If you want to explain this passage well, you only need to know the story of Zhuangzi Qiushui in detail: You are not a fish, so you know the happiness of the fish? If you are not me, do you know that I don't know the happiness of fish?
2. Jichang Garden takes a clear water as the composition center, and the water turns with the mountains, and the mountains live because of water. This clear water is "Jin Huiyi". Knowing fish sill is the composition center and wonderful highlight of Jinhui Yishui in Jichang Garden. The fish-knowing sill is located in the center of Jinhui I, a square pavilion, resting on the top of the mountain, protruding out of the pool and surrounded by water on three sides. On the sitting board near the water, there is Wu Wang Le 'an (Beauty Le 'an), where tourists can sit comfortably and enjoy the happy fish in Jinhui Yili. The name of the threshold comes from the sentence "Do I know the joy of fish" in Zhuangzi Qiushui. The owner of the garden wrote in the poem: "The autumn water outside the threshold is enough, and the strategy is complex; I don't know that I am not a fish, so I am happy. " There are clear water nanmu screens made of these original texts hanging on the powder wall of the fish-knowing sill. Know the Fish Threshold is now written by Zhang Xinjia. Jin Huiyi is actually a pool, long and narrow, long from north to south and narrow from east to west, accounting for about 17% of the total area. The threshold of catching fish in Jinhui No.1 Pool is in contrast with the "Hebutan" on the west bank. The contraction of the threshold of knowing fish and Buhe Beach divides Jin Hui into two waters, north and south, breaking the feeling of a long and narrow pool. The whole place of Jinhuiyi is particularly vast: there is a horizontal bridge and a covered bridge at the northern end of Jinhuiyi, which adds a landscape level to the small water area; At the northern end of Jin Huiyi, a water tail was made. With the cover of the covered bridge, the pool has no head and the water is active. Jinhuiyi's area is not large, but due to the twists and turns of the pool bank, the waters are divided into many levels, which are scattered and well-organized, rich in variety and not cramped, making Jichang Garden a quiet and spacious rest space. Compared with mountains and water, there are not many buildings in the garden. Except for several temples, halls and halls at the entrance, the rest of the pavilions, platforms, buildings and bridges are scattered around the pool. The fish know the threshold, located on the east bank of the middle section of the pool, protruding from the water surface, making the whole Jinhui 1 gourd-shaped, which is the center of water composition. Here, you can have a panoramic view of the parallel mountain scenery on the west bank of the pool, which is an ideal perspective to appreciate the unique Gedun rockery and Huishan. Borrowing scenery is one of the unique techniques of gardening art in China. "Borrowing" has the beauty outside the garden, and "feeling" has the scenery outside the garden, which has always been valued by gardeners. The so-called "borrowing scenery for reasons, touching and affectionate." The case pier rockery in Jichang Garden is stacked according to the remnants of Huizhou School outside the garden. As an intermediary, it not only enriches the level of the mountain, but also serves as a transition point connecting Huishan and the park. But the highest point of the rockery is only 4.5 meters, which is placed in front of the real mountain more than 300 meters high. I feel isolated and small. Why? This is because from the threshold of knowing fish, the rockery and the real mountain are naturally scattered and integrated, achieving the artistic effect of "the mountain is in the garden and the garden is in the mountain". It says borrow, borrow, borrow. There is also borrowing, or "opposite scenery", which refers to a law that the buildings here are opposite to the rockery of "one mountain hides twists and turns and climbs slowly" and replace each other. In this way, in the eyes of tourists, there is an organic combination of "you have me, I have you" between architecture and rockery, which is a lively and selfless realm that integrates tourists into mountains and rivers and breathes. In the threshold of knowing fish, the prince of Wu sits idle (beauty depends) and leans against the railing to watch the fish. The shadows of mountains, pavilions, flowers, clouds, birds and fish are reflected in the painting one by one, and they meet into a scene, where the breeze moves and the waves gather, giving people a taste of mountains and smoke. Located in the northwest bank of Jinhui Yishui, the Hanbi Pavilion, and the verandahs and covered bridges connecting the threshold of knowing fish and Hanbi Pavilion are not only good places to watch and rest, but also add the landscape of the garden with empty walls and leaking windows. Climbing vines with flowers on the lush trees near the threshold of knowing fish, bathed in the smoky wind in May and fluttering with the wind, revealing lush spring vines and bright flowers in the sparse sun. The fish-knowing sill is the most striking building in Jichang Garden.