Brief introduction of the author
Liu Yong (the year of birth and death is unknown), formerly known as Sanbian, the word Jingzhuang; Later renamed Yong, the word Qing. Line 7, hence the name "Liu Qi". Chong 'an (now Chong 'an County, Fujian Province) people. Song Renzong was a scholar in the first year of Jing Hu (1034). Yuan Wailang, once a cultivated land, was called "Liu Huangdi". Liu Yong is a key figure in the development and transformation of Song Ci, and the first professional poet in the history of China Ci. He is proficient in temperament, produced a large number of slow words, and adopted Fu style to suit both refined and popular tastes, which promoted the development of words. The Collection of Movements consists of three volumes. Modern Xue wrote "Action Collection Notes".
Wang Haichao
Notes on the title or background of a book.
The tune of Wang Haichao was first seen in Liu Yong's Meditation. The poem praises Qiantang (now Hangzhou, Zhejiang) and renamed Qiantang as a tide-watching resort. It is said that Liu Yong met Sun He, the commander-in-chief guarding Hangzhou at that time, and lamented the beauty of lakes and mountains and the prosperity of the city. Liu Yong has many works praising prosperity, especially this song "Looking at the Tide of the Sea".
Southeast shape wins [1], Wujiang metropolis [2], Qiantang has been prosperous since ancient times. Willow painting bridge, wind curtain and green curtain, uneven 100 thousand people [3]. Clouds and trees surround the bank and sand. Furious waves roll frost and snow, and natural hazards are endless [4]. The city is full of jewels [5] and every household is luxurious.
Thick lakes overlap each other [6]. There are Sanqiu cassia seed and Shili Lotus. Qiang tube clear sky, night full [7], picking lotus is interesting. Thousands of riders have high teeth [8]. Drunk to listen to the flute and drum, enjoy the haze. The future map will be very good and will be praised by Fengchi [9].
(Proofreading Collection of Movements)
To annotate ...
[1] Sheng Xing: Excellent geographical position.
[2] Wujiang Metropolis: or "35 Metropolis". In the Northern Wei Dynasty, Li Daoyuan called Xing Wu County, Wu Jun County and Huiji County as "Three Wu". Qiantang in the Qin Dynasty belonged to Huiji County, Wu Jun in the Han Dynasty was the governor, Hangzhou in the Sui and Tang Dynasties, and wuyue in the Five Dynasties established its capital here. Therefore, it is called "the metropolis of three Wu".
[3] "Uneven" sentence: Describe the rugged castle. "Numerous victories of the old people in West Lake": "Looking back at the city of Zhongshan, people are stacked on top of each other, and the observation tower is uneven, like flowers falling into the fairy palace." It means "close" and "almost".
[4] Natural barrier: a metaphor for a dangerous place that cannot be easily crossed. Biography of Southern History and Confucius: "The Yangtze River is a natural moat, which has been separated since ancient times. How can Lu Jun fly? " In the past, the Yangtze River was a natural barrier.
[5] Zhu Ji: Jewelry. This refers to precious commodities such as jewelry.
[6] "Heavy Lake" sentence: The West Lake, which is bounded by Bai Causeway, is an additional lake, a Li Lake, so it is a heavy lake. Overlapping peaks.
[7] "Guan Qiang" two sentences: playing Qiangdi during the day, rowing at night to collect diamonds, singing.
[8] Foreword: refers to many followers, here refers to the governors of counties. "Sang Shang, Han Yuefu": "A thousand people ride the east, and the husband is at the top." Gao Yanei: A high tooth flag. The general's flag is called the tooth flag.
[9] Fengchi: Fengchi, originally a palace, here refers to the imperial court or Zhongshu Province, and holds political secrets.
Set comments
[Song] Luo Dajing's "He Lu" Volume 1: "Sun Heshuai Qiantang wrote the word" Looking at the Tide "(the word is abbreviated). As soon as this was passed, the gold master listened to this song and praised' Sanqiu devil, Shili Lotus', so he set out to throw a whip to cross the river. "
Klang Ganzhou
Notes on the title or background of a book.
