When you look back clearly, you find nothing. She walks in front of you, wearing a wide T-shirt and a pair of lace-up sandals barefoot. On the internet, you will see her, appearing from time to time in farewell to Wei' an, T.A., warmth, July and peace ... Behind these countless Ann, there is always a mysterious person who arranges their fate.
She is their soul, and countless overlapping shadows come from this soul, which contains almost all personality characteristics: tenderness, sweetness, tenacity, cruelty, spontaneity, independence ... Behind these are infinite darkness, strangeness and loneliness, if beauty is composed of these.
Then this is a person who waits for fate and impermanence, love and death, farewell and wandering indefinitely. Anne Baby's works are almost all about one person, that is, Ann, the same environment, the same story, and the indispensable Lin, or other men. Numerous Ann told us that she was a rebellious child, eccentric and did strange things.
Indeed, this kind of rebellion attracts readers, and you can hear the strange style from a few lines, which belongs to Ann. Ann's style, Anne Baby's style and the defamiliarization effect in her works make us never get close to that mysterious Ann. Just like a foil hero, in almost every work, he and Ann are on the road of time and lust, and he can't escape from the palm of fate. He is destined to be on two tracks, sometimes parallel and sometimes crossing, but in the end they all move in their own direction and get farther and farther away from each other. And Ann is constantly blurred in the ambiguity of feeling until it becomes a point, still blurred, and then blank. Anne Baby's words are a wonderful flower in online literature, with blurred floral fragrance and spicy breath.
Anne Baby's works have typical female writing characteristics. The breath in her works has obvious sensitivity and intuition peculiar to women. That unique feeling, the unique understanding and description of fate, love, parting and wandering, reveals a strong femininity and backwardness. Even stubborn persistence is associated with beauty and despair.
Ann seems to be looking for a place or a person, but it is actually a nightmare and a lack of love. The man was always in front, but she couldn't find him. In almost every work, Ann didn't find anyone, but drifted to another strange city. Is she looking for someone? No, only the forest, which meets and entangles by chance, and then drifts to another lonely place alone, always aiming at the next one.
The distance between love and happiness is far away. More often, the distance between them is not as close as that between love and death. So Anne Baby's works are full of darkness and fatalism, which is the smell of strange plants.
Because "imaginary men really don't exist." So, while walking forward, I feel depressed. When fate, despair of love, farewell and wandering are shown by Anne Baby, it is a charm, a pure blue.
What kind of life does Ann like? "Wearing cotton skirts, old wide jeans, black T-shirts and barefoot shoes, her favorite clothes are embroidered cotton skirts and old jeans, while" girls wear pink-purple suits and long hair shawls. " They are always too clever. If a department store buys a skirt with suspenders under ESPRI, it will be as beautiful as flowers and jade. "Ann hates it.
She is a girl who refuses to give in. Although she sometimes loses many benefits, it is to keep her true self. In the vulgar and indifferent social environment, she can find the warmth and purity that points directly at people's hearts. It is the writer's own personality that creates the characters and styles in her works. Although not all the characters in her works are the shadow of the author, her article style is the same as that of the author.
As can be seen from the article, An Sheng's life trauma always comes from loneliness and some painful love experiences, or from spiritual and emotional aspects outside material life. Because she has been wandering, it comes from a psychological appeal, a loss of looking for love, an ideal lover and an unattainable love.
The richness of material life is one of the reasons why attention turns to spirit and emotion. From this we can see the clues of some petty-bourgeois writers. Of course, there are also women writers who generally pay more attention to their feelings. For example, women can create and feel romantic emotions and sad atmosphere.
Anne Baby's works have both the shadow of petty bourgeoisie and some differences with petty bourgeoisie, so Anne Baby is a real writer in the network age. Anne Baby's pain and loneliness are real, but this reality is based on personal closed emotions. Everything outside revolves around a free and self-sufficient emotional center, and everything outside hardly affects this relatively independent field, which belongs only to her.
Ann lives in a constantly drifting world, in which fate, love, farewell and drifting happen constantly. It was an unshakable world at that time. There is only one person in this world-Ann, and the men in the works are only necessary accessories. The only way to connect this world with the outside world is wandering, but that is only a manifestation of life. You can see Ann, but you can't talk to him. You saw her, but she couldn't see you.
Because of the uniqueness of Anne Baby's articles, she formed a set of her own style, which gave readers a strange and lively effect, but also caused a sense of singleness in her works. Almost all the characters in each work are a police master, Lin who acts as a foil, or some ghostly characters, such as Joe, whose locations are basically Shanghai. Even if it is not explained, it is also a "Shanghai model", and the theme is fruitless.
Although the story has changed a lot, it has never changed from its original clan, and the ending has not changed significantly. With the increase of works, the initial defamiliarization effect is like footprints in the desert, which is gradually diluted. Although every work is not monotonous, on the whole, it is repeating the same story, just like a room, where people do similar things day after day, but the nuances change.
Anne Baby's works not only affect online writing and petty bourgeoisie literature, but also have a significant impact on the post-80 s writers who have risen in the new century. Her style has a far-reaching influence on the decadent and sad petty-bourgeois style in the novels of some young writers, such as Jing M.Guo and Zhang Yueran, who stand out from the "new concept". The characters in her writings and works are trying to get rid of the kitsch society, but the protagonist is always wandering in the choice of secular and spiritual pursuit, which is inseparable from her petty bourgeoisie position and mentality. She can't walk out of her own destiny world, and her writing can't walk out of her own boundaries.