What does Fujin think of the way to obtain dance ability?

He not only criticized modernist dance based on a kind of dance aesthetic principle, but also criticized the way to acquire dance ability. He said to the so-called "new dancer": "... don't learn from snakes and dogs, don't learn from waves and stars, learn from people. People also belong to nature, and it is the beauty of nature ... It is much easier and more enjoyable to observe the waves or the' round dance of celestial bodies' than to train every muscle, study rhythm, practice balance and study complex action combinations. " He also said: "The most important thing in art is not what to express, but how to express it. The guardians of the "nature" dance clamor to express the rhythm of the universe ... However, if they examine it carefully, they can't even express the simplest rhythm. I have heard about the rhythmic movement of celestial bodies and the rapid dance of electrons more than once. However, I don't believe that in order to understand dance, I need to arm myself with binoculars and microscopes. Dance is closer to us, and it is on us. My interlocutor and I walked into the dance classroom-the knowledgeable female dancers-instead of the observatory of astronomers or the laboratory of chemists. I experimented with the simplest human rhythms (not the rhythms of the universe): March, Waltz, Garopee, Mazuka. Mastering these simplest rhythms mainly depends on their alternation and combination, which a knowledgeable female dancer can't do. Her mistake is also very simple: she is looking for dance in heaven, but in fact, dance is not too far away, just around us, in our own bodies.