"Klang Ganzhou" is a "Ganzhou". The name of this Tang Xuanzong Shijiaofang Daqu came from the Western Regions and was later used as a qupai. There were "Ganzhou Qu" in the Five Dynasties, which were all different from "Basheng Ganzhou" produced by Song people. "Dictionary" Volume 25: "According to this tune, the first and second paragraphs are eight rhymes, hence the name eight tones, which are slow characters." This poem is a crisp autumn and homesick work, which reflects the poet's depressed mood. The lofty and vigorous realm is a good structure for both refined and popular tastes.
Wash the clear autumn for Xiaoxiao [1] and Huangfaint rain. Gradually, the wind and frost are bitter and the river is cold. It is [2] the decline of red, the decline of green, [3]. Only the gushing water of the Yangtze river flows eastward without sound.
Without the heart to climb the distance and overlook the distant home, it is difficult to gather the desire to go home. Sigh for years, why stay. Miss a beautiful woman, dress up [4], miss a few times, and return to the boat [5] one day. Eager to know me, lean on the dry place.
(Proofreading Collection of Movements)
To annotate ...
[1] Smile: Describe the appearance of the rain.
[2] Yes: everywhere, everywhere.
[3] "Constant" sentence: The scenery gradually declines with the passage of time. Hengheng: Just like Ran Ran, gradually. Wuhua: Beautiful natural scenery.
[4] Wang Qing: Gaze, gawk.
[5] "Missed a few times" two sentences: How many times has a beautiful woman mistaken a ship coming from a distance for a ship returned by her lover? In the Southern Dynasties, Xie Yong wrote a poem entitled "Xinlinpu Bridge in Xuancheng County": "Heaven knows the boat, and the trees in the clouds distinguish the river." Tang Wen Ting Yun's Looking South: "After all, Qian Fan is not." Here, the use of thank-you poems is more tortuous than warm words and the sense of disappointment is stronger.
Set comments
[Song] Su Shi: "The world says that Liu Chuiqing is vulgar, which is not true. For example, "Klang Ganzhou" said:' The frost is tight, the river is cold, and the residual light is a building'. This language is in poetry and does not reduce the height of the Tang people. " (Song Zhaoling's Backstreet Record, Volume 7)
[Song] Chen's "Xiezhizhai Topic" Volume 21: "Its style is not high, but its melody is harmonious, its meaning is appropriate, its weather is calm, its description is exhaustive, and it is especially good at traveling."
[Qing] Zhou Ji's "Selected Poems of Song Sijia": "Liu Ci is always good at plain narration, or the beginning, or the end, or the change of head, outlined in one or two sentences, which is very powerful."
Wu Fengqi
Notes on the title or background of a book.
Going upstairs hurts the spring, and the feeling of wandering is intertwined with homesickness, and the mood is strong and depressed. "My belt is getting wider and wider, but I will never regret it. I will languish for Iraq", especially appreciated.
Just rely on dangerous houses. Looking forward to spring sorrow, the sky is dark [1]. In the afterglow of grass and smoke. Who knows why I lean on the tracks silently?
I'm getting drunk. When wine is a song [2], strong music is still tasteless. The belt is getting wider and wider [3] I will never regret it. It's worth getting tired for my coquetry.
(Proofreading Collection of Movements)
To annotate ...
[1] Looking at the Pole: The sadness in my heart rises with the spring. Lookout pole: standing on a tall building, looking into the distance.
[2] Song for wine: Three Kingdoms Cao's "Short Songs": "Song for wine, life geometry."
[3] Widening the belt: describes people getting thinner and thinner. "Farewell" in Nineteen Ancient Poems: "The day of parting is far away, but the day of dressing is slow."
Set comments
Wang Guowei's "Words on Earth": "Those who specialize in love stories are wonderful" and "rare in ancient and modern times". (Comment on the last two sentences)
Other works
Hechongtian
Gold list. I lost hope. The temporary legacy of the Ming dynasty. Struggle if you fail, and don't swing wildly. Why did you lose? A talented scholar and poet naturally wears white clothes.
The misty alley is very strange, and it is still a Danqing barrier. Fortunately, only the right person can find incense. And snuggled up to the red jade, had an affair, and life was smooth sailing. Youth is a soldier. Endure superficial fame and sing shallowly.
