People in China pay more attention to how to express the theme in their compositions.
For example, the writing of The Book of Songs is Fu, Bi and Xing, in which "Xing" means to say something else first, and then lead to what you want to say. When it comes to Tang and Song poetry, there is a particularly common way of writing, that is, to create an environment first: that is, to create a suitable artistic conception, and then to begin to express feelings. Or similar to Bi Xing, analogy or write something else first, and wait until a certain temperature to reveal the real theme of this article.
Rarely does the first sentence go straight to the point.
But it is not without it.
For example, Li He's South Garden (Part Two).
Why don't men take Wu Gou and accept fifty states in Guanshan?
Please go to see the paintings of the founder heroes with pictures. Another scholar was once called the aristocrat of a million families?
This poem is a brainless question from the beginning, without any foreshadowing, and the sentence is very urgent and unpredictable.
Then, the phrase "fifty States gather in Guanshan" is like a hanging waterfall, falling from a height and magnificent.
In this way, it is like seeing a picture of the poet's anxiety for the country at once. Faced with the war-torn situation, he was anxious to go to the battlefield immediately to defend his country. Why not ask yourself and answer yourself is imperative, which implies a critical military situation and makes readers have to fall into the rhythm of this crisis.
At this rate, we must pick up a more passionate rhythm or content.
However, "Please go to Lingyange temporarily, if you are a scholar Wan Huhou?" Another question, the poet asked: Who is the literati who painted the portrait of the Lingyan Pavilion in Fenghou? Here the poet uses rhetorical questions instead of declarative sentences, and the meaning of complaining is stronger.
The emotion in the poem suddenly changed from high-spirited agitation to melancholy and sadness, which not only showed the contrasting brushwork, but also saw the ups and downs of the rhythm, echoing in the urgency.
In this way, Li He expressed his complex thoughts and feelings with the rhythm of poetry, which made readers feel his depression from the changing rhythm, and made people sigh his fate and beat their hearts.
In this poem, Li He did not create a suitable artistic conception for his emotions, nor did he find some metaphors, and there were no hidden twists and turns. Instead, it is a very straightforward statement with fierce words, which turns one's mood and emotion into a dagger, only stabbing the reader's heart and producing a very impactful lyric effect.