Pan Guiyu is like a room, a bit like the relationship between a pervert and a masochist. Onlookers can only see the hatred and exploitation between them, but can't see the root of all this at all, that is, "why is the room like brocade?"
It's a bit like that kind of cool online essay, which uses extreme plots to stimulate your senses, but you must not get entangled in it, because a cool essay can't be logically set up, and a set will collapse.
Pan Guiyu is not as kind to the room as her mother. From birth, she will be thrown into a well and drowned. When she grows up, she will take her three daughters to chase her every day. When she studies in the room, she will be penniless and totally dependent on her grandfather's support. Later, Fang was admitted to the university. Pan Guiyu tore up her college admission notice and put her under house arrest to prevent her from reporting. Later, Fang fled her hometown and came to this city with all her grandfather's savings. She can't go to college and has to work to support herself.
After that, I started a journey of abuse in Stockholm. Fang worked hard alone in the city and every penny he earned was taken away by Pan Guiyu. He lives in a shabby house and eats bran vegetables, but he still has to study for his brother, find him a job, buy a house to decorate and find someone to marry.
Instead of studying hard, Pan Guiyu became more and more intense, demanding more and more, and even wanted to get rid of her job, and then forced her to give herself money.
This is a plot that only an IQ who is out of the rankings can think of, which is equivalent to cutting off a horse's leg and then letting the horse finish the race and getting a bonus.
Pan Guiyu was so talented as to come up with this unique trick, and it has been used for many years. It wasn't until Xu Wenchang found her that she suddenly realized that she had lost her job and couldn't make any money for me to exploit ~ it was amazing ~
After that, every time Pan Guiyu appeared, he could refresh the lower limit, which was illogical. For example, the room is the pillar of the family, everything depends on her, and her only family pillar is her grandfather. However, Pan Guiyu deliberately abused Grandpa. He didn't show it when he was ill. He was blocked and didn't save. Finally, his grandfather died, but he kept the room on and cheated him of 50 thousand yuan to relieve boredom.
This kind of conspiracy has no ending. She has been abusing her since she was a child, leaving her only hatred. When she was financially capable, Pan Guiyu had been exploiting when she had no card at all. After Fang gave in again and again inexplicably, she had to break through the bottom line and kill her grandfather. Is Fang's purpose to "leave her alone after giving her money"?
To tell the truth, no matter how insignificant people are in real life, once they have the economic ability and become the pillar of the family, they naturally have the right to speak. There are many cases around me where my grandmother didn't love her uncle when she was a child, and then earned money to go home and call rain, and the elders bowed their heads and called dad.
However, the so-called "kindness" and "tolerance" in the room are just simple "family ties", which makes no sense at all.
Family relationship is not a DNA paternity book. Prove that you are Pan Guiyu's own, and you will only be exploited and forced to die all your life. Family ties are the fetters of warm memories and mutual help. If the reality is full of disgusting past, disgusting present and disgusting future, then this kind of affection has long been cut off.
Unless Fang killed Pan Guiyu's family, and now she is atoning, or she has some shady evidence in Pan Guiyu's hand, such as crimes against humanity, there is no reason for such abuse.
If the screenwriter wants to highlight the tragic life of the room and her hard-won happiness at the end, this treatment is too anti-intellectual, which can only make people suspect that the room is abnormal in nature and tends to be persecuted.