups and downs. For example, in the first couplet, "Being intimate with children, grievances are close to you", the soft piano sound is full of harmonious tones, with the word "resentment" in the middle, which makes people feel that the waves are steep and the posture is full of intimacy and life. For example, the first couplet is more about children's affection, and the second couplet is about heroism. These are two completely different voices, one is soft and the other is hard, which constitutes a disparity. The third link will change again, that is, from rigidity to flexibility, and it is easy to overlap with the first link. While being aware of this ups and downs, the poet opened up another new realm. Lofty, broad, quiet and mellow, in sharp contrast to the first United League, which is very affectionate and charming. Its sound is also different from that of the first couplet. One of them (the first one) is soft and pure fingering; One (triple) is melodious, which is called overtone. Although both of them are gentle, they have their own characteristics and accurately reflect the changes of the piano sound. A Qing poet Fang said that Han Yu's poems were "deep and strict", which is a good example.
Poetry that has been writing music mostly uses the physiological functions of human five senses to transform sounds that are difficult to capture into visual images that are easier to feel. This poem is elegant, ethereal and mellow because of its implicit voice and vivid image, but it is not limited to flesh and blood. The outstanding performance is that while imitating the rhythm of sound, it pays great attention to discovering the emotions contained in it. A good piano sound can be both pleasing to the ear and pleasing to the eye, and can be empathetic. A good piano sound can not only draw the sound, but also "draw the artistic conception" and "draw the ambition", and describe the situations expressed by the piano sound one by one. Poetry, while imitating the sound, shows the tenderness of children, or imitates the ambition of heroes, or is full of attachment to nature, or contains extraordinary thoughts and frustrations, and so on, all of which show deep affection.
Han Yu is a creative literary master. When he writes poetry, he can get rid of the shackles and find his own way. This poem is unique in creation and diction. In terms of creation, it shows readers two realms: one is the realm in music, that is, the situation composed of the sound and rhythm of music; The first is the realm outside the song, that is, the response of music sound to the listener (the poet himself). The two are also on and off, just like shadows and shapes. Therefore, the artistic conception of the whole poem is profound and meaningful. Many poems are novel, appropriate, refined and appealing. For example, the first two sentences are detailed in rhyme, in which the pronunciation of "female" and "language" is similar to that of "er" and "ru", which is somewhat confusing to read. This special phonological arrangement is just suitable for expressing the lingering modality between children. Later, the high-spirited piano sound was changed to Hong Yun's "Ang", "Tian", "Yang" and "Huang", which accurately expressed the feelings of the player and the impression of the listener. In addition, the staggered use of five words and seven words is in harmony with the intermittent sound of the piano, which also greatly enhances the expressive force of the poem. Such as this, it is obvious that poets are ingenious and unconstrained, but they all do what they are told and do their jobs. In fact, the so-called "hard words, just right" is also a major feature of Han Yu's poetic language. Su Shi's inscription and postscript to Dongpo in the Song Dynasty: The poem "Listening to the Piano" also retired. Ouyang Zhonggong asked his servant, "Which is the best?" I want to answer this question. Publicly speaking, this poem is solid and beautiful, and naturally it is listening to pipa poems.
In the Song Dynasty, Hu Zai's Prequel to Tiaoxi Fishing and Hiding in Conghua: Xiqing Poetic Talk said: Yihai, a noble monk of Sanwu, was named after Qin. On June 1st, a layman asked Dongpo, "Which is better, the piano or the poem?" Dongpo replied with "Listening to the Qin Dynasty", and the public said: "This is just listening to the pipa ear." Still ask the sea (pointing to the monk's righteous sea), and the sea says, "Ouyang Gong is a hero, but his language is wrong." "If you love your son's words, you will be wronged like a son's words", with a sincere heart, you can see the true feelings. "Paddling becomes magnificent, and warriors go to the enemy field", full of spirit, listen to it. "Clouds and catkins have no roots, and the world is wide." It is not normal, it is vast and natural. "A hundred birds are singing together, and suddenly I see a lonely phoenix", and I also see smart loneliness. Slang is also different from customs. "We can't be measured when we climb, but when we lose power and influence, we will fall sharply." . They all refer to the beauty of silk sound, but the piano is natural. On the pipa lattice, can you understand evil? It's interesting to retreat deeply, and it's not easy to criticize. "
Wu Zeng's Notes on Changing Zhai in the Song Dynasty: I said that the number of sounds of the sea of righteousness is not as good as that of pipa; Knowing the true meaning of the piano is not true. In the past, Wu Chaoqiu said that those who are good at playing the piano said that "floating clouds and catkins have no roots, and the world is as wide as the sky", which is overtone, not silk or wood. "A hundred birds are singing together and suddenly I see a lonely phoenix" is a sign of overtone, and "I can't climb the scale" is the sound of a song. "Fall from grace" is also the voice of the calendar. Working on the piano is the most difficult. "HongQingShan also tried to report, but the unknown came from classical. What Yi Hai knows is that the situation is clear and evil!
Xu Yi's poem about Xu Yanzhou in Song Dynasty: "Clouds and catkins have no roots, and the world is wide." This kind of overtone is also called "light is not silk, heavy is not wood." Birds are buzzing, and suddenly I see a lonely phoenix ",and my fingers are heard in the overtone. You can't climb the scale, and you can't sing. The fall from power and influence plummeted, and the voice was smooth. Servants don't know the piano, but those who know the good are clouds. These sounds are the hardest to work with. Wen Zhonggong and Dongpo talked about this poem. After listening to Pipa's poem, later generations followed suit. Liu Xiahui can do it, but I can't. Therefore, there are many discussions and few retreats.
