In this autumn shoot, Huayi International (HK) will present a brief introduction of Gao Dong, which is trusted by collectors, and will present the representative work of Gao Dong, a famous minister in Qing Dynasty-Jinling Ten Scenes Atlas. This painting depicts in detail the ten scenic spots of Qixia Mountain where Emperor Qianlong had to stay many times during his southern tour. Each frame was given the double title of Emperor Qianlong's Imperial Pen to show his affection for him. This is a brief introduction of Gao Dong, which is recorded in the sequel of Shiqu Baodi, with rich and precious heritage.
Atlas of ten scenic spots in Jinling, Gaodong
Album coloring paper
1775
28.7× 39.5cm×10
Huayi International (Hong Kong) 20 19 Autumn Auction
Seal: "Minister's Patent Certificate"
Tibetan seal: Qianlong's treasure of imperial travel (twice), Qianlong's appreciation, Yi Descendants, Sanxi Hall Jingyin, Shiqu Baodi, Shiqu, Baodi re-edited, Leshou Hall as a treasure, Ningshou Palace continued to enter Shiqu Baodi.
Description:
The Secret Hall Zhu Lin Shiqu Treasure, Volume VI, P3008-30 10, photocopied and published by Shanghai Bookstore, 1988.
Gao Qing's Poems on Zongyu, Volume 29, Page 30-3 1, Collection of Rare Books in the Palace Museum, Volume 56 1, Gao Qing's Poems on Zongyu, Volume 12, P33-34, edited by the Palace Museum, published by Hainan Publishing House, 2000.
Qinggao's Poems has four volumes (seventy-two, pages 22-24), 562 rare books in the Forbidden City, and 13 volumes P303-304 of Qinggao's Poems, edited by the Palace Museum and published by Hainan Publishing House, 2000.
Yang Danxia
Gao Dong (1740- 18 18), a native of Fuyang, Zhejiang Province, was the eldest son of Dong Bangda, a famous scholar and painter in the middle of Qing Dynasty. In the twenty-eighth year of Qianlong (1763), Gao Dong was admitted to Shuntian Township as a juror. The next year he became a scholar. The palace exam ranked third and first. In the Qing Dynasty, Emperor Gaozong took the son of a minister, changed his position to Dimethyl No.1, and awarded it to Jishi Shu imperial academy, who served as assistant minister in the ministries of ceremony, industry, households, officials and punishments.
Gao Dong in Emperor Qianlong's Ode to Twenty Heroes in Taiwan Province
Among the ministers in Qianlong period, Liu Yong was tactful, Peng behaved badly, and Ji Yun was learned but not sensible. Only Gao Dong, a long-term scholar, was diligent and earnest and won the emperor's heart. So, he bowed to the mandarin university, ordered the prime minister to handle affairs, and still served as the household affairs. In the last years of Qianlong, Xiao Shenyang arrogantly took dissidents, while Gao Dong was loyal and unflattering. After Jiaqing ascended the throne, he wiped out the traitors and eliminated the evils, and everything was done well. He has been in the military department for more than 40 years and is highly valued. In the early years of Jiaqing, he served as the master of the study, accumulated the title of Taibao and sealed a captain. Because of the pacification of Taiwan Province and Gurkha, Meng En's image is Ziguangge.
The opening works of this book reproduce the charming scenery of Qixia Mountain in a panoramic view. However, Qixia Mountain stands on the south bank of the Yangtze River, with undulating mountains, lush plains and quiet streams, and the ancient temple qixia temple stands by the mountain. In the distance, the Yangtze River flows eastward, and the bank slopes and hills are connected, with a broad artistic conception and a myriad of weather.
The second painted "Lingfeng Pool" is located at the waist of the middle peak of Qixia Mountain. At that time, historical records recorded "Lonely Pavilion", which was far from Liang Shi. In the mountains and valleys, you can see Zhan Ran unscathed. "In the painter's works, there are ups and downs, lush trees, pavilions and pavilions, and on the right is Wang Guanfeng, which is misty and delicious.
Gao Dong is knowledgeable and familiar with anecdotes, so he can cover everything. He made outstanding contributions to the palace culture in the middle of Qing Dynasty. For example, he served as president of Wuyingdian, deputy director of Siku Quanshu Museum, and assistant editor of Santong National History Museum. He was ordered to edit The Origin of Manchuria, Three Links, Imperial Ritual Map, Continuation of Zhu Lin Shiqu Secret Hall, and Revision of All Tang Poems.
