I. Li Xiang
The role of Li Xiang itself is a bit dull: a magazine editor and a single mother throw water on a man in his car and send him home. In a series of subsequent relationships, their feelings gradually warmed up. Li believes that the charm of this role lies in that she is the only woman in the middle among two very different men. She has her own ordinary life, as editor-in-chief, discussing the topic of speech contest with children; She was exposed to an extraordinary life, to the thoughtfulness of amnesia, and even finally got into a fight with gangs. This was not a fight, but a deal. Therefore, in the film, we can describe the various state and emotional changes, the way of educating children, the way of comprehensive emotional changes, and the way of panic in the face of gangs? Compared with the exchange of the weight of life, Li Xiang's setting is relatively dull, which conforms to the plot logic, but she is rich, and Wan Qian's performance can bring this richness to the extreme, making Li a colorful character in the dark.
Second, Sister Hui.
I like this character very much, especially listening to people speak dialects, which is very strange, but especially cool; My jokes are basically longer than hers. In the film, she and Li Xiang are both independent women, who have suffered the hardships of life, but their images are completely different. When I look at Sister Hui, I feel that she is vicious, bitter and spicy. Li Xiang is very gentle. Even when she speaks Shanghainese and quarrels with the landlord to teach her subordinates a lesson, there is a soft temperament that makes people want to love her. The soundtrack and the camera complement each other. The soundtrack of general movies makes me feel no problem at most, but the soundtrack here can actually distract my attention and surprise me.
Third, my personal favorite scene
1. Does Li want to wait on the set? Chen made a movie.
Chen I found a considerate memory and changed it back to consideration. The two men looked at each other in the crowd after work. Li Xiangxiang couldn't find a considerate expression in the same place, plus what they said when chatting on the balcony? So close? It was fine when I first saw it. I brushed it twice and brushed it three times. When I saw the fine products here, my tears swirled in my eyes. Her eyes looked at him through the crowd, and the scene was particularly beautiful. Part of that beauty comes from the rendering of light atmosphere, and the most important thing is to realize it completely through Li Xiang's expression: her smile and the emotion in her eyes drive the whole scene to be particularly beautiful at that moment, as beautiful as a short and fragile dream.
Li wants to save Zhou Quan.
Get in the car and run back to take a closer look? Killed? And finally saved, these emotional explosion points and changes are really accurate and well interpreted.
These are all places where I think the crowds are very good.