First of all, the biggest advantage of this TV series is its good plot energy. What is accumulating energy? Is to build a character that resonates with the audience, and then add an effective plot to this character. Let the audience sympathize with the character or deepen their feelings, and expect the character to fight back in the follow-up plot. As a TV series, it is usually used by the protagonist to accumulate plot energy at the beginning of the plot. Then thin and thin, forming the fun of attacking and chasing the drama in the final story. Especially in The Moon at the West Window, it has accumulated the plot energy of the heroine. The beginning of this TV series is the preparation for the country heroine to go to town. The process of despair itself has very effective sympathy value for the audience. Later, the land of the woman owner was sold at a low price and oppressed by the big house. The hostess encouraged the redemption of this land through her own efforts. This is also a very effective plot. Even at school, the heroine is not modest and overbearing despite all kinds of tricks. Counterattacks and the like are all about saving energy for subsequent rises.
"Wild Goose Returning to the West Window" premiered on the moon, and the drama of the heroine Liang Jie was full of tension. Joseph is a little slow. what do you think? It is equivalent to preparing a very effective plot for the heroine in less than two episodes. The audience can have an emotional connection with the heroine who tries to fight back and change the destiny of the country. This momentum actually suppressed the heroine in a realistic way, but let the audience see the heroine's motivation. This kind of repression and recoil makes the audience place good emotional expectations on the follow-up plot. With this expectation, the play is easy to succeed. So when it comes to the performance of the heroine Liang Jie, what is its function and what is right? There is a simple reason. The audience is emotionally aware of this role and has good empathy, so no matter how Liang Jie's acting skills are played, there will be something beautiful. In addition, the personal performance level of Liang Jie's young actors in the play is really worthy of recognition.
Then you can tell the story of the geese returning to the west window and the moon hero strengthening. Compared with the heroine, the hero doesn't perform well. At first, the hero was more like a playboy. It was not until the second episode that the hero began to admire the heroine. The personal image of the hero has changed. Frankly speaking, at the beginning, the hero is portrayed as a powerful son with a family background. Such a picture is hard to make the audience emotional. Of course, in the opening plot of the script, we also try to shape some emotions and other personal aspects of the hero. For example, the content of repairing swords with children, such as the content that the hero is afraid of mice, and so on. But these contents are too old-fashioned and vulgar. They are all things that were not needed in Hong Kong TV dramas 20 years ago. They are typically jaw-dropping. This old content is also released as a plot, which only shows that the screenwriter is not careful about the protagonist.
The opening story did not give effective sympathy to the hero audience. More bluntly, the protagonist's personal desire is not strong enough in the opening plot. Good-looking TV plays actually show the desire of the protagonist, while the term screenwriter is the motivation of the role behavior. Only when the character has a very full desire, the TV series will be surging. The heroine's return to the West Window Moon was very successful, but the people who started the game were not ideal. According to the personal motivation of the protagonist in the opening story, his desire is not strong enough. As a result, Joseph was unable to exert his acting skills. The so-called performance is actually a desire for action and a hint beyond the lines. The hero lacked this desire at the beginning of the script and could not express it with acting skills. So we can see from Joseph's performance that he can only be regarded as a paper man. This is not the failure of the actor, but the negligence of the script.
But if the audience can follow two episodes and continue to follow the drama, then the next story will gradually make up for the role of the hero. In the end, the trend of this TV series is that the hero and heroine support each other hand in hand in adversity and finally reach the peak of their lives. This plot mode is actually very suitable for young female audiences. Why do you say that? Because the heroine comes from the bottom, she has affinity for young women. This state of encouragement and progress can meet part of the needs of young female audiences. Especially when I met a tall and straight man with all kinds of admiration for himself, he obviously satisfied his marriage and changed his destiny. A husband is a woman's second child. Old editors always despise this argument and support women's independence. But in life, we do have many viewers who really think. It's great to change your destiny by marriage.