Shorts
Late autumn. A light rain fell on the gazebo. The threshold is sparse, and the shaft is messy and disabling. Sadness. Wang Xiangguan. The clouds are hazy and the sunset glow is hazy. What a sad sight, overlooking the rivers and mountains, the afterglow of the sunset. Looking back on that year, Song Yu, who was sentimental, saw how sad this autumn was. She used to climb mountains and rivers. Thousands of miles away in Wan Li, the road is difficult, and the road is so sad. I especially hate hearing the sound of running water from the long river.
A lonely museum is like a year. In the posthouse, it's the same as each other, year after year. Dewdrops in the autumn wind began to get cold, and in the middle of the night, the pain in the chest became worse. After thinking about it, there are only a handful of scenes that night always faces, thinking about the past. At that time, fame and fortune did not exist, but in Song Lou brothels and other scenic spots, the time consumed every year.
The infinite city of the capital reminds me that when I was young, I just wanted to have fun every day. There are crazy friends, and when they meet songs, they compete for wine. However, after parting, time flies, and those fun and fun scenes are like a dream, with a little cigarette in front of us. Thinking about fame and fortune, haggard and lingering. It is those who have fame and fortune that make me so haggard and will fetter me. I feel a little cold because of the leaking arrow. Listen to sobs and draw corners. Silent to the window, the light went out and waited for dawn, and the shadow couldn't sleep alone.
Appreciation of students' excellent works
The injury of clear autumn after rain
—— ? Appreciation of Liu Yong's "Klang Ganzhou" (drizzling night rain sprinkled on the river)
In the clear autumn sunset, the wanderer went up the mountain and looked at the railing, full of sadness.
The author is alone in the face of misty yellow rain falling from the gray sky to the river. After some rain washing, the scenery in clear autumn is particularly cold. The bleak frost wind is as tight as a moment, and the mountains and rivers are barren and depressed, and the afterglow of the sunset shines on the tall buildings. Everywhere, the red flowers wither, the green leaves wither, and all the beautiful scenery gradually fades. Only the surging Yangtze River flows eastward quietly. At the beginning, "it's raining at dusk" and "washing away the clear autumn" show that the ancients always felt hurt by autumn in the season when the author lived. When the author climbed the mountain and saw that all the beautiful things had disappeared, he felt depressed. Can only sigh "only the Yangtze River water, speechless east flow". The words "rain", "sprinkling" and "washing" on the beach are pronounced in sound, which makes people feel cold and sad in autumn.
Every time I read this word, I feel my heart sinking inexplicably. I know this is the author's rendering success, which makes me feel sad about autumn, no matter what season I am in. As the saying goes, "Guests are always afraid of others", and Liu Yong will feel lonely and helpless when wandering alone. Coupled with the autumn evening, the sunset added to his sadness. All the good things in front of me have disappeared, and the water has hit the wanderer's heart coldly. The phrase "beautiful life" shows the author's helplessness to nature. I wonder if it is also a microcosm of his helplessness in life and career. Liu Yong is also a traditional intellectual. It is their consistent creed to learn to be excellent and be an official, but he is frustrated everywhere. Finally, I comforted myself and said, "Only the Yangtze River flows eastward." Only the surging Yangtze River water, unaffected by the seasons, flows as usual, soothing the author's heart.
He couldn't bear to climb the mountain and look far away, looking at his hometown in the distance, and his desire to go home was hard to put away. Sighing at the whereabouts of these years, why on earth should I stay in a foreign land for a long time? Thinking about beauty, I looked up at the gorgeous upstairs, and how many times I mistakenly thought that the ship coming from afar was my own. How did she know that I was leaning against the railing? I was so worried that I was definitely not as relaxed and happy as her. The writers in Xiagan miss their hometown alone, which is contrary to the decline of Shanggan. The scenes blend and make people feel the same. I expressed my wandering and frustrated mood. I can't bear it, which ends with the background of climbing high and looking far, and the cloud "I can't bear it" is more tortuous and sad. Here, the text is mainly about the scenery, and the feelings are in the scenery. The poet puts himself in others' shoes, but thinks of the women in the boudoir in his hometown. He also wants to climb the stairs and expect the wanderer to return, which makes his feelings stronger, similar to Du Fu's "For our boys and girls, poor little baby, too young to know where the capital is". The word "several mistakes" is more clever. At the end of the sentence, point out the problem. Rely on dry, upright, for the building, climb far, look, sigh and think, all of which are interrelated and reflect each other. The scenery of climbing to the top of the poem is to lean on the boudoir and look at it; Homesickness is born of "sadness"; And the word "try to know me" has become a reality, which makes the expression of homesickness and affection for others more tortuous and moving.
