With your help, Uncle Geng finally found the original gift book and successfully proved that he is also the owner of this mansion. Such an anti-transfer Lin Maogen was completely caught off guard. In order to celebrate his sixtieth birthday, he had to give up and finally gave it to Lao Geng's family. When Lao Geng moved, Fang and his colleagues came to help him move, and everyone was happy together.
Episode content
The TV series "Anjia" ends with Uncle Geng staying in the mansion. Uncle Geng fulfilled the gift agreement and exchanged two single rooms in the mansion for Lin Maogen's new house in Jiuting. Uncle Geng and his family also moved to this new house. The overall plot is that Hefang received Lin Maogen and took out an intermediary contract. Because they sold the house to their home and Geng's home once, the agency fee was two points. Lin Maogen had to pay the agency fee. Later, Uncle Geng sold two single rooms for Lin Maogen's new house in Jiuting. Later, Xu Wenchang and his colleagues helped Uncle Geng move, and Uncle Geng's family moved into a new house.
Land parcel evaluation
Anjia adopts a monistic narrative structure, completely immersed in urban life, and focuses on depicting small people in daily life, such as the doctor and his wife who have changed their new houses to welcome their second child, and the old steamed bun shop couple who have worked hard for most of their lives to settle down. Through subtle and real conflicts, the audience can find their own * * * songs while improving the viewing experience of the series.
Taking "settling down" as the proposition, the play explores the answers to such questions as "what is the relationship between the intermediary and the customer" and "whether the intermediary should be responsible for the customer's choice of buying a house", and the cohesion, security and sense of belonging behind "home" are also presented one by one.
"settling down" involves some unique phenomena and working conditions of real estate intermediary industry. At the same time, although they are "big women", women do not show signs of "Mary Su" and "Golden Finger", but show obvious shortcomings. Indeed, Liu Liu made a drastic adaptation of The Woman Selling a House, which linked this story with a deep Japanese social and cultural imprint with the local atmosphere of the audience in China.