Edit the historical origin of this paragraph.
Haiyang Haiyang yangge
According to the available data, the history of yangko can be traced back to the early Ming Dynasty. Zhao's Genealogy collected by Zhao Bingshu in Jianshe Village, Fengcheng Town records: "The second ancestor Zhao (Tong) is hereditary (big) to lead the town dance and seal General Wu Lulue. In the first year of Hongxi in the Ming Dynasty (1425), I was glad that five generations lived under one roof and gave me a plaque with the sum of' Seven Leaves in a Prosperous Age'. You directed the gentlemen to congratulate me, and the musician and dancer Wen Shao led them to create yangko, singing and dancing in the court, which was enjoyable. " This is the earliest written record about Haiyang Yangko, which shows that there was Yangko activity in Fengcheng, Haiyang at that time. According to the above, Haiyang Yangko originated in the Han Dynasty, originated in the Ming Dynasty and flourished in the Acropolis (now Fengcheng) in the Song Dynasty. The heyday of Haiyang Yangko was roughly in the middle of the Qing Dynasty, that is, after the establishment of Haiyang County by the Acropolis in the 13th year of Yongzheng. Fengcheng, the old county seat of Haiyang, was the economic and cultural center of Haiyang at that time, which was bound to promote the development of folk art. There is a local folk song: "When the country yangko enters the city, worship the empress first, and then play the scene; "If you don't go to town on the fifteenth day of the first month, you will be driven out of town if you come later." It shows that yangko has become an indispensable activity to celebrate the festival at that time, and Fengcheng has become the activity center of yangko in the four townships. An important factor in the gradual development and maturity of Haiyang Yangko is that it can continuously absorb the essence of various foreign arts. For example, in the preface to Yangko Opera Chen Yingbi, a native of Liushuzhuang, Haiyang, written in the thirty-five years of Qianlong, it said: "I once worked with Hu Gongting and Zhang in Qiongzhou, and I loved the beauty of Shu songs very much, imitating' rushing to Sichuan'. Teach the yangko class to sing. " It can be seen that as early as more than 200 years ago, the music singing method of Haiyang Yangko has borrowed from Shu songs. In addition, the folk custom of "Doctor Le" in Haiyang Yangko can be divided into "Mantis Gate" and "Bagua Gate", which means that his basic dance movements have absorbed different boxing routines and formed his own style.
Edit the style characteristics of this paragraph.
trait
The performance of Haiyang Yangko is rich in content and the team structure is rigorous, which is mainly composed of three parts. When traveling, the deacon is in the front, the band is behind, and the dance team is behind. There are dozens of people in the dance team, playing various roles. The common formations of the Yangko Team are "Erlong Xu Tu", "Bagua Dou", "Dragon wagging its tail", "Dragon twisting its column", "Three fish fighting for the head" and "Stars holding the moon". The outstanding features of Haiyang Yangko are the combination of running and twisting. Dancers twist in running, women twist their waist and hold fans, and shake their shoulders in the previous step, which is lively and generous. The man shakes his head, swings his arm and changes his shoulders, which is lively and funny. The common people summed up its six characteristics: first, the dance team is huge and the songs and dances are funny. Second, the structure is rigorous and the etiquette is profound. Third, dancing is pure dancing, and singing is funny. Fourth, improvisation, diversity and unity. Fifth, the array is changeable and ingenious. Sixth, drum music is pure and moderate. According to these characteristics, Haiyang Yangko has formed a folk dance art with extremely rich forms and contents. It is the essence of China folk art, and it is also a rich "big dish" for people during the Spring Festival. Haiyang Yangko thrives in this hot land of Jiaodong.
form
Haiyang Yangko Team is mainly composed of deacons, bands and dance teams. The deacon walks in the front, consisting of three-eye large-caliber short guns, colorful flags, incense trays (held by the person in charge of the meeting or vice-meeting) and big gongs. Dr. Le is the conductor of the dance team, holding an umbrella in his left hand and a sling in his right. There are different folklore about his identity. Some people say that he wears a fur coat to keep out the cold and holds an umbrella to pray for good weather. Some people say that he is a passing doctor, holding a horse in his hand to ward off evil spirits. Ancient paintings usually consist of 16 to 24 young people. Wu Sheng, dressed as a costume, was at the front of the team, clearing the way and playing for the Yangko team. He beat the drum with one hand, with the drumstick in his left hand, but he didn't beat the drum, only moved with the rhythm. Xiaomanzuo is a country, Haiyang and Yangko.