After reading it, I was shocked to find that the homesickness of this romantic genius is quite unrestrained. I always feel that the word "horizon" should be written by Dongpo, and Liu Qiduo is wandering in the sky. It is also the phrase "Heaven knows where to go", which vividly shapes the image of a woman looking forward to the return of her lover.
This poem has a fine structure, the scenery and lyrics are integrated, and it is good at telling stories. Between the lines, homesickness and homesickness are vividly displayed. Simple drawing techniques and popular language make this complicated idea clear. The whole poem has feelings, and there are scenes in the feelings. Let people feel the author's feelings and miss home with him.
(Chen 20 1 25219 2012 Chinese class1)
short review
From the analysis of words and expressions to the elaboration of feelings and artistic techniques of words, we can see that the author's thinking is clear. It is complicated and difficult to tell the poet's psychological changes in the third person, which makes the poet's image more perfect and clear because of what he saw with his own eyes, and is no longer a distant and vague figure.
White dress in fireworks
—— ? Appreciation of Liu Yong's "Klang Ganzhou" (drizzling night rain sprinkled on the river)
I like many poets and different styles of writing. Like "bamboo straw sandals are lighter than horses, who is afraid?" A misty rain lasts a lifetime, like "outside the setting sun, the number of Western jackdaw in the west, flowing water around the lonely village", like "cherishing spring and fearing that flowers will bloom early, not to mention countless red flowers", and there are many more. ...
But today, now, at this moment, I just want to write down my feelings about a person and a word.
Facing the rain from the sky, a piece of washed autumn scenery on the river is particularly cold. The bleak frost wind is tight, the river surface of the mountains and rivers is deserted, and the setting sun shines on the tall buildings. This is a decline in prosperity, not a decline in Ran Ran's prosperity. Only the surging Yangtze River flows eastward silently.
Without the heart to climb the distance and overlook the distant home, it is difficult to gather the desire to go home. Sigh for the coming year, why stay long? Miss a beautiful woman, dress up and look up, miss a few times, God knows how to get back to the boat. Fight for me, lean on the dry place, I am in a hurry.
Because I live in the north of Dongting and on the bank of the Yangtze River, I have stood by the river many times after the autumn rain, so let's try to figure out the subtle feelings of this "White Snake" with my humble experience.
The setting sun sank, the autumn rain began to rest, the blue sky was washed, and the raindrops all over the world finally stopped. In addition to the greener distant mountains, there is also a river, which is more spacious because of its slight rise. The cool breeze blows up a person's wide skirt. On the nameless rostrum, the setting sun spreads a bloody background and evaporates dense water vapor, as if to melt the only figure.
The grass in the corner is drooping and yellow; The algae curled and fractured on the sandbar in the middle of the river; The vague shadows on the other side of the river swayed with the river wind. Every time, the green will fade. This autumn, the poet even missed the "flying red ten thousand points", and everything was over. Spread out this long scroll of desolate and depressed scenery, which remains unchanged at four o'clock and seems eternal, leaving only the "water-repellent" river flowing eastward. Like a statue, the poet slowly walked out of the cornice and suddenly retreated, not because he didn't want to see it, but knowing that he couldn't see it. A person who experiences setbacks is most likely to arouse acacia, not to mention a scholar who has been wandering for many years and experienced wind and frost. All the hardships are helpless, but in the end it is just a sigh. Why did I stay? Why am I lonely? What am I living for?
In a trance, the scene floats, from vague to clear. She's like me now. Standing on the dressing floor, I tightened my heart for every boat going home, but I was overwhelmed by disappointment again and again. Although she is a fireworks woman, she retains that stubbornness, only for one person, and is willing to wait for a lifetime. How I want you to see my figure, how I want to tell you that I lean against the railing and watch Qiu Jiang's endless sadness, dry my tears, the river is still there, and my temples are white. Brilliance passed away like fireworks, and emptiness came.
