Medium-high club (after the height of the hand bridge and the height of the hand frame, the hitting point of the club parallel to the table top is located in the middle and upper part of the cue ball hitting surface as far as possible)
Low-stick left plug (after the handbrake is put down, lower the hand to make the hitting point of the club parallel to the table as far as possible in the lower left corner of the hitting face of the cue ball, so that the cue ball will move to the right after hitting the target ball)
High bar (after the height of the footbridge and the height of the hand frame, the hitting point of the club parallel to the table top is located above the hitting surface of the cue ball as far as possible)
High-stick left plug (after the height of the hand bridge and the height of the hand frame, the hitting point of the club parallel to the table top is located at the upper left of the cue ball hitting surface as far as possible)
Jump shot (it is said that SNK's jump shot is different from Poole's jump shot). SNK's shot is an arc shot, and the cue ball does not leave the table. Please refer to the following for details.
1. Upper left hitting point: the hitting point of left curveball and left topspin.
2. Right upper hitting point: the hitting point where the stick jump ball and topspin follow the ball [putter or putter].
3. Right upper hitting point: the hitting point of right curveball and right topspin.
4. Right left hitting point: the hitting point of the left-handed ball.
5. Middle hitting point: the hitting point without rotating and positioning the ball.
6. Right hitting point: the hitting point of the right-handed ball.
7. Lower left hitting point: the hitting point of the lower left spinning ball.
8. Right lower hitting point: the hitting point [tie rod or low bar] where the jump ball and the backspin pull ball are received.
9. Lower right hitting point: the hitting point of the lower right spinning ball.
Walking skills of billiards
1, the best way to get out of the camera is to pause 1 and 5 seconds before getting out of the camera. But if you feel something is wrong, you have to stand up and do the aiming procedure again. Never move after standing.
2. You may need to do some anti-plugging exercises: there are many reasons. When you learn to use the reverse plug, it will be of great help to your ball making. Try to get used to it, even if it is thin.
(Applicable to all billiards except 9 balls) When only one ball stays near the zenith, it may be a very useful ball. Don't touch it until all the balls are scattered and can be bagged. (But if there is more than one ball near the zentraedi, reduce the number to one. )
The most common mistake made by ordinary intermediate players is that when the ball is played smoothly, the speed will increase immediately, and then out of control (mistakes) will follow. The safest guarantee is: before each blow, concentrate on putting down the chuck gently and slowly, and then look up at the desktop.
5. When the ball is thin, when the daughter ball is close to the mother ball and not frozen with the stars, pay attention to aiming closer to the stars.
6. Insisting that the incident angle is equal to the emergent angle is a bad way to learn to fill the ball. It is wiser to say that when you push hard, its angle of refraction will be shorter. (that is, the rubber of the star is concave inward, and then the ball is spit back. As Robert Byrne reminded us, when the ball hits the star violently, it will slide out instead of rolling back. This is why new tablecloths often bounce at a small angle. This concept is very helpful when playing a bag of balls at a small angle.
7. Even when putting the most balls, your aiming point should still be in the middle between the midpoint of the cue ball and its vertex. Going up a little bit won't help you, but it may make you slip. The opposite is true when the ball is pulled at its maximum. You should hit the lowest point as much as possible, but remember to level the pole and lower the hand of the pole.
8. The art of making balls lies in simplifying the process. Generally speaking, the less the ball moves at a time, the closer it is. Similarly, the fewer stars the cue ball runs, the better. But this is not an iron law. Because sometimes the current situation doesn't always allow you to do so. This is also the reason why billiards is so charming and infinite.
9. If the cue ball is more than one foot away from the cue ball when hitting the straight ball, don't expect the cue ball to stay in place when hitting the ball. The farther away you are, the lower you should hit the cue ball.
10. How long should I stand after playing cue ball? Please choose the most comfortable method from the following: a) Until the ball goes into the hole. B) The cue ball has gone into the hole and stopped. C) Until the cue ball stops, or you have determined the new position of the cue ball, it will appear soon. We should realize that these skills can't have any influence on the moving ball, but they are of great help to your rhythm and self-confidence.
1 1. If the place where you play doesn't do a good job of keeping the ball clean, aim at the ball that is thinner than the ball you usually aim at.
12. Many teachers suggest that you put the cue ball in the center of the cue ball and the ball bag to develop your hitting. Keep this ratio, even if you lengthen the distance. These teachers emphasize that the concept of "half way" is the key to playing ball.
