Chang 'an after twelve o'clock is extremely prosperous, and the black and white tones return to a minimalist charm.
If this story has always been a complex and gorgeous meticulous painting, it returned to ink painting in the last few minutes.
Somehow I remembered another movie that happened in the Tang Dynasty.
Assassin Nie Yinniang.
Just the opposite of the longest day in Chang 'an.
Assassin Nie Yinniang returned to color from black and white tones.
Very interesting.
Judging from the content of the story.
Such an ending is far from popular and hearty, whether for the audience itself or for the play.
Lin Jiulang, Yuan Zai, Wang Yixiu. The audience hated the three characters, which were far above the court.
After all, historical figures and prototypes are there.
Li Bi and Zhang Xiaojing, two people who devoted all their efforts to guarding Chang 'an, are leaving this splendid capital with their bags on their backs.
Although I chose it myself. But it is also in that city that there is no room for such two clean and pure people.
Such a farewell is also in line with the feelings that black and white tones want to express.
Just from the ending itself, this ending actually has magnificent lines and an open ending.
This is the sadness from God's perspective.
We can't see hope. Because all the futures have already happened.
So whether it's Tan Qi's apprentice. The last point is sweet.
Or the hopeful sun in Chang 'an is really beautiful.
Against this black-and-white tone, it is even more tragic. In addition, some netizens praised: "The black and white lens is very advanced, just like an old movie. It brings people to a place with a long history, with a feeling of detachment, quiet and far away, and endless aftertaste. The "Knight Ride" at the end of the film is the crowning touch. The knight wandered around Chang 'an, brushed off his clothes, and was hidden in fame. "