Liu Yong's ci is the first of its kind. He tries his best to express his feelings in a vague way. Who says Liu Yong can only sing obscene songs? A layman can never write a sentence like the beginning of this song "Klang Ganzhou". It is the sound of life and nature, and it is the crisscross of eternity and moment. This kind of worry, in my opinion, is no worse than Li Houzhu's "tears, when drunk, when heavy, natural people grow up and hate water to grow eastward". This is not a personal lament for oneself, but the ultimate question that human beings have had from the beginning: why is life short? Why is the universe so long?
The feelings for the next person changed from empty to real, but they could not be poured out, so they had to be transformed into feelings and thoughts for their loved ones. But missing can never be replaced by meeting. After lovesickness, I am still wandering, and you are not interested in dressing up. In other words, this lonely tacit understanding became the poet's last expectation. Speaking of this, people who read the lyrics can read the delicate feelings hidden between the lines without knowing the specific reasons of their own lyrics, which can be said to be a success.
Wearing white can't be romantic, but this romance is like fireworks. Once it blooms, it is a gorgeous night sky; Once withered, it is a deep constellation. Of the two, I'm afraid there is only a white woman leaning against the railing and singing softly.
(Zou Yue 20 1 25155 20121)
short review
Under the romantic reputation of Qing Xiang in white, how difficult it is to be lonely, but the author understands the unwillingness behind that unruly. From other words and this word, I have rich associations and feelings, and I have a tacit understanding with Liu Yong.
Eternal life swan song
—— ? Appreciation of Liu Yong's Wu Fengqi
There is a saying that the artistic conception and spirit are so beautiful that I am fascinated by it; There is such a poet whose life makes me feel distressed. When I happened to meet the word "Wu Fengqi" in a thick yellow scroll; When I crossed the vast historical dust and met Liu Yong, a famous poet in the Northern Song Dynasty, I had a new understanding of the sadness of spring and the persistence of life.
Wu Fengqi is a lyrical work with excellent beauty. Spring has come. In the season of green willows and red tassels, there may have been * * * condensed on the green building, or there may have been wanderers enjoying the beautiful scenery of horseshoe falling flowers. On such a romantic day, I saw a gaunt and haggard person through the sandstorm of history. He looked up at Ling Ran and saw far away. What's he thinking?
"I am leaning on a dangerous building, looking forward to spring sorrow, and the sky is dark." On a breezy spring day, the poet climbed a tall building and stood there staring at the distance for a long time, hoping to see the people he met and the places he wanted to go. However, at this time, in the boundless moment of the handover of heaven and earth, "Spring Sorrow" spread in his heart, as if it had turned into blood, eroding every inch of his blood. Why is he in such pain? What is he thinking and worrying about?
"In the afterglow of grass, no one will rely on the meaning of pillars without words." Lush green grass, in the afterglow of sunset, seems to be a mist, like a dream. Only the afterglow of the sunset was left, and the poet still stood stubbornly far away and refused to leave. No one understands his feelings of climbing high and overlooking, and no one tells his heart. Only by silently leaning on the railing, let the spring breeze take his thoughts far away!
"It's boring to get drunk and sing a song about wine." Perhaps being intoxicated can make people forget the "spring sorrow", sing loudly to the wine and force a smile. I don't know that these old wine songs have lost their flavor. Is the poet too melancholy? Why can't you always send it away? He is so lonely and lonely, both physically and mentally. Who can help him?
"The belt is getting wider and wider, and I don't regret it. I am thin for Iraq. " It turned out that he missed the Iraqi people far away. For this love, he haggard and lost his figure. But it doesn't matter, the value of love lies in its persistence and its tireless death. The poet never regrets, he is willing to suffer for love, and he is willing to suffer for his own obsession. What kind of love is this? What spirit is this?
Liu Yong's first poem, touching and graceful, is a little firm. His whole body is full of endless "spring worries", but he doesn't write about them directly. Through the rendering of the environment, he skillfully combined the feeling of being down and out in a foreign land with the lingering feeling of falling in love with the right person, and slowly revealed his sorrow. The ancients said that "the winding path leads to a secluded place", and the whole poem was elusive, confusing and full of twists and turns, which finally gave me a feeling of being suddenly enlightened, but I was still unfinished.
