Dongfang Net reporter Liu Huabin. On May 6th, the Expo Report Group of www. com reported: exquisite gardens, wonderful Suzhou embroidery, soft Kunqu opera and babbling guqin. This morning, the Suzhou Case Pavilion of the Shanghai World Expo was officially opened, showing Suzhou's 2500-year history and cultural wisdom. The charm of Kunqu opera is fascinating. As the only selected case of prefecture-level cities in China, Suzhou Pavilion has built a famous city that cannot be copied with the theme of "Protection and Renewal of Suzhou Ancient City". The overall appearance of Suzhou Pavilion is like a "water cube". The quaint wooden bridge and garden landscape at the entrance set off a huge ink painting. Tourists are immersed in it, as if they are in the misty south of the Yangtze River, and feel the blend of history and modernity in the stunning. Boarding the main viewing platform on the second floor of Suzhou Pavilion, you can enjoy the official film of Suzhou World Expo directed by Ning Hao. The whole film is composed of the ground curtain and the side curtain, and the effect is unique and wonderful. What's more worth mentioning is that from 9: 30 to the end of the evening show every day, Suzhou Pavilion presents four sound, light and electric performances that integrate Suzhou cultural elements. Graceful Jiangnan beauties dance gracefully, demonstrating the charm of Guqin and Kunqu opera to tourists. The classic Suzhou embroidery is very beautiful. In front of the exhibition area on the second floor of Suzhou Case Museum, an embroidery named "New Saint and New Flower" made two Venetian guests stop for a long time. The original embroidery was made by Italian painter Omar Galliani, and Suzhou embroidery worker Mei Guiying made it show vitality again on the embroidery surface, realizing the perfect integration of western art and China craft. Among the 15 pieces of Suzhou embroidery exhibited in Suzhou Pavilion, the works of Ren Jixian, the first generation embroidery master, are particularly eye-catching. Ren Jixian created "True and False Needle and Thread" and "Different Color Shuang Mianxiu". Her embroidery lines are thick and thin, and the combination of reality and reality breaks through the limitation that traditional Suzhou embroidery can only express China's paintings, and integrates the perspectives of oil painting and landscape painting. The reporter carefully appreciated Ren Jixian's masterpiece "Snow" when he was 85 years old, and several empty needles "left blank" outlined the remoteness of the sense of space. Pure white snowflakes dance quietly, full of rhythm and light and shadow, and the whole embroidery painting looks ethereal and lively, which fully shows the artistic realm of "winning more with less".