Don't pay attention to the beating rain in the forest. Mei sings a long whistle and walks leisurely. Bamboo poles and sandals are more dexterous than riding horses. What's to be afraid of? A raincoat and hemp fiber, despite the wind and rain, still live my life. The cold spring breeze woke me up and it was a little cold. The hillside is sloping, but it is pleasant. Looking back on this desolate place,
Go home, no rain or shine.
The preface before the speech said, "On March 7th, it rained on Hu Sha Road, so I went with rain gear first, but my colleague borrowed it, but I didn't feel anything. It has cleared up, pretending to be like this. " According to Dongpo Zhi Lin, "Three miles southeast of Huangzhou is a sand lake, also known as snail shop. During the purchase of farmland, I went to Tian Xiang ". The whole word is closely related to a small thing in life, such as rain on the road, to write your inner feelings at that time. The words such as "wind and rain", "bamboo shoes" and "oblique photos" in the article are not only the actual description of the scene in front of us, but also the symbolic meaning of metaphor and the externalization of the poet's life situation and emotional experience. The whole article is lyrical on the spot, and the language is natural and fluent, which contains profound philosophy of life and embodies the unique aesthetic style of Dongpo's ci.
The first paragraph of the word describes the mood when walking in the rain. The first sentence says that raindrops make sounds on leaves, which is an objective existence; The use of the word "don't listen" means that the author's character is revealed because there are not enough foreign things. The sentence "Why not" is an extension of the previous sentence. Chanting, poetry, meaning comfortable, here means poetry. Poets don't care about wind and rain. What is the specific reaction? He sings poetry in the rain, even slower than before! Natural and unrestrained calm with some stubbornness. These three sentences of "bamboo shoes" are not real scenes, but the author's thoughts at that time, or they can be regarded as his philosophy of life and political declaration. Mango shoes, that is, sandals. Who's scared? There is nothing to be afraid of. Life refers to weekdays, all the time. It doesn't matter whether the author was really a "bamboo pole" at that time; It has been said in the preface that "rain gear comes first", so there is no possibility of wearing coconut shells. We should think deeply that leaning on bamboo poles and wearing sandals are the clothes of idlers or hermits, while horses are used by officials and busy people. The so-called "horseshoe busy on the sidewalk". They are all tools and can be compared. However, although bamboo poles and sandals are light, walking in the rain is inevitable. How can it compare with the speed of riding a horse? Considering the meaning of the word, the word "light" does not refer to the lightness of walking, but obviously refers to the lightness of mind, which means "it is light without an official", which is the same as the word "light" in one of Du Fu's two poems, "Nothing is common around the eyes, and nothing ends". The poet believes that as long as we face it with a relaxed and broad-minded mood, the storms in nature and politics (referring to the relegated life) are nothing and nothing to be afraid of. Besides, isn't that how I got through these years? At this moment, I will sing poetry. Forget it!