Between the lines, what attracts me most is the sentence "My clothes are getting wider and wider, but I will never regret it, and I will be haggard for Iraq". Imagine how sad the reader's heart should be when deep sadness hangs over the whole poem. We feel sorry for the poet, perhaps more worried that the poet will bow his proud head in the face of that kind of sorrow. However, the poet told us that he would not regret it until he died. Here, the whole word has been sublimated, and I see persistence and perseverance, just like the little green in the flowers. Suddenly looking back, I found it. It is there, belonging to Liu Yong's persistence and perseverance.
Perhaps in Ci, this persistence is born to love's, but I believe that the persistence in the bones is integrated with the poet's blood. The poet of the Northern Song Dynasty had a bad career and attached his feelings to his songs, but I believe he has his own firm life ideals and ambitions.
What about us?
(Liu Zijuan 20 125229 20 12 Chinese class 1)
short review
The author's profound understanding of Liu Yong and Liu Yong's ci can be seen everywhere in the whole text. From the persistent admiration for Liu Yong to the sudden turn at the end of the article, it is more meaningful to think about whether he has that persistence. From ancient times to the present, from there to here, Liu Yong's power can also touch people's hearts through thousands of years.
Behind the prosperity is the haggard of the Sri Lankan people.
—— ? Appreciation of Liu Yong's "Looking at the Tide of the Sea" (Southeast Shape Victory)
This is a word that is contrary to Liu Yong's consistent style. It is not only different from the tender lingering of "holding hands and gazing at tears", but also different from the deep melancholy of "looking forward to spring and being extremely worried, and the sky is dark". At the beginning, the momentum was huge, and the brushwork was open and closed, showing the prosperity of Hangzhou in colorful colors. This word is exquisitely conceived. The first one is about Hangzhou, and the second one is about the West Lake, which describes the magnificent scenery of Qiantang from point to point.
"The southeast is invincible, the city of Sanwu, and Qiantang has been prosperous since ancient times." These three sentences command the whole article and are magnificent. Sanwu refers to Xing Wu, Wu Jun and Huiji. The "Three Five Cities" here refers to Hangzhou. The words "shape wins" and "prosperity" are the finishing touch. Later, he began to describe the prosperity and prosperity of Hangzhou in detail from all aspects. "Liuhua Bridge" writes an elegant and beautiful street view of Hangzhou. The swaying trees set off the carved Hongqiao, which is a moving picture. "The wind curtain is green, and a hundred thousand different homes" not only reflects the number of residents in Hangzhou, but also reflects the high living standard and people's interest in life. Decorate your home with curtains, which shows that life is leisurely and comfortable. There is only one word "wai" to describe the winding situation of the long dike. "The raging waves roll frost and snow, and the natural moat is boundless", and "the raging waves" wrote the mighty surging Qiantang River. Then, the poet grasped the two details of "Zhuji" and "Rocky", and vividly reflected the prosperity of the market and the prosperity of the citizens. "Competing for luxury" means boasting among shops, and there are many kinds of goods, which shows that Hangzhou is a prosperous metropolis. The next film began to focus on the West Lake. Under the overlapping mountain shadows, we saw the West Lake, which was split in two by Bai Causeway. "Sanqiu Guizi, Shili Lotus" condensed the most beautiful scenery of the West Lake in just eight words, which shocked people and fascinated people at once. The phrase "the pipe is strong and clear, and the rhombic plate is night" is neat and melodious. And "Lotus Doll Playing Fishing Fire" adds humanistic elements to this beautiful scene, and the picture is richer and more humanized, which constitutes a picture of the people in the country.
Then, the poet began to write about the majestic style of dignitaries traveling, such as "riding a thousand horses with high teeth, drunk listening to flutes and drums, enjoying the clouds", how romantic and unique. This is also beyond the reach of ordinary people. "The future map will bring good scenery and boast back to Fengchi". When I wrote this, the author made clear his intention. Visit Sun He. According to Luo Dajing's "He Lin Yu Lu", this word is a work presented by Liu Yong to an old friend. Sun He was then a Zhejiang-Zhejiang transshipment ambassador, stationed in Hangzhou.