Song Chen Shan's New Theory on Qin Ticks: Learn to play the piano by yourself, and learn how to write. The beauty of the article is that it can cover up setbacks and make people read it tirelessly. Han tui's poem "Listening to English and Qin" says: "I am close to my son's language ... and I have fallen into a trough." This frustration method is also. Return the book with Li Ao as a method.
In the Song Dynasty, Lou Jian's Collection of Attacking Shame, Xie's Stone Letter < Guangling III >: Han Wengong's poem "Listening to the Piano" is a masterpiece in ancient and modern times. The first ten sentences describe all the songs. They must have been written for Guangling San, but the other songs are not enough. This Ou Gong thought it was a pipa poem, and Su Gong attached it as a pipa poem. Both of them are heaven and man, how dare they speak out of turn, but they are not as deep as the piano.
Song Wang Xun's "Talk about Wild Guests": Return to the poem "Listen to Qin" and say: "The brave go to the enemy field." This meaning comes from Ruan Yu's Fu Zheng: "Easy and slow, late and fast, the way of a gentleman is also;" Generosity and openness are the festival of strong men. " Ruan Yu's original intention comes from Wang Bo's Ode to Dong Xiao, praising: "What a brave man! Gentle and honest, like a gentleman. "
Jiang Zhiyi's Notes on Han Changli in the Tang Dynasty in the Ming Dynasty: I only heard four words, but suddenly I heard that my bones were weak and tender, and my heart was broken. Suddenly I heard that my claws were open, which was shocking. It's full of perverts.
Tang Dingfeng of Xing Yun in Ming Dynasty: Listening to Ying Shi play the piano is far less than Li Jie's Hu Jia, and more vigorous than the lute of Xiangshan.
Express of Tang Poems by Huang in Qing Dynasty: The wonderful sound of the piano is inexhaustible. Why did Ouyang Wenzhong think of pipa?
Qing Heshang's "Poetry in the Wine Garden" was re-edited: Qin Shizhen said: "Children's words are intimate ... the world is vast and far-reaching." What a relief!
Zhu Yizun's criticism of Korean poetry in the Qing Dynasty: the piano is wonderful in the bone marrow, and it's all true. Countless huber called for a taxi and Liu Zihou aspired to be a guzheng master, which can not be compared, and can be described as a swan song in ancient and modern times. On June 1st, a good piano is a pipa, which has not been stolen. Chun is a good Tang poem. Why let du?
Chu Bai 'an's Poetry Review in Qing Dynasty: Ten consecutive sentences, each with its own meaning, are praise to the pianist, not the piano. The beauty of the piano is beyond praise, so the following article directly says "I heard Shi Ying play" (under the sentence "out of favor").
Poems of the Tang and Song Dynasties compiled by Emperor Gaozong of the Qing Dynasty: It is really the essence to write the wonderful sound of the piano. Countless huber called for a taxi, and Liu Zihou was determined to be a guzheng teacher, but they all failed. Uncle Yong plays the piano well, but he uses it as a laughing stock. The word "Pan" is a wonderful formula for thousands of ancient poems.
In Qing Dynasty, Ye Jiao Ran's "The First Poetry Collection of Longxingtang: Chang Li Listening to Ying Shi Playing the Piano", with cadence and abnormal music, is wonderful, no less than the echoes of Hu Jia and Chang Ji of Li Qi. Sixty-one refers to the pipa, which is the most accurate.
Xue Xue's "A Ladle of Poems" in Qing Dynasty: "Ying Shi plays the piano" is a overtone, and Changli is fascinated by the word "Ni Ni", which is like the sound of a pipa, so it is "beyond measure, falling into a precipitous situation", which is even more indescribable, except chanting and expanding the original.
Modern Cheng Xuexun's assumption of Chinese poetry: Yong Shu's so-called pipa-like person has only four ears, and the rest are unique. Edgar Allan Poe tried his best to recall Ou Gong's language, and even wrote a poem "Listen to the sage and play the piano", but he hated Ou Gong for not seeing it. The so-called "big string is soft and flat in spring, and the horn of cattle calls" is also true. To say this sincerity is not to doubt the pipa, but it is also tasteless. How about trying to read the poem of retreat again? Zhouyan called it the ear of this world, but I don't know what it was used in the Tang Dynasty, so it's the same? If you beat the drum to the teacher, you won't get involved with the children. This must be known.
Gao Buting's Collection of Poems of Modern Tang and Song Dynasties: Fang Funan said: According to Ji Kang's Fu Qin, there are already these sounds, and he said: "Or resentment?" And for ",not" intimate children's language "? "Be generous when grabbing" means "Warriors go to enemy-occupied areas"? "Suddenly with light steps, if all the flowers are in full bloom in the brilliant spring breeze", wouldn't it be "floating clouds without roots and catkins"? What about "if you leave the pool, if your wings swim over the cliff", or "if your husband and wife are singing", instead of "a hundred birds are singing together and suddenly you see a lonely phoenix"? "Zen meditation (Tan, according to the original text) is complex, repetitive and accumulated, and there is no rest between them. "Does it mean' it is impossible to climb to scale'?" Or take the risk to vote, invite the gap into danger ","or hug? Oak is smooth, light green, bright and clear, not "falling into thousands of feet"? The public does not attack, but the understanding of Qin theory is also harmonious. Wuyue said: No reason to come, no reason to stop, the composition is extremely strange (under the sentence of Warrior). Extremely ups and downs, the cover metaphor of the beauty of its chapter (under the sentence "fall"). One more stroke (under the sentence "Yinghu").