The girl dressed up and performed in pairs with the flower drum, then gradually separated from the flower drum and performed independently. The peddler and Cui Hua. It shows the life story of small rural businessmen walking around the village and village girls buying small department stores. The leaky hoop maker and Aunt Wang. Folklore; Aunt Wang was changed by Xiulijia, the daughter of the Jade Emperor. She went down to earth in private and became a village woman. The leaky hoop maker was changed by the land god of the worse heaven. He was ordered by the Jade Emperor to go to earth to catch Aunt Wang and die. The artist chooses the scene of fighting after two people meet, and arranges it into a dance for two people, which can either walk the streets or perform alone during the performance. Ugly girls and silly boys. An ugly girl dressed as an old country woman and a silly boy dressed as a naughty boy. They are not restricted in the yangko team, and they can run freely, have fun and please the audience. The music of Haiyang Yangko consists of gongs and drums and songs, with gongs and drums as the main accompaniment. Percussion consists of drums, gongs, cymbals, cymbals and hall gongs. There are two main types of gongs and drums, slow-moving array and fast-moving array, but the speed is not good and the rhythm is basically the same. They are all three drums and one gong (one board and three eyes). Most songs are folk tunes. Percussion music is inserted in the middle of singing, and its representative tracks include Doctor Tune and Ben Chuan. You can choose flute, sheng, erhu and other musical instruments to accompany you according to the actual situation.
Edit the basic actions of this paragraph.
Haiyang Yangko is famous for its unrestrained, emotional and humorous performance style. In the long-term development, Haiyang Yangko has gradually formed two different genre styles. Namely "big shelf yangko" and "small shelf yangko". "Big shelf yangko" represents the basic style characteristics of Haiyang yangko, which is mainly spread in the eastern and southern parts of Haiyang, with Yan Mingyu and Wang Fa as outstanding representatives. "Little Shelf Yangge" is circulated as Haiyang Yangge.
In addition to percussion instruments, there are instruments such as suona, sheng and flute in the northwest. There are not many dance movements, mainly running in formation, and there is a saying of "running yangko". Dance footwork is mainly "three steps and one interval", that is, taking three steps and one step. When the yangko team walks through the streets, it mainly adopts two vertical lines, which cross each other and run through with "three steps and one interval". However, in the form of performance, there are two kinds of venues: large venues and small venues. The big venue is group dance, with gongs and drums sonorous and Ma Benteng like a river. Most of the small venues are duets and multi-person dances, just like a small bridge flowing water, full of twists and turns and beautiful.
Edit the development process of this paragraph.
With the development of society, the form and content of Haiyang Yangko are constantly changing. However, its position in people's minds has never changed. People always regard watching and performing Yangko as a great pleasure in their lives. In the first month, whenever yangko and gongs and drums ring, men, women and children flock to watch, and walls, roofs and trees are crowded with people everywhere. "Without yangko, it is not called Nian", which has become the mantra of the masses. People's love has laid a solid foundation for the continuation of Haiyang Yangko, and Haiyang Yangko has thus been enduring, inherited and developed. For decades, Haiyang Yangko has received the attention and support of leaders, experts and scholars at all levels, and has greatly developed and improved on the basis of inheritance, giving it new vitality. As early as 1958, literary and art workers collected and sorted out Haiyang Yangko, which promoted this folk art to a new stage and put it on the literary stage. 1959 was made into a movie. Since then, Haiyang Yangko has become one of the three largest Yangko in the province, which is famous all over the country. The popularity of Haiyang Yangko not only brought a new stage of revival to this art form, but also opened the door for dancers to find a treasure house of folk dance art. On the basis of learning and mastering the rich dance vocabulary and artistic style of Haiyang Yangko, dancers from central, provincial and local cities went to Haiyang Yangko.