Think from Liu Yong's point of view. His former classmates and friends are now in high spirits and proud of the spring breeze, but he is brilliant and ambitious and hangs around Gelou's restaurant all day. Won't he be sad? The imperial edict of "writing lyrics" is hard to violate. Is this life destined to drift?
Don't think that Liu Yong can really "endure to change his name." His heart has always longed for being an official and making a fortune for the whole world. Now he is wandering around, and no one takes refuge. It's hard to see his old friends. Who can understand his heart?
The vast city of Hangzhou is full of bright lights and feasts, but behind this prosperity, it is Liu Yong's deepest wound.
When the light fades, maybe we can see that man is so haggard.
(Ma 20 1 00183 2010 class Maoyuan delivery1class)
short review
The title is the essence of Liu Yong's ci. Looking at the prosperity, but relying on classmates to fight for their own future, full of scenery and strength. Through the grand occasion, the author saw the poet's inner pain.
Wandering and dreaming for an instant.
—— ? Appreciation of Liuyong Youth Tour (Chang 'an Ancient Road Mayan)
Proud of being a nostalgic person. The string in my heart was gently plucked by Liu Yong's "Journey to Youth", slipped out of a low end sound and turned into a sigh.
A Journey to Youth is a famous epigraph with charm. In Su Shi's pen, it is the casualness of "inviting the bright moon to roll the curtain and expose the window screen"; In Zhou Bangyan's pen, "It's better to have a rest for a few pedestrians when the horse slides in first frost" is touching; In Jiang Kui's pen, it is the leisure worry that "two people outside the pear wall know each other's worries".
So, what about Liu Yong's?
On the ancient road of Chang 'an, riding a thin horse slowly, Gao Liu Qiu Chan screamed. The sun is shining and the autumn wind is blowing gently. I look at the sky and see it falling from all directions.
The clouds that have gone are traceless. Where is the expectation of the past? The spirit of debauchery has declined, and there are fewer drinking companions in the past. Now I am not as young as before.
When he closed the book and touched the outline of the text with his thoughts, he could vaguely see the unspeakable sadness in his eyes, which seemed to be filled with a pool of lilacs.
Miss the past, compete in prosperity, study hard at a cold window, and exchange fame and fortune. Song and dance in Chang 'an are just products of the times. When the light disappears, it will only leave a dull and sad, and all this will only add another layer of vicissitudes to the ancient road. Riding slowly and busy seems to belong to another world. At the beginning of the scene, a sense of gap and desolation arises spontaneously. Willow dances are uneven, cicadas hiss on the floor, but they are no longer noisy in midsummer. With a melancholy mood, I heard this sad voice, and all the complicated emotions welled up from my heart and condensed in my throat. Tao is a cicada, but the poet is confused. Although the country scenery is wide, it is dusk. The glory of the sunset will never be given to the frustrated. The autumn wind is vigorous and lonely, how can it not be sad? Heaven and earth are infinitely vast, and the only person is independent in the wind, with eyes and horizons. The artistic conception of Xiatan is more open. The idle clouds wandered without a trace for a while and never returned. where am I going? No one can keep up with the pace of time, the past is the past, and elegance is sad. It turned out that when the dream was deep, spring had already left. The feeling that "I am lucky to have the right person, but I can't find it" seems like a lifetime ago. Where are all the crazy friends who "have a banquet at dusk for a few days in those days"? The so-called desolation that everything disappears and cannot be returned is nothing more than that. After all, people are not like teenagers and can only sigh.
What a romantic genius Liu Yongben is, but unfortunately he doesn't fit in with the surrounding environment. Unresolvable contradictions accompanied him all his life, and people still regret it after thousands of years. I used to be young and frivolous, and I still can't stop time. Throw away the name and wander in the smoke lane, still unable to get out of the turbidity, just like not everyone can be as happy as Zhuang Zhou in become a butterfly. Time flies like water, and the original teenager has lost the place where he can place his feelings. Loneliness is contained, and the vertebral heart erodes the bone. This is Liu Yong's sorrow. The words in the poem lead people to look for Hua Zhong locked by loneliness. There are too many sad and obscure emotions buried here, which shine brightly in the rich colors of ancient books.
(Deng Qianyuan 20132517 2013 Project Management)
short review
Comparing the different moods in several Youth Hostels, the unique emotions in Liu Yong's ci are released from ancient books and presented by the author again.