Years ago, I visited my relatives. My relatives' children are playing with plastic swords, and they are still muttering, "Youlong came out and Wan Jian surrendered." On one side, I couldn't help laughing. Although I didn't get a chance to see the novel Seven Swords become popular, it is a kind of compensation to see the children's Youlong sword dance. You can think that Liang Yusheng is not good at telling stories, and you can also think that many of his novels are boring, but you have to admit that Liang often has some good titles. For example, Seven Swords, it is said that Tsui Hark was interested in this book because he saw its title. The Seven Swords is not very long, but it is a heroic biography. There are many novels in Liang's Popular Biography, among which the Seven Swords and Three Women on the Jianghu are naturally famous. In contrast, the seven swords have a larger capacity and are called the seven swords under the Tianshan Mountains. In fact, it is more like the Seven Swords going to Tianshan Mountain, which tells the story of the mental process of the growth of the Seven Swords, and Tianshan Mountain means their maturity. Liang's martial arts works are excellent, such as White Hair, Wandering, Sea of Clouds and Seven Swords. Liang's view on martial arts creation is: "Literary works can impress readers, and the main factors are the vividness of characterization and the depth of depiction of inner feelings. Personally, I don't pay much attention to the plot of the story when writing novels, but sometimes I have to pay attention to the development of the plot in order to cater to the readers' tastes, and I just try to avoid unreasonable places when narrating. Rationalize the story, not flow in the strangeness. "The other three focus on the portrayal of the individual's heart, and the Seven Swords pay more attention to telling the joys and sorrows of children in the world. When it comes to the seven swords, of course, it is inseparable from the gadfly. As the first hero of the Seven Swords, Ling Weifeng is also recognized as a martial arts version of the gadfly. Ling Weifeng borrowed and even copied the story caused by a familiar slap in the face in The Gadfly, and Liang also copied many details. For example, Liu Yufang's nickname is similar to Joan's mother's "Joan". Liu Yufang takes a portrait of Mulan like Joan's mother and calculates Ling Weifeng's time in Tianshan Mountain like Joan's mother. Ling Weifeng is so similar to the gadfly in appearance, but Ling Weifeng only wears the gadfly's coat. In Liu Xiaofeng's heavy body, the gadfly talks about ethics rather than revolution. However, Liu Xiaofeng's enthusiasm for theology always makes his explanation not fundamentally different from the previous revolutionary theory, except that the revolution was replaced by God. The Gadfly is not only a revolutionary story, but also an ethical story. It tells a very complicated, special and even extreme emotion. So Ling Weifeng can only imitate the story modeling of the gadfly. Fortunately, Liang also clearly realized this. Arthur and the gadfly are the two extremes of the gadfly's soul, and the gadfly bears the cruel conflict between the two souls. Voynich's brushwork is full of religious warmth and classical femininity. /kloc-in the portrait of the 6th century, the Italian teenager and the tamed claw-free leopard contrast Arthur's angelic temperament, and applying buzzwords is a typical playboy. Voynich's brushwork is extremely cruel and cold. She can turn the beautiful angel Arthur into a deformed hell monster gadfly. Despite many complicated reasons such as religious belief, the gadfly refused to return to Arthur and restore his love with Qiongma, not because he refused, but because he dared not. When the gadfly and Joan Ma saw the clown on the roadside, the gadfly couldn't stand the fear and pain of being integrated with his deformed body and soul. When the gadfly told Qiongma about her life in the South American hell, Qiongma would rather let Arthur, an angel, die in the sea than be a gadfly ravaged by the dirtiest and shameful hell in the world. Others still do, not to mention the gadfly itself. He will never dare to trace back to the angel Arthur, because he is already an angel who has fallen into hell, and he will never look back at the extreme cruelty of depravity.