The Zifeng Pavilion painted in the third opening is located at the foot of the middle peak of Qixia Mountain. Here, "surrounded by mountains, all towering and swaying", the distance is as beautiful as a cone. The mountain spring between the stone walls is flowing down, and a clear water is sparkling under the peak. Temple houses stand on the shore, trees and bamboos set each other off, and bridges are flowing.
In the twenty-third year of Jiaqing (18 18), Gao Dong retired to begging in his later years, and ordered Taibao University to be an official, with enough food at home. In the same year 10, Gao Dong died of illness. Emperor Jiaqing's mourning poem expresses the emperor's high praise for the character and knowledge of Dong Shi's father and son through the sentence "Only pass on articles to sons and nephews, and have no money to buy fields".
The fourth "Wansongshan Room" is opened, and the painted scenery is located halfway up the main peak of Qixia Mountain. There are many pines and cypresses in the foothills of Qixia. "This is especially beautiful." Every time the mountain breeze blows, there are waves of pines and waves all over the mountains, and there are also worships of Taiwan Province and Jiege in the shade. It can be seen that this is the "quietest victory."
Although Gao Dong won the lifelong reputation of the traditional literati career in the imperial examination, he was able to continue his family studies, inherit and carry forward his father's achievements in poetry, calligraphy and painting, which was highly valued by emperors and literati and was quite influential at that time. His calligraphy is the "two kings", as well as Su, Mi, Zhao and other Song and Yuan schools, elegant and dignified, just like a person; Since the Yuan Dynasty, landscape painting has been widely studied by everyone, especially Huang, Wang Meng and others, on the basis of inheriting the style of my late father.
The fifth "Tiankaiyan" is located on the lower right side of the mountain peak. Because the surrounding rocks are abrupt and steep, "the middle line has heavy scenery", just like the sky, hence the name. Celebrities such as Xu Xuan in the Southern Tang Dynasty, Zhang in the Northern Song Dynasty and Yang Shiqiao in the late Ming Dynasty all wrote inscriptions here. The rock that catches your eye stands like a screen. "There really is a huge Lingshan."
Because of his lofty position as a literary official, he can always get close to Heaven and Yan. Therefore, a large number of his calligraphy works are "ministers", and his "literati ink play" works are rarely used for friends and friends. Therefore, collecting and studying his works with the word "Chen" has become an important content and basis for analyzing the evolution of his painting and calligraphy style, literati connotation and historical position.
The sixth "seclusion place" is also on the lower right side of the mountain, adjacent to Xifeng. But there are many temples, surrounded by pines and cypresses, and the mountain springs flow, just like a fairyland on earth. The caves and valleys are deep and secluded, which is the most important thing.
Ten Scenes of Jinling is the second volume of "Picking Xius in Gaodong Jiangdong" recorded in the sequel of Zhu Lin Shiqu Treasure Secret Hall. The original record is: Xiu Xiu in Gaodong Jiangdong, two volumes. Xuande notebook, two volumes. The first volume consists of ten pictures, nine inches long and one foot two inches wide. Painted Jiangning scenic spot. Eight local names. Its names are Longtan, Baohuashan, Yanziji, Houhu, Honghu, Yuhuatai, Liang Qing, Jiming Mountain, Linggu Temple and Niushoushan. There is a cloud: "The two volumes are ten vertical and ten horizontal, which are the same as one volume. The balcony Qixia has ten scenic paintings, each with a place name and an eight-point book." Draw "Ten Scenes of Qixia Mountain, Lingfengchi, Zifengge, Wansongshan House, Tiankaiyan, Yougu Temple, Dielang Cliff, Pearl Spring, rainbow mirror and Deyun Temple" respectively. The first volume is lost.
The seventh "wave cliff" is located on the side of Xifeng. However, when you see the cliff, it looks like a ups and downs from a distance, and you are in a trance. Under the cliff, there are pagodas, cloisters, small bridges and flowing water, which is very quiet and is the "best place for Xifeng".
According to the records of Baodi in Shiqu, we can't confirm the specific creation date of the Picture Album of Gaodong Depicting Nanjing and Its Surrounding Areas, but we can only infer that its creation will be no later than/kloc-based on the description in the records and the imperial poems of Gan Longyiwei (1775) and Gengzi (1780) in the existing works.
The eighth "Pearl Spring" begins, and the scenery is located next to Taohua Creek in Qixia Mountain. Pearl Spring is the first famous spring in Qixia and one of the "Twenty-four Springs in Jinling". But seeing the spring water gushing from the stone and flowing down the river, "white beads float up bit by bit, crystal clear." On the right is Prajna Paramita, which was originally built by monks in the early Ming Dynasty and was once famous.
