The last sentence of the news: I'm worried about Guan Yu Cao Fang Road. Poem title: Magnolia, alone in the small building, spring is about to dusk. Real name: Wei Zhuang. Font size: Words have their ends. Time: Tang Dynasty. Ethnic group: Han nationality. Birthplace: Ling Du County, Jingzhao County (now Xi, Shaanxi Province). Date of birth: about 836 years. Time of death: 9 10 year. Main works: Bodhisattva Man, Mourning for the Past, Ying Tianchang, Ying Tianchang, Sidi Township, etc. Main achievements: an important poet of Huajian school; Advise Wang Jian to call himself emperor and establish the founding system of the former Shu.
We provide you with a detailed introduction of "message interruption" from the following aspects:
First, the full text of "Yulan alone in a small building" Click here to view the details of "Yulan alone in a small building"
Alone in a small hug, spring is fading, and I am worried about Guan Yu Cao Fang Road.
The news stopped, not everyone,
But I picked my eyebrows and returned them to the embroiderer. Sit and watch, sighing,
Luo Mei's wet spot was dyed red with tears. Qian Shan never went to Wanshui,
Where does the soul dream of teaching?
Second, the evaluation
This word is thinking about women's nostalgia for recruiting people.
On the first film, write a little hug and look far away. The word "independence" means that she went upstairs not for pleasure, but for the performance of distant people; In the second sentence, the expected location is "Guan Yu" to show the distance between the recruiter and the ground. "Cao Fang Road" is mixed with truth and falsehood, and there are trees and grass, and the prince and grandson will not return to sigh. "News" is the action after "anxious hope", showing helpless sadness.
The next part is about empty boudoir sighing: I can't help crying and my clothes are wet when I look at the fallen flowers and think of my own destiny. The last two sentences are the heroine's special psychological activities: Qian Shan looks at the distance from the recruiter, but she has never been there. The beauty lies in the word "never done". She blames Qianshan for never doing it, so dreams are hard to find. Confused tapping, sad and painful sounds.
A major feature of Wei Zhuang's Ci is narration, and the feature of narration is action. That is to say, taking this poem as an example, it is about a young woman who misses her distant lover in the boudoir. Instead of describing her sadness with scenery like a common lyricist, she writes her behavior dynamically at this time, so as to show the chaos and gloom of her inner world: she walks up to the small building alone, overlooks the distant road, and returns to the boudoir, but there is no figure. She sat alone in the yard watching the fallen flowers, and tears flowed down unconsciously, wetting her sleeves and dripping down her skirt. What she sees here is not a static picture, but a series of ever-changing movements. If we take this as a script and let an actor perform it, we will definitely make several consecutive sketches. This feature is rare in other ci works with similar themes.
Let's take a closer look at the action description characteristics of this word in the order of up and down: "Going to the small building alone" seems to see the hostess's tired and careless steps when she goes upstairs. At this time, the awaken of spring is coming to an end, catkins are flying, and the young women who are alone in the empty boudoir can imagine their dazzling spring worries. She frowned and stared at the winding path leading to Guan Yu. The lush grass on the roadside inspired her to think in the distance. The ancient poem goes: "Spring grass grows long, and I hope my grandson will not return"; "If you stay away from hate like spring grass, you can go further and live." The end of the world is a symbol of leaving hatred and a catalyst for looking forward to returning. However, there was no one on the road. The news in the distance is still like a yellow crane, and her hopes are dashed again, so she has to lock her eyebrows and go downstairs to the house angrily. Although the embroidered curtain is also unbearable, five action words such as "Shang", "Wang", "Feng", "Lian" and "Gui" are used together. Everyone can not only see her frowning face, but also see her coming and going.
Xia Kun wrote about her modality and mentality after she returned to Xiuzhuang, which still runs through the characteristics of action. She sat watching the fallen flowers, sighed in the air, covered her face with her sleeves and cried frequently. Here, four action words "sit", "sigh", "wet" and "drip" are used to write her quiet actions. Everyone seemed to hear her sigh and see her sedentary figure, fallen flowers and crystal tears. "Qian Shan has never gone through thousands of waters, so where can I find the soul dream?" Although I wrote about the heroine's psychological activities when she was "sitting and watching the falling flowers", it was still full of action characteristics: I never walked across the water from here to Guan Yu and Qian Shan. Even if I want to find him after falling asleep, I don't know how to find him because I don't know the way. The words "walk" and "seek" are also used here, which shows that the description of psychological activities also permeates the characteristics of action. These last two sentences can be called punch lines: the road you haven't traveled during the day, you can't find the dream soul at night, and this reasoning seems to be logical and reasonable; However, even during the day, how can things be repeated in dreams, which shows the essence of this reasoning. The poet intentionally uses this reasoning with great inevitability to express the helplessness of Philip Burkart. She can't see her lover in her dream, which shows her loneliness and loneliness.
Third, Wei Zhuang's other poems.
Homesickness, night thoughts on the balcony, gold, bodhisattva full, singing. Poetry of the same dynasty
Sangu's Family, Warm Dishes, Farewell to Xu Kan, Mourning Poems, Jia Dao's Tomb Inscription, Tiantai Temple Couplet, Song of Eternal Sorrow, Memory of Jiangnan, Spring Tour in Qiantang and Ode to Mujiang.
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