The extreme warmth and cruelty of Voynich is impossible for Liang, and of course it is impossible for Liang to have Voynich ravage angels into monsters and madly love their extreme emotions. So Ling Weifeng applied the story of the gadfly, but there was no great mental pain of the gadfly. The story of him and Liu Yufang is actually different from the latter. The lover misunderstood him. He experienced a painful ordeal and met again after a disaster. Both sides who love each other are scarred, but they can't laugh and forget the pain in vain. Liang gave two reasons, which is also a portrayal of Ling Weifeng's character and soul. The pastoral song "Who is the most stubborn person on the grassland" should be the stubborn soul that Liang gave to Ling Weifeng. Loving someone deeply hurts his dignity. He lingers in love and stubbornness, and still maintains the stubbornness of his soul and the independence of his personality in his persistence in love. The independence of personality and devotion to love constitute an eternal conflict, and the peak of the conflict finally leads to the tragic beauty of the integration of opposites between personality and love. Seven Swords is the beginning of Liang's real martial arts, and this grassland pastoral set the tone for Liang's later love tragedy. This is the genius of Liang. He does not blindly beautify love, but regards love as a panacea for all diseases, and this is the conflict between personality and love. White hair can be said to be a classic of this kind of thinking. But there is something wrong with Ling Weifeng. First of all, it is not Liu Yufang's fault to misunderstand Ling Weifeng. Ling Weifeng can be deceived and leaked, and Liu Yufang can also misunderstand Ling Weifeng. Secondly, The Seven Swords is very revolutionary, so to care so much is to belittle a fearless revolutionary. The most important thing is that Ling Weifeng is not really as stubborn and proud as dressing, otherwise he wouldn't say anything about telling the truth before his death. The second reason that Liang gave Ling Weifeng was his true character. In the dungeon of the Heavenly Palace, Liu Yufang told Ling Weifeng about her pain, and Ling Weifeng used her childhood story to explain it. "My mother loves me very much, but sometimes she is very strict. Once a big boy bullied me and I beat him up. My mother scolded me, and I felt wronged. I suddenly left home secretly, lying on the top of the mountain nearby, thinking: My mother must think I am dead, and she must be crying at this time. Thinking like this, the child's heart seems to feel both happy and sad. " Probably because of the radio host who has done psychological counseling for young men and women, Liang has a lot of experience in psychology. Liang's statement is very accurate, and readers can verify it according to their own life experiences. Ling Weifeng's stubbornness is actually a child's stubbornness, and that kind of joy and desolation is the desire for love. Ling Weifeng, then a big boy, was misunderstood. He embraced Yang's orphan not far from Tianshan Mountain in Wan Li, and lived with Huiming Yilanzhu for ten years. Time has made Tianshan famous, but it can't make up for Ling Weifeng's carelessness. Perhaps Liu Yufang is not only a lover to Ling Weifeng, but also a psychological elder sister and loving mother, just like giving a lotus flower to Gui. Ling Weifeng is the first person in Wulin besides the Ming Zen master and the white-haired witch. Ling Weifeng, who is almost omnipotent, still has a childlike innocence. In eighteen years, Mulan grew into a sacred mountain in Tianshan Mountain, which is famous in the northwest. At that time, Sister Qiong also became the chief helmsman of the Heaven and Earth Society, but Yunying was still unmarried. The childish stubbornness of teenagers is hidden in the vicissitudes from human to middle age, struggling in the joy and desolation of loving and being loved. During the ice war in Xinjiang, he was besieged by ouchi guards at the edge of the cliff, and Lingxiao Peak was besieged by Chu and others. In the chaos, the two had already looked at each other but were so far apart. Liu Yufang shouted, "LingWeiFeng! We finally met! " Seems to forget the danger of life-and-death battle, perhaps because of a presentiment that the love puzzle between them is coming. Liu Yufang fell off the cliff, and people screamed in mid-air: "Ling Weifeng, aren't you telling the truth now?" Only LingWeiFeng barking on the cliff, Liu Yufang couldn't hear the answer. In infinite sadness, pain and despair, generation shows strength and beauty beyond life and death, and Liang's stunt is beyond the reach of others, even Jin Yong and Gu Long. Although Liang didn't imitate it until the end, it was finally replaced by a tale of two cities. Han Zhibang died for Ling Weifeng, but he didn't get married after all. I'm afraid that forgetting the sublimation theory of revolutionary