The aesthetic orientation of characterization is different from the plump images of concubines written by Zhang Xuan and Zhou Fu in the Tang Dynasty. It takes the beauty paintings written by Tang Yin and Chou Ying in the Ming Dynasty as the aesthetic standard and pursues elegant and elegant feelings. The painter described the concubines as slender, light and "weak against the wind", with delicate lines and vivid colors. In terms of techniques, the characters drawn in this painting are vivid and accurate, and the brushwork is meticulous and rigorous, which originated from the style of college painting in Song Dynasty. The atrioventricular building on the balcony in the picture is drawn by western focus perspective. According to the change of the perspective line in the picture, the specific position of the vanishing point can be accurately deduced, thus enhancing the stereoscopic effect and depth effect of the plane picture and expanding the infinite space on the limited picture.
With the monthly climate change as the background, the book "Travel Map of Moon Man Qing" depicts the scenes of ladies-in-waiting and hostess enjoying activities inside and outside the courtyard. The relationship between master and servant is quite close, the master is not arrogant and impetuous, the servant is neither humble nor supercilious, and the shapes of master and servant are roughly similar, which breaks the shackles of predecessors' shapes.