Later, a large number of excellent dances with this folk art feature were created. Award-winning dance works "On the Field of Hope" and "Kucaihua" created by the Song and Dance Troupe of the General Political Department and the Art College of the People's Liberation Army fully show the distinctive artistic characteristics of Haiyang Yangko. 1983 The Dance Department of Beijing Dance Academy officially listed Haiyang Yangko as a compulsory teaching material for the national Han folk dance, and boarded the forum of colleges and universities. In recent years, with the joint efforts of art experts, scholars, cultural workers and old folk artists, Haiyang Yangko has been further inherited, developed, reformed and prospered, and has achieved excellent results in a series of competitions. 1994 was invited to participate in the 4th China Shenyang International Folk (Yangko) Dance Festival. With its rich local characteristics, simple and unrestrained style and exquisite skills, it stood out from the fierce competition of dozens of strong teams at home and abroad and won the highest award in the competition-the Golden Rose Award. In the same year, 65438+ won the national "Stars Award" silver award in February. In February, 65438, the curtain performance of the 5th Shandong Culture and Art Festival was added, which was well received by the leaders of five leading groups in Zhao Zhihao, Li Chunting and other provinces. 1996 12 gold medal in the dance competition of the first farmers' art festival in Shandong province, 1996 and 1997 participated in the shooting performance of the Spring Festival Gala in Shandong province for two consecutive years. The state attaches great importance to the protection of intangible cultural heritage. On May 20th, 2006, Haiyang Yangko was approved by the State Council to be included in the first batch of national intangible cultural heritage list.
Edit this paragraph to get the result
1983 Beijing Dance Academy officially listed Haiyang Yangko as a compulsory course for Han folk dance in China. 1994 was invited to participate in the 4th China Shenyang International Folk (Yangko) Dance Festival. With its rich local characteristics, simple and unrestrained style and exquisite skills, it stood out from the fierce competition of dozens of strong teams at home and abroad and won the highest award in the competition-the Golden Rose Award. 1994 12 won the silver award of the national "Stars Award". He was invited to perform in the 5th Shandong Culture and Art Festival, and was received and praised by the leaders of five major teams in Zhao Zhihao, Li Chunting and other provinces. 1995 10, won the highest award-outstanding performance award in '95 Jinhua China Excellent Folk Square Dance Exhibition. 1996 12 gold medal in the dance competition of the first farmers' art festival in Shandong province, 1996 and 1997 participated in the shooting performance of the Spring Festival Gala in Shandong province for two consecutive years. 1997 Haiyang was named "the hometown of Chinese folk art" by the Ministry of Culture. On May 20th, 2006, Haiyang Yangko was approved by the State Council to be included in the first batch of national intangible cultural heritage list. In August 2008, he was invited to participate in a warm-up match before the opening ceremony of the Beijing Olympic Games. In recent years, Haiyang Yangko has also been invited to participate in large-scale activities such as Yantai Yuhuangding Temple Fair and Qingdao Beer Festival, which has been well received by the masses.
Intangible cultural heritage is a variety of traditional cultural expressions and cultural spaces that people of all ethnic groups have passed down from generation to generation and are closely related to people's lives. Intangible cultural heritage is not only a witness of historical development, but also a valuable cultural resource. China is an ancient civilization with a long history. It has not only a large number of material and cultural heritages, but also rich intangible cultural heritages. The rich and colorful intangible cultural heritage created by the people of all ethnic groups in our country in the long-term production and life practice is the crystallization of the wisdom and civilization of the Chinese nation, the bond linking national feelings and the basis for safeguarding national unity. Protecting and making good use of China's intangible cultural heritage is of great significance for implementing Scientific Outlook on Development and promoting comprehensive, coordinated and sustainable economic and social development. The general survey of intangible cultural heritage is a large-scale cultural survey carried out by the state at the beginning of 2 1 century, and it is an important means to grasp the intangible cultural heritage status of the whole country and regions and understand the people's feelings. The information and data obtained from the census, as one of the important materials for comprehensive analysis of national conditions, is an important basis for the national or regional authorities to formulate cultural policies and even ethnic policies. The general survey of intangible cultural heritage is the basis for effectively protecting intangible cultural heritage and rescuing endangered intangible cultural heritage. Therefore, according to the unified deployment of the State Council, it is of great significance to carry out the general survey of intangible cultural heritage in all regions of the country for the inheritance and development of intangible cultural heritage and the investigation of national conditions.