Qin Keqing room furnishings (II) | Tang Bohu and Xichun | Author | Jun Jian Ya Kan Hong Lou
Qin Keqing's room is very coincidentally filled with twelve items symbolizing the twelve women in Jinling. They are: first, Tang Bohu; Second, the spring water map of Haitang; Third, Qin Taixu; Four or five: couplets; Sixth, the mirror of Wu Zetian; Seven, Zhao Jinpan; Eight, "the claw of Lushan Mountain" papaya; Nine, Princess Shou Chang couch; Ten, Tongchang Princess Zhang; Xi。 Gauze for calligraphy; Twelve, the matchmaker's pillow.
Qin Keqing's room is a part of the dreamland, and the relationship between "An Lushan threw a papaya and hurt Yang Taizhen's chest" and his death and Jia's property. This article starts with the first "Tang Bohu" and the Jia Xichun he alluded to.
Different from "An Lushan threw a papaya to hurt Yang Taizhen's chest", it alludes to An Lushan's ambition (An Lushan's claw refers to an ambitious person), launching an Anshi rebellion and killing Yang Guifei. There is no data to prove that Tang Bohu painted "Begonia Sleeping in Spring", and Qin Taixu never made that couplet. These two men were forcibly fabricated by the author, apparently alluding to one of the twelve women in Jinling. Tang Yin, as an innuendo, is Jia Xichun in Jiafu's Four Seasons Spring.
To tell the truth, there is no direct connection between Jia Xichun and Tang Bohu. Cao Xueqin just borrowed a painter to allude to Jia Xichun who can paint. Bohu Lake in Tang Yin, Tang Dynasty, instead of Zhou Fang and other painters who are equally good at painting beauties, is also because the name of Tang Yin is related to Ningguo House, which alludes to Jia Xichun's life experience and life experience.
There is a direct relationship between Tang Yin's "singing" and Ning Guogong's "acting", and there is an evolutionary relationship between them. The 26th time, Xue Pan recognized Tang Yin as "Huang Geng".
Xue Pan mistook Tang Yin for "Huang Geng" and played the role of Tang Yin and Jia Yan. Belonging to indirect contact, Cao Xueqin has always been good at using names to allude to relationships. For example, Miss Mingyu and Lin Daiyu, Miaoyu and Lin Daiyu are all indirectly related.
Jia Xichun is the end of "The Original Shadow Detective", and the Jia family has their own skills, such as playing chess and painting. Xi Chun is good at painting, and the girl calls it "painting". When Granny Liu visited the Grand View Garden, Xichun was also entrusted by the Grandmother Jia to draw a picture of the Grand View Garden, which not only had scenery, but also twelve women in Jinling.
Twelve women in Jinling (except Qin Keqing) gathered together, except Jia Jia and the real people in the Grand View Garden. There are three in A Dream of Red Mansions. A painting that Jia Xichun didn't finish before the 1980s, a painting that was too dreamland and unlucky, and a painting of twelve people and events that appeared in Qin Keqing's room. Tang Yin, the first painter, just alluded to Jia Xichun who painted the Grand View Garden and the twelve women in Jinling. I have to say that Cao Xueqin did it on purpose.
There is a little connection between Tang Yin and Jia Xichun's life. Born in Chenghua of Ming Dynasty for six years, he died in Jiajing of Ming Dynasty for two years. It happened that Jia Xichun's father, Jia Jing, was named Emperor Jiajing. Jia Jing created by Cao Xueqin has some personality characteristics of Emperor Jiajing. Whether he was away from home for a long time (not going to court), he still loved alchemy and believed in Taoism, so that he finally died after taking Dan medicine.
A Dream of Red Mansions was originally composed of the Ming and Qing Dynasties. Ningguo Mansion was established in the Ming Dynasty, which was called Ning. Rong Guo Fu was established for Qing Dynasty, and Qing Xing was honored. The personality setting of Jiajing, Jia Zhen and Jia Rong in Ningguo Mansion (which has nothing to do with history) obviously has the shadow of Emperor Hongzhi, Zheng De and Jiajing in Ming Dynasty. The Mourning of Qiu Ji describes hongzhi emperor's single-minded love for Queen Zhang in Ming Dynasty. Only one son and one daughter caused poor inheritance, and the throne was relegated to Jiajing by the imperial clan, which eventually led to Ming's death.
Jia Jing is the only man in A Dream of Red Mansions who doesn't involve the description of concubines. After his wife gave birth to her daughter Xichun and died, he left everything behind and went to the Taoist temple. In addition to Emperor Jiajing, Jia Jing has the shadow of hongzhi emperor, the lifelong pet of Queen Zhang, and a poor son.
That is beside the point. Twelve people and twelve things in Qin Keqing's room alludes to twelve women in Jinling. Tang Yin is the best person to insinuate Jia Xichun. His first appearance was related to the fact that Jia Xichun also wanted to draw a "Grand View Garden" that included twelve women in Jinling.
Although Xichun is young, she is the eldest daughter of Jia's parents. Family background, Jia Xichun firmly sits at the head of the "Twelve Women in Jinling". Although Jia Yuanchun is her elder sister, she is your imperial concubine. But she is the second daughter of the Jia family, and her father Jia Zheng's rank is far less than that of the second-class general that Jia Jing once ceded. On the 53rd visit to the Jia family's ancestral temple, Jia Jing took the lead as a sacrifice, which can also prove Xichun's status and position in the family.
Tang Bohu didn't paint The Picture of Begonia Sleeping in Spring, so Tang Yin alluded to the life experience and life experience of Jia Xichun, who is good at painting. Then "The Picture of Begonia Sleeping in Spring" was originally painted by Yang Guifei, but who is the innuendo? Please see the next breakdown.
Wen/Jun Jian Ya Kan Hong Lou
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The information in this article is mainly quoted from:
80 copies of Zhou Stone Notes;
A Dream of Red Mansions People's Literature Publishing House19821990/2018;
Cheng Yiben's revision of A Dream of Red Mansions;
A Dream of Red Mansions is a complete picture of Qinghe.