Sister ()-Xiao Fenger-Xiao ()-Jiang.
Ru Zhijuan rose from writing an ordinary character to caring for such women and even all of them, which also reflected their subjective consciousness and courage of progress and innovation.
Is sister Xiaofeng? It doesn't matter, but it is precisely because of the oppressed and hurt women like Xiaofenger that more warriors are inspired to face and resist all this.
I think RuZhiJuan is very good. This novel was written in 1959, just like that tall poplar tree, but the perspective is different, and the characters are replaced by men-old people.
More importantly, when PLA soldiers need to cross the river, the people are willing to sacrifice food and land they care about to help them cross the river. This is the military and civilian fish and water situation.
Aunt He got her wish, got her wish, and Aying got her wish. This is the small wish of three generations and the wish of the development and progress of the times.
Aunt He lost her husband and raised her son alone. In order to earn money to support her family, she can only let her half-year-old children crawl around the room, eat cold meals, cry instinctively and go home late at night. At that time, the most common way to coax my son was to "buy you a big red apple when mom gets paid", which is a hope, a promise and a hope for the new era.
Aunt He finally brought up her son, had a granddaughter and had an economic source. It stands to reason that she can enjoy her old age. But she hates that. She works in the studio and is the team leader. There are many things to be busy, but she also found her own sustenance and value. I also hope that this practice can be understood by the younger generation, but the younger generation is more perfunctory and echoing. It is also because Aunt He is too sensitive to this matter.
Finally, Ingrid was taken out to work, and Ingrid clamored for an apple. This apple shows all kinds of past events, moving people, and the little nursing dog that appeared in my dream. How beautiful.
This is the author's poetic, natural and quiet psychological space, and it is the yearning and record of the new life after victory.
2020.2.27
Under the background of the Great Leap Forward Movement, Jinglan and Ming Sheng quietly felt the change of each other's feelings, conveying the power of self-worth and meaning. At first, Jinglan's vision was narrow, her eyes were on money and food, she couldn't understand Ming Sheng's "casually", and she focused on drawing crosses and wrinkling paper. This seems to be a change in marriage, and it also proves that Ming Sheng's feelings are derailed. However, in the daily meetings of production and welfare cooperatives, Jinglan's rare attention and listening were influenced by collective strength and cohesion, and she unconsciously paid great attention to production tasks. In her mind, 10,000 yuan for seven days only prompted her and Sister Zhu to experiment and manufacture a rubber line peeling machine, and gradually shifted the focus of balance from two children and good food care to finding and transforming suitable rubber bands. The fleeting thought made her run home with her neighbors. Finally, Ming Sheng came to the factory, simple words told simple methods, and a big problem seemed to be solved. The novel does not disclose or record the completion of the final production task. On the contrary, it focuses on the gradual change and vibration of Ming Sheng and Jing Lan's emotions, and its dedication and enthusiasm for collective work attracts the couple like a magnet. Ru Zhijuan briefly described a process in which Jinglan was influenced by production cooperatives and actively transformed itself, which was a blooming of women's subjective consciousness. The contrast between Zhu Jie and Jinglan, as well as the comparison before and after their marriage, actually makes Jinglan's female image richer and more touching, and the evolution of ordinary people is more stirring.
Aunt Asu's constant output of the phrase "I don't know what to do, what to worry about" is accompanied by Asu's every move. In the description of the old secretary, "I" has the first outline description of Asu, and I also feel the warmth of Asu, but such a kind and lovely 17-year-old pupil does not seem to be fully accepted and summarized as a "good boy". The criterion of evaluation also comes from the contribution of collective productive labor and the understanding and mastery of the commune situation. As a result, after attending the party member activist meeting held by the commune party Committee, Asu became more aggressive and was evaluated as "I don't know the personnel, and I have many concerns" because he wanted to borrow mud from the boat and was no longer recognized by "I"; Then, the efforts to catch Lingteng finally left the usual words in the throat. This shows Asu's subjective growth process and his pursuit of the value and significance of self-existence.
Sue is very similar to Aunt Tan. As a cadre, she received the opinions of Grandma Xia and Qin at the first time, but her intention to explain was stopped by the old secretary. Her heart is troubled by dissatisfaction and loss, and she is confused about the lack of self-worth and the proper arrangement of everything. The feeling of not needing her made her more anxious. During her running, she found that the old secretary's work was perfect and reasonable, but she never accepted praise. Gradually, her feelings evolved and sublimated, and when her personal meaning reached the limit, she was anxious. This is the awakening and persistence of women's self-awareness and the pursuit and perfection of the subject value.