However, consulting the Complete Works of Gao Qing Zongyu's Poems solved our confusion. After the poem "Ten Scenes of Jiangning in Gaodong in March", B indicated for Chun that "this book is a gift from the Textual Research of Jiangning's Return", but there was no note after the poem "Ten Scenes of Qixia in Gaodong" in the same volume, and the writing and inscription time of this poem was one month different from the previous book, which was written when I went to Changchun Garden to meet the Queen Mother at the end of April this year. However, it should not be overlooked that the first volume of Ten Scenes of Jiangning was written by Gao Dong on his way back to Beijing from Jiangning, while the second volume was probably completed after he returned to Beijing, and was presented and inscribed at the end of April of that year. Because of the same theme, texture, size and work style, Fangfang was assembled into a set of mounting, and Baodi in Shiqu continued to be recorded under the general name of Jiangdong Xiexiu Map.
The ninth opening of "rainbow mirror" can be called "the first scene of Qixia Mountain". In the 22nd year of Qianlong (1757), Yin Jishan, governor of the two rivers, carved it to welcome the emperor's southern tour and store water from the upper reaches of the Peach Blossom River. "Taking the water as the pavilion is just like the scenery of Ming Sheng Lake", and there are strange stones stacked and connected by a railing bridge. The willows on the lake are gently brushed, and the mirror is quiet, which adds a bit of agility to Qixia Mountain.
The long-tailed Japanese neglected the textual research, and the title of the splint was ambiguous as "Dong Zhe Forest Scenic Area Map", which was wrong.
By comparing with the original imperial poems, it is found that B Wei's poem "Ten Scenes of rainbow mirror in Qixia, Gaodong" notes: "This is the land in qixia temple"; The poem "Deyun 'an" notes: "Yin Jishan, Qian, and Qixia's poems to persuade peace, the rhyme has been restored"; The poem "Pearl Spring" in the book "Ten Scenery of Qixia" written by Geng Zinian notes: "President Jiang took this mountain as the monument of qixia temple, and Mr. Yin said that this mountain is rich in grass and can be raised, so it was named after it. This spring was ignored by Yin Jishan, the former overseer, and it was also suitable for Tonger in ancient times. , has been omitted from the work. This is mainly because the picture space is limited. Careful observation of the works shows that the position arrangement of poems inscribed by B Wei Nian is basically dotted in the painting space, and attention is paid to not destroying the integrity of the painter's blank space and the creation of artistic conception as much as possible. The layout and size of the inscription are also more calm and reasonable than the poems inscribed by Gengzi Nian. So it is not surprising to omit the small note.
The tenth "Deyun Temple" opened, and the scenery was at the foot of Xifeng, near Taohuaxi. But I saw that Deyun Temple was surrounded by quiet temples, filled with quiet shadows, and the stream meandered and gurgled. There are nine pines standing upright in Qiangang, "flying green and sky, towering clouds", and the environment is elegant and pleasant.
As for the title of Gengzi, it was on Ganlong's fifth southern tour. On March 26th, after arriving at Jiangning Palace, he did a re-reading of landscape painting. In other words, Gao Dong's album was carried by Gan Long during the tour. In addition to this one, Qianlong also brought Wen Boren's Eighteen Scenes of Jinling in Ming Dynasty. While writing this book, he also wrote poems with paintings for the title, which not only let us appreciate Qianlong's exuberant poetic meaning, but also reflected Qianlong's attention and love for this album.
? Books and Shadows of the Chamber of Secrets, Zhu Lin, Shiqu and Baodi
Gao Dong's "Jinling Ten Scenery Atlas" Shiqu Collection Seal ▼
The disciple of Jiang's Biography of Moline was too busy with official business in his later years to seek painting. His disciples often wrote for him: "I am in charge of politics, but I can't." When invited, the men grabbed the knife, but the truth of the public was hard to see. This "Ten Scenes of Jinling" was made by Gao Dong when he was 36 years old. It is ingenious in conception, meaningful in brushwork and elegant in color. It has both the roundness and richness of Yuan people's landscapes and the agility of Ming people's landscapes. It is a typical handwriting style of Gao Dong's youth, and it does not represent the expert habit of the author, which shows that Gao Dong is not confined to family studies, let alone the superb understanding and pen and ink control of his predecessors. Every page of the book is full of handwritten double questions, which are also full of colors and spirits, and the poems and paintings of the monarch and the minister set each other off, which can be called couplets.