The next article is about the scenery and feelings of sunshine after rain. The phrase "chilly spring breeze" came back to my eyes from my heart. I just walked in the rain with wine. Although my clothes were all wet, I didn't feel cold. Now that the rain has stopped and the wind has blown, I felt a little cold at first. The sunset on the mountain brought some warmth to the poet, as if he had come to meet him specially. The word "hello" shows temperament. The author can often see the dawn in adversity and not let this temporary adversity affect his mood. This is his broadmindedness. The three sentences of "looking back" have profound implications. Always, that is, just now, "looking back at the bleak place" refers to looking back at the place where it rained just now, and it is also a feeling and reflection of the officialdom storm I have experienced in my life. The result of the poet's reflection is "going home". Tao Yuanming's retirement and efforts were admired by the poet, but throughout his life, the poet never really retired. "I don't want to talk in seclusion" (Book 5 of Drunk Book of Wang Hulou on June 27th). In short, what he pursues is not the external "body" retirement, but the internal "mind" retirement; The place he wants to return to is not his hometown Meizhou, but a spiritual home where his sensitive and complicated soul can be placed. This peace of mind is my hometown. It is precisely because of this that the poet summed up the whole article with "rain or shine", which is deeply intriguing. When it rained just now, the poet didn't expect sunny days and didn't feel bad. Although it is sunny now, there is almost no joy. Because there are sunny days and rainy days in nature and official career, there are prosperity and adversity, but there are no sunny days and rainy days in the poet's heart, because "all images are illusory." You should have nothing to live in but a heart (Diamond Sutra). The poet is always poised. Writing concluding sentences layer by layer is the main idea of the article, and it also reflects the typical style of Su Shi's poetry-"the realm of leisure". The so-called "breaking the immortal" means that after being deep, anxious and persistent, you can suddenly turn around and let go, and the Buddha first "holds" and then "breaks". This sentence "a misty rain will last a lifetime" is inevitably resisted in chic and calm, and it is another form of "persistence"; Rain or shine is its sublimation. If the sentence in the last film is compared to the famous saying of a beautiful monk in Zen Buddhism, "Never erase it, don't make dust", then Su Shi "turned to laugh at the stormy place, closed his eyes and talked about his dream" (the first part of "Two Poems after Two Rhymes of Wang Yanlao's Retirement") seems to realize that he just walked a little in the rain. Now after a storm comes a calm, everything seems to have never happened, just like the sixth ancestor Huineng's "there was nothing, where did the dust come from?" "Only in this way can the poet return to his true self and realize the true meaning of life. This is the real and thorough' breaking'.
Among Su Shi's more than 360 extant poems, "ghost" appears 100 times, which is a phenomenon worth pondering. Mr. Li Zehou said: "Su Shi has never retired in his life, nor has he really returned to the field. However, the emptiness of life expressed in his poems is deeper and heavier than any oral or actual "retreat", "return to the field" and "seclusion" of his predecessors. Because this' retreat' emotion expressed in Su Shi's poems is not only a retreat to politics, but also a retreat to society "(the course of beauty). The word "Jiang Linxian returns to Lingao at night" is full of words because the ending sentence "The boat will die today, and the river and the sea will send the rest of their lives" expresses the meaning of abandoning the official and retiring, so that "the message will be sent the next day and the boat will go to the river. Hearing this, the county magistrate Xu Junyou was surprised and scared. Thinking that the country had lost its sinner, he hurried to offer his condolences. I hope to snore like thunder, but I am still not happy "(Ye Mengde's Xia Lu, Volume 2). "So, why? Because there is no escape from this world "("The Course of Beauty "). Whether it is paradise on earth or Langmiao Jianghu, it is "the outside world" for Su Shi, and there is no difference. His final destination can only be his "inner world" The so-called "no rain, no shine" and "the boat has passed since then, and the rivers and seas have survived" are actually just metaphors that the poet hopes to get spiritual liberation.
Broad-mindedness, epiphany and sentimentality are the unique emotional patterns in Su Shi's literary works. He suffered many hardships in his life without regrets, and took his time in adversity, but his deep sadness was always hard to get rid of. This kind of sadness is sometimes very strong and sometimes very weak, which is often hidden behind his hearty or self-deprecating laughter. "butterfly lovers" (flowers wither, red and green, apricot small) two articles wrote: "The wall swings, the wall swings. The layman in the wall, the beauty in the wall laughs. The laughter faded away, but the passion was ruthlessly annoyed. " Pedestrians (referring to the author himself) know that they can't see the figure and appearance of the beautiful woman in the wall, and just want to stop and listen for a while. Unexpectedly, the beauty has left on the swing at the moment, and I don't know that there is a affectionate pedestrian outside the wall. How can this not be annoying? The beauty is heartless because she doesn't know that there are "sentimental" pedestrians outside the wall. There is a universal and inevitable thing in the world called "many mistakes in the world". What is more important than this? Su Shi was loyal all his life, but he was suspicious. At this time, he finally arrived in Lingnan. Isn't it his "deep but merciless chagrin"? He laughs at his own amorous feelings, that is, at the unfair fate imposed on him and at all tragedies!