From the point of view of conception, this film has the same pattern routine as The Beautiful Times of Daughter-in-law, with a pair of young men and women as the main characters, and on this basis, it extends to other related young men and women and their parents. However, this film is different from Daughter-in-law. Daughter-in-law, please note that although Mao Doudou is often unemployed, Yu Wei's father still has some money, and Mao Doudou's family is also an ordinary citizen. No matter how beautiful a rural family is, it also has a "family background". To put it bluntly, this story is about the lives of ordinary people! However, my beautiful life is not. "Little nanny" and "old nanny" are the real "bottom" of this society. In the name of beautiful and warm "domestic service", they are still people who help others do housework for a living-who can tell me what is the difference between them and the servants of rich families in the old society? As for the "designer" played by Huang Hai Bo, a "three no products" with no money and no chance, he is definitely a pure loser in today's era when people's dignity and success are measured by money and power!
How easy is it for a TV series that describes the love story between the "bottom youth" in society and the "loser" in life to log on to a set of CCTV prime files? Actually, it's not hard to say it. For example, turning a film about the painful struggle of two young people into an inspirational model of the success of two young people's entrepreneurship is not a success!
However, from this point of view, this situation is like sitting in an air-conditioned car and singing to the young man who pedaled three rounds in the hot sun: "He said that the pain in the storm is nothing, don't be afraid to dry your tears, at least we still have dreams!"
However, if we carefully read the protagonist "Wu" in the play, the only reason why she blocked a young couple from falling in love in the middle is that she denied Wang Xiaozao's nanny status! However, this is the profound part of this role. Wu worked as a nanny all her life, but in the end she refused to recognize the nanny's daughter-in-law. There are at least two reasons. First, as a nanny, she and even the nanny's economic situation and humble status. Second, she completely denies her nanny status-who is naturally willing to serve others, be bossed around by others, and be loyal to her master like a dog? However, all this is forced to become her real life because of her bottom position and survival pressure!
So we will find that this TV series is actually telling these poor people who have been bent down by the huge gap between the rich and the poor, bowed their heads and been riding on their legs by the whole era. Don't be knocked down or driven crazy by temporary embarrassment and desolation. As long as you have hard-working feet, everything will be fine! Nannies can become big bosses, people who pedal three wheels can become big managers (the Tangshan earthquake is a vivid example), and down-and-out designers will have their day! How is this different from Christianity that promises heaven, Buddhism that promises bliss, and ideology that promises great harmony? In fact, it is the spirit of Ah Q that dispels the secular trauma of W-fantasy Utopia! Although at the end of the film, the author made the "designer" gain something in the "middle-aged and old-aged clothing industry" that deviated from his life ideal, leaving a sour embarrassment, but after all, in the face of the largest audience, he still could not escape the direct influence-it was a hallucinogen that could make people dream of heaven in hell!