That day, I was a guest at Dong Xinbin's home at No.62 Beijing West Road in Nanjing, saying that I was a guest and a frequent visitor. Teacher Dong's family treats me like a family, and I am very casual and unrestrained in his family. In the evening, Jenny Li Yilan said to me, "Go home and invite Zuming to dinner. Go back and come back for dinner! " "
According to Jenny's guidance, I soon found a tin house on the roadside near Caomen, where Huang Zuming lived when he was studying in Nanjing. I saw him naked, wearing underpants, soaked with sweat, the sweat on his forehead kept dripping, drawing on the board intently, and the brush in his hand dancing happily on the rice paper. Seeing this scene, I don't want to disturb him, for fear of disturbing his creative inspiration and affecting his composition ideas. I was moved by his tireless learning spirit. I gently knocked on the door a few times, and Zu Cai Ming looked at me calmly and waited for a while. After I said my purpose, they hurried to the teacher's house together. ...
"China's paintings are the highest wisdom of Chinese civilization for thousands of years, the creation of regional wisdom of landscape, scenery, life and production, and have the full nationality of the Chinese nation ..." Mr. Dong Xinbin elaborated on "a long way to go" in China's paintings. In fact, Mr. Dong Xinbin has been emphasizing that China's paintings are not purely local culture, but are constantly innovating and developing in synchronization with human progress and world civilization. Zuming is practicing Mr. Wang's theory and interpreting the profound connotation of China's paintings. (Shao Jiagan, boss of Biyunxuan)