Usually, my father is busy and seldom cares about Mulberry, and my mother's education mode of Mulberry is either beating or cursing, thus creating Mulberry's rebellious character. But both parents are good people with good hearts. Sang Sang, who grew up in this environment, is a chubby child. Sang Sang is as naughty and naive as most children of the same age: treat the cupboard at home as a "senior pigeon cage"; Beat fish and shrimp with mosquito nets; In summer, popsicles are all covered with cotton, and they wear big cotton-padded jackets themselves. ...
These actions of Sang Sang make people laugh, which is precisely his loveliness. Sang Sang is brave and loyal: When he saw Liu Yishui and others bullying Paper Moon, he was very brave to save Paper Moon. Sang Sang is still a kind-hearted child: after Du Xiaokang's family fell, Sang Sang made him a good friend; No one dares to go near West Malaysia, but Sang Sang is willing to accompany him. People resist grandma Qin, but he gets along well with grandma Qin. He will be very sad when grandma Qin dies.
From these aspects, we can see that Sang Sang is a little hero, but in the novel, the author does not want to portray Sang Sang as a conceptual single perfect image. We also saw the other side of his personality: the bald crane wearing a hat robbed him of wearing a cotton-padded coat and left him in the cold. He will get angry and play tricks on the bald crane with his classmates; Du Xiaokang is better than him in many ways. Sang Sang will be a little jealous of him, and Sang Sang will not take him to play hide-and-seek games.
However, Du Xiaokang lost his "backbone" by using a bicycle. From these aspects, we can see his little vanity. But when Sang Sang learned that his life was dying and there was no hope, he didn't complain or be upset. At this time, "Sangsang is better for everyone than before", "willing to do anything for people" and "even willing to do anything for sheep, cows, pigeons and sparrows". The reason for this is that the environment around Sang Sang has changed, people are very kind to him, and his heart is full of emotion and gratitude.
This is a chubby little boy that the author showed us. Sang Sang's living environment, experience, upbringing and psychological quality all affect the formation of his unique personality. Parents' integrity, kindness, generosity and simple folk customs in rural areas are the main reasons for the formation of this character.
Straw House is a novel written by writer Cao Wenxuan. The work tells the unforgettable six-year primary school life of the boy Sang Sang. These six years are the six years in which he received life enlightenment education.
"Straw House" is a beautiful place, which reminds us of romantic, warm, distant and romantic fairy tales. When we approached the thatched cottage built for us in Cao Wenxuan, we were really filled with such a breath. The author described the primary school life that has gone away from us with beautiful words. This seemingly ordinary life is actually not simple.
In The Straw House, a lot of pen and ink are used to describe the beautiful love between Jiang Yilun and Baique. The love between them begins with romance and warmth. Jiang Yilun is a teacher at Yau Ma Tei Primary School. He is good-looking, plays the flute well, plays basketball well and speaks Chinese well ... In Sang Sang's eyes, he is a perfect person.
Jiang's long flute touched the white finch. White finches are the beauty of Yau Ma Tei. When white finches walk in the fields, they always attract many people's attention. She walked so quietly, but in people's eyes, there was something she couldn't understand. She stood there, like an immature buttonwood tree, with tender leaves fluttering in the breeze, elegant and charming. Have a good voice, not loud and broad, but as clear as a bell.
What closely linked Chiang Kai-shek's first round with sparrows was the play The Ship of Hong Ling. So a touching scene appeared on the grass beside the lotus pond. The breeze swept over the lotus leaves, and the slightly blooming lotus stood in the moonlight. The handsome Jiang Yilun leaned against the willow tree, charming in posture and playing a melodious flute. In the dim moonlight, the white finch moves very softly. It's all like a dream, like a relationship between two people.
But these poetic loves are so fragile and helpless in the face of the pressure and temptation of life. Bai que's affection for Jiang Yilun is shaken, which is inseparable from the appearance of Gu Wei in her life. From a secular point of view, a town document seems to be more powerful than a primary school teacher. In this way, the reality and triviality of life constitute the biggest obstacle on the road to love.
The "grass house" has always echoed with the feelings of "compassion". For example, Wenyouju has long been accompanied by medicine cans; Sang sang was terminally ill and came back to life at the last minute; Grandma Qin is widowed; Mr. Qiu has no descendants, his house is flooded, he is terminally ill, Du Xiaokang's family is ruined, Paper Moon doesn't know who his real father is, he is alone with his grandmother, and finally he doesn't know where to go ... These plots are a bit heavy and will weigh on readers' minds. Perhaps this is the charm of this work.
Straw House depicts a beautiful picture of man and nature living in harmony. The first thing that comes to mind is the beautiful rural scenery. There are Yau Ma Tei in the south of the Yangtze River with dense water networks and staggered fences, golden thatched houses hidden in red maple, and the Grand Canyon full of lilies. Through the description of the scenery, a dreamlike harmonious and beautiful home is created.
The pure beauty and tranquility of the countryside, the golden thatched huts scattered among bamboo forests in Yau Ma Tei and sunset, the rolling sound of mugwort leaves blown by the breeze and the fragrance of lotus flowers floating in the air are full of endless interest and poetry. "The straw house was not built with ordinary straw or wheat straw, but with thatch on the beach three hundred miles away. Those thatches that grow on the beach are blown by the sea breeze and exposed to the sun without cover, and they all grow very resilient. "
"More than a dozen straw houses in Yau Ma Tei Primary School seem to have rules and seem to be irregularly connected. They are used as classrooms, offices, teachers' dormitories or activity rooms and warehouses. Before and after these huts or between them, there are always some arrangements, or a bunch of two bamboos, or three or two roses, or a colorful canna, or simply a small piece of grass mixed with small flowers.
These arrangements, without any intention, seem to have existed in this campus, which is what it is. This house, under the pure sky in the countryside, reveals a simplicity. And when the sun shines in the sky, the golden luster on the roof shines again. The grass house in Yau Ma Tei is exquisite and pure. "?
Sang Sang is a character who runs through the novel Straw House and a witness in Yau Ma Tei. Unfortunately, the writer took out the greatest suffering to test him-but perhaps this is a kind of luck instead, because of the test, Sang Sang can gain more understanding of life and become the first protagonist of this book.
Sang Sang's personality and growing experience can best express the author's interpretation of emotion and compassion. He promoted the first round of Chiang Kai-shek and interpreted love with white finches; He cares about the paper moon and has hazy feelings; When everyone crowded out grandma Qin, he didn't. He is Du Xiaokang's competitor and the person who knows him best. He is naughty and kind, reckless and delicate. When he got a strange disease and faced death threats, the emotional connotation of his works was also pushed to a climax.
Every picture he participated in was so gentle and touching: he helped the good horse look after the sheep and brought a bowl of water to a hungry passerby; He even does anything for sheep, cows, pigeons and sparrows; He carried his sister to the ancient city wall to see the scenery and sing old songs to show his precious brotherhood; The serious father carried him behind his back, sought medical advice everywhere, took him hunting to his heart's content, and found his lost father's love.
Paper month ran away from home with his father, leaving him a hand-embroidered red-violet schoolbag. Sang Sang didn't die, and this happy ending didn't damage the spiritual sense of loftiness. Instead, it gives birth to a kind of respect and attachment to life, yearning for and cherishing the true feelings of the world.