13, Robert suggested measuring the straightness of your shot with a tape measure. This suggestion is very good. But you can also achieve the same effect by putting the cue ball on the ball point when practicing straight ball. If your shot is not straight, the ball point will have something to say to you. But if you hit the ball straight enough, it should go into the hole.
14. Many excellent hitters think that the first body part to enter the aiming action is the chin (followed by the hind legs). Maybe you can have a try.
15, basketball free throws have the so-called three-stage rule: A, routine B, relaxation C, throwing. These three laws are completely consistent with billiards, that is to say, when you have to swing more than your normal times and consume your life, it must be a wrong blow, or you made a mistake when you walked towards it. C, J, Willie C, J, Willie (note: an American professional player once beat Yang Qingshun to win the championship in the Japan Open), no matter how difficult the ball is, he only swings it three times at a time. If you need to swing more times, that's fine, but you should try to establish that consistency.
16, regardless of aesthetics. The club you choose should match the way you play. If you are used to making balls with plugs, you may need to learn how to aim again when you use harder clubs and ivory joints, because you may get more deflection angles than you need. (As for whether Meidong will bet with the rest of the world to play with plugs, put it aside. But it is an indisputable fact that different people play in different ways. Choose the club that you can play best, not the club that others admire most.
17. Additional ideas for filling the ball at a small angle: When the target point of the cue ball is within the first diamond point, the traditional dichotomy may not help you. Divide your goal into three equal parts, not two.
18. When the distance between the mother ball and the daughter ball is within 1/4 inch, how many feet is the distance from the daughter ball to the pocket? Generally speaking, this means that the ball needs to float off the original track with the most plugged ball: usually an inch plug can float a foot ball. If you don't need to use the most plugged floating ball, use a smaller plug. But don't forget that speed will reduce the degree of drift.
19, when you want to cut the thinnest ball, remember the usual strokes. Because the ball is difficult enough, not to mention the adjustment and compensation of deflection and curve ball. )
20, the nemesis of hard ball: touch your upper and lower teeth.
No matter what kind of game you play, your warm-up before the game should include 30 minutes of practice.
22. The best idea of playing with your heart: You should learn to feel the feeling when the ball touches the club. This ability alone can make you improve your ball-making ability instantly. As you know, different poles have different feelings. And this is the proof that you should choose a club that suits you, not a fashion product. This ability to feel the ball will guide you to feel the speed of the ball and the distance it travels, even including the rotation of the ball, the stability of your pole, the ease with which you hold the pole and the composure of your standing posture. -but these factors can't be described in words-and then it's not far off to be foolproof.
23. Don't practice passively. All the exercises from scratch in order to correct the wrong ball may backfire. The purpose of practice is to inspire you, not to annoy you. Practice hitting the ball until you succeed. Never start over.
24. Two-in-one thinking: The pattern of ball making is often consistent with the theory from the outside to the inside. In other words, you solve the problems one by one from the periphery of the model, and then narrow it down to the best ball and make the next group of balls. When executing this mode, remember to beware of the ball that will make you cut obliquely.
25. I can't emphasize this idea enough: every time you play on the table, and/or every time the pressure of the game forces you to slow down: before you go out, walk around the table and check any possible best layout. This is an ideal way to resist pressure, and it can actually improve your concept of playing ball, even if you never thought about it.
26. When playing ball, especially when rushing the ball, don't let your happy eyes explode and forget the position of your cue ball and the layout of the next ball. A ball is scattered, and the cue ball is trapped in the middle and there is no ball to play, which often subverts too many games.
27. When aiming, don't point the club at the table. It's fancy for some batters, but you can't hit it there, not to mention you're probably aiming elsewhere at all.
28. When it comes to iron ball, don't immediately assume that it is the ball you want to play. In many cases, iron balls should be ignored in order to better control and distribute the balls. When you happily pull the pole back and then destroy the whole ball with a ball that won't go wrong, too many balls are scattered around and out of control.
When breaking up small groups, your plan should include how far you want to drive them away. According to each group, sometimes a light touch on the tee can achieve the desired effect. But sometimes slight contact will create new problems, and the balls should be further separated. Don't let your cue ball run into the middle of the ball and get out. Try to see if you can measure where these balls will go.
