These murals appear for the first time. The owner of the mural tomb went from the emperor to the ordinary people. Their images are clear and delicate, with a wide range of subjects, covering astronomy, geography, personnel, gods and so on.
The mural of Wang Ruren's tomb in Anguo Township in Tang Dynasty was unearthed in 2005. "King An" Tang Ruizong Li Dan worked as a shepherd in Luozhou before he ascended the throne, and was named "King An". These two tombs are the tombs of two ladies before Li Dan ascended the throne. The tomb wall is painted with dragons, white tigers, figures, horses and camels. The gatekeepers, guards, maids and other figures reproduce the luxurious life of the tomb owner before his death. It is particularly worth mentioning that there are two dwarf images with a height of 50-60 cm in these murals, but no more than 10 murals with dwarf images have been found in China. Such a large-scale mural tomb has high painting technology and artistic value, and the mural frame is large, which is only found in the excavation of Tang tomb in Luoyang.
The image of the Hu people in The Camel Driving Map truly reflects the prosperity of Luoyang, the eastern capital of Sui and Tang Dynasties, as an international metropolis, trading with merchants in West Asia and Europe through the Silk Road.
In addition, the celestial figure, the northern Wei warrior figure and the hostess banquet figure are also excellent murals unearthed.
Ancient murals, with their special types of cultural relics, have incomparable and irreplaceable historical and cultural values. It can be called a history of China written with images, and it has become an important part of China's ancient painting art heritage. During the exhibition of the new museum, 84 rare paintings and calligraphy were restored and mounted, which were specially exhibited in an exhibition hall. Visitors can enjoy the original works of famous painters Rainbow, Wu Changshuo, Ren Bonian and Kang Youwei here.
All the works in the exhibition hall will be divided into three parts according to the chronological order of Ming and Qing dynasties, and each part will be divided into painting and calligraphy. Among them, Zhang Hong's Landscape Axis is worth looking forward to. Zhang Hong, a native of Suzhou, Jiangsu Province, is good at painting landscapes, with elegant and heavy brushwork, dark green, deep mountains and valleys, and also good at freehand brushwork. Among the calligraphy works in Qing Dynasty, Wang Duo's Poem Collection and Running Scroll are the rarest, especially his poems, which may be made casually, with bold pen and free and easy handwriting, which can better reflect the true colors of calligraphers. In calligraphy and painting, Wu Changshuo's pipa painting, gourd painting and Qiu Jutu are full of fun, and his poems and paintings are both excellent. Especially, Shi Guwen, which is close at hand, combines the two-week bronze inscription with the brush of stone carving and seal cutting in Qin Dynasty, with concise and vigorous lines, clumsy appearance and rich stone flavor.
Similarly, there are many places worthy of attention in the collection of modern calligraphy and painting. For example, Yu Youren's five-character couplet and seven-character couplet, Guo Moruo's five-character couplet, Qi Baishi's Tian Jia flavor painting axis, and Ma Jin's four-horse drawing are the first choice for many painting and calligraphy lovers to polish and learn.
Although there are only 84 works here, they are all masterpieces, all made by famous artists. I believe you will sigh that you have come after reading these paintings and calligraphy works. As a native of Luoyang, you must hope to enjoy the unique modeling and gorgeous colors of Tang Tri-color in Luoyang. In the new museum, a special exhibition area of Tang Sancai has been specially opened, and some treasures of Tang Sancai that have never been exhibited in Luoyang will be unveiled at the same time.
Luoyang Tang Sancai Special Exhibition Hall has a design area of 800 square meters, and more than 200 pieces of Tang Sancai are displayed, all of which are national second-class or above cultural relics. In the Tang Sancai special exhibition hall, visitors will see all kinds of vivid and charming works, mainly divided into figurines and household utensils. Figurines mainly include figures and animals, such as women, civil servants, officers and kings. Animals include tricolor horses, tricolor camels and tomb animals.
Watching every tri-color painting of the Tang Dynasty carefully is like watching a vivid picture of social life in the Tang Dynasty. The shape and color of each tri-colored Tang Dynasty truly reflected the social outlook at that time.
For example, the three-color female figurines in the Tang Dynasty are mostly based on female figures in the Tang Dynasty, such as standing figurines, sitting figurines, dancing figurines, dressing figurines in front of the mirror and so on. , focusing on portraying the female images with free body, plump face, delicate skin and delicate hands in the Tang Dynasty. Women in the Tang Dynasty like to decorate, such as three-color female figurines with yellow forehead, black eyebrows, vermicelli and mouth fat. There are various ways to decorate their faces and their hair styles are novel and changeable. The costumes of female figurines are simple and bright, with narrow sleeves, bare breasts and nepotism, which shows the diversified fashion of female decoration at that time and shows the spiritual outlook of women in the Tang Dynasty.
Civil servant figurines are the images of social officials in Tang Dynasty. These people have a high social status and comfortable living conditions in society, but the "mental pressure" of "walking with the monarch like a tiger" makes them look neat, elegant and imposing, but they still can't hide their inner fears.
Warrior figurines are the epitome of the Tang army. Most of them are young and handsome soldiers, some standing, some riding horses and shooting arrows with bows. These are mostly the shapes of the early Tang Dynasty. By the time of Wu Zetian, there were King Kong figurines in Buddhism. During the period of Wu Zetian and Tang Zhongzong, the warrior figurines and the heavenly king figurines appeared side by side, and then only the heavenly king figurines were seen.
The tomb beast comes from the ancient legend, a kind of mountain and river monster with exorcism ability. In the early Tang Dynasty, tomb animals were shaped into human bodies and hooves. By the time of Wu Zetian, there were animal bodies, bird wings, hooves, animal faces and human faces. Because of its strange and terrible shape and strange glaze color, it will make people feel terrible in the specific environment of grave robbery.
The colors of the tri-colored Tang Dynasty are very gorgeous, and the color layout of the exhibition hall is mainly light to highlight the gorgeous colors of the tri-colored Tang Dynasty. Coupled with a large number of special cultural relics lighting design, so that every visitor can appreciate the colorful and vivid unique artistic charm of Tang Sancai from different angles. (