When you want to tee off with another club, remember that many top players actually prefer to hit the ball with a lighter club. Although you may not agree; However, they like that lighter clubs can provide better hand speed, far exceeding the explosive power that heavier clubs can produce and increase.
3 1. When you are in the pull rod, if the cue ball pauses and then runs back, it means that your rod is not level.
32. The correct answer to the question "How low should you stand (squat) when standing a pole" is "How low do you need to stand (squat)". Has anyone seriously considered that Zhang San should squat down a little? In fact, standing higher has its absolute advantage-you can see the angle of the cue ball better-but you must never sacrifice your accuracy. Besides, this is a personal preference. Don't stand too high because you are too lazy, and don't break your waist because you think you should stand lower. Experiment and see what posture is suitable for you and your game.
Don't forget the imaginative techniques used by basketball players to make free throws or golf players to put shots. Imagine a successful shot before you hit it. At the same time, when you face your ball, privately imagine the position where the second ball runs. If you imagine that you will miss a ball, don't hit it, because you will almost miss it as you imagine. If your attitude is not positive, it means that you are actually not ready to play.
34. If you want to improve your success rate, you should make a decision at this time: you should be more sloppy and defensive when playing the No.8 ball than you think. 95% people continue to try to eat it in one move, actually helping their opponents win. If you can start to imagine that you are playing a game instead of simply playing billiards while playing the No.8 ball or other kinds of flowers, it will be of great help to your intelligence.
35. When cutting the ball tie rod, even at a small angle, don't think that these target balls are just fixed there, because those target balls will be moved by the impact force, and the effect of the tie rod is produced by a non-contact point-especially when you use the external tie rod-which opens up many excellent opportunities for ball making, especially when the table corner is obviously quite crowded. And these opportunities are something you wouldn't have seen otherwise. (Note: You can also try to insert the pull rod, which is believed to have a quite unique effect. )
In practice, all the top teachers agree that you don't need to play slider (that is, temporarily loosen the grip until you hit the cue ball). If you can't let the club slide in your palm, ignore it. The function of the slider is intellectual, not functional. ) cowboy Jimmy Moore, a cowboy of the American Pool Hall of Fame, is a master skater. He can hit the cue ball as beautifully as any master. In his life, he never thought that he prepared for shooting for more than 30 seconds.
37. A rare advanced ball training: put 15 balls in the center of the table and arrange them in a straight line at equal intervals. First hit the ball in the middle into a bottom pocket, and then use the pull rod as a ball to hit the next ball into the bottom pocket on the other side, so it is a reciprocating left and right blow. When you are in progress, the distance between the mother ball and the daughter ball and the distance between the next ball will gradually increase. (Only top players can finish this line) This kind of exercise can also increase or decrease the distance between balls.
38. When you hit an off-angle combination ball, but you can still score, don't ignore the final stop position of the first sub-ball that your cue ball touches. Because when you concentrate on hitting the second ball into the bag, it is often easy to be blocked by the first ball. After the cue ball stops, there is no ball near you on the table for you to play. Especially when you tap the combination ball, your hitting strategy should definitely include the final connection position between the cue ball and the first sub-ball, unless you hit the sub-ball very hard.
39. When playing in the club, Robert Byrne offered two ideas: It is quite difficult to send the cue ball to the bottom belt along the table, because the center points of two balls with different sizes are not what you are used to aiming at. You need to hit the edge of the table harder and hit the ball in front of the normal table. At the same time, remember to slice all your thin balls slightly, especially when using the "ghost ball" aiming method. At the same time, the center line of the ball is different, because the larger cue ball will arrive earlier than the ball of the same size.
Maybe we can say that the top secret of billiards is cue ball, not cue ball. Literally and figuratively, the ball should be taken for granted. But for an intermediate or excellent batter, although you have scored a lot of goals successfully, the requirement of billiards is that if you want to continue hitting the ball after putting one ball into the bag, your actual goal is to put your cue ball in a position that is conducive to your next ball. If you can concentrate and embrace this concept keenly, you will make remarkable progress in playing with your brain. As long as you can train yourself to track the movement of the cue ball after it touches the sub-ball, instead of suffering from the uncontrollable flying of the sub-ball. You just have to assume that the ball will go into the bag as planned. In fact, this is often an inevitable result.
The bat method of billiards refers to the correct hitting method used to make the ball score or fall into the bag when billiards hit the ball.