morality in rivers and lakes is just a cover-up, which is difficult to convince readers. "Sentient wind Wan Li roll tide, ruthless tide. Ask Qiantang River, Xixing Pukou, how many degrees is the oblique light? " There is faith in the tide, and the world is boundless, which has existed since ancient times. Not only Su Dongpo, but also Lingxiao Peak and Liu Yufang are tilted several times on the Qiantang River. In the process of gathering and dispersing, joys and sorrows are intertwined with hope and persistence. Ling Weifeng is the first protagonist in Seven Swords, because Liang transplanted the love and affection of the gadfly to Ling Weifeng and Yi respectively. Yi should be the second protagonist, but Liang's portrayal of Yi is a failure. Although Ling Weifeng imitates the gadfly in form, he has his own things, and Yi's imitation is too explicit. When yi successfully pretended to be an old woman and stabbed a lot. In the face of Na Lanminghui, he gave in easily, copied the plot that the gadfly was arrested when facing Montelini and the gadfly pretended to be an old man to see Montelini, and even said the same thing. For example, Ijuran whispered with a pitiful smile, "Dear princess, I, I have sinned against you!" " Only a princess replaced the bishop. And Zhu Lan met Na Lanminghui in prison, basically imitating the gadfly. The gadfly and Montelini have a complicated love-hate relationship, both family and religion. This book is fully prepared in front. Copying it to Yi is neither fish nor fowl. Moreover, Yi's heart is still holding up Yang's bloody book, which has almost become a tool for revenge. Yang's image in Seven Swords is a failure. Compared with Duoduo, it is really hard to understand why Na Lanminghui is obsessed with Yang. A lot of heroism, a lot of kindness to his wife, completely defeated Yang. Yihe's love is also a bit like that. Apart from having a famous father, Zhang has basically no bright spot, poor martial arts and no strategy. Take a closer look at Yi Zhu Lan, and they will match soon. Ironically, Liang made Mao Huanlian Nalan's confidant, while Zhang became Nalan's confidant. What else happened? Yincui gorge fell in love with Zhang at first sight. In order to save Iraq, Zhang used a note to ask Yincui gorge to help save Iraq and tell her the truth of the revolution. The silly yincui gorge stole Zhu Guo's gold charm, but she died. Zhang didn't mention the death of Yincui gorge in the book. Yi's life is precious, but Yincui gorge's life is worthless. Liang's double standards are disgusting. Mao Huanlian is an outstanding figure. Liang's own copyright is not borrowed from others. Apart from occasionally telling some revolutionary truth, Mao Huanlian is witty and intelligent, and has a kind of understanding, tenderness and affection of a classical woman. At the beginning of the book, when King Lu's headquarters assassinated a lot, Mao Huanlian and his biological mother Dong Xiaowan went to Wutai Mountain to find Mao. Mao Huanlian has been depressed and sad. She lost her parents at an early age and grew up with her old uncle Fu Qingzhu. She will naturally feel sad in her heart. Like Cheng Ying, although he grew up with a generation of master Dong Xie, his gentleness and demure made him deeply sad. This is also the reason why Mao Huanlian likes Gui. Seeing the yellow shirt with a blank life experience touched Mao Huanlian's deepest sadness and compassion, so he couldn't help but care about Guangxi, and the birds with lonely life experience naturally showed the same suffering. And Gui will naturally approach Lotus in amnesia, confusion and ignorance. In addition to tenderness and kindness, it is more the same sadness that makes both sides find real comfort in their hearts and make up for the lack of life. As Liang himself said, he still pays great attention to the characterization of characters and inner feelings. In the book, Mao Huanlian uses psychological knowledge to help Gui treat amnesia. Mao Huanlian's process of helping Gui retrieve her memory with love and patience is very real and delicate. I wonder if Liang ever encountered such an example when he was the host? Lian helped Gui find himself, and also helped him find the shortcomings of life. So although others think that Gui is just a silly boy who doesn't understand amorous feelings, Mao Huanlian and Gui have the whole world by holding hands. Mao Huanlian and Nalan are bosom friends, and they will miss each other's blessings all their lives, but they have nothing to do with love. Few smart women in the world can distinguish between lovers and confidants. Perhaps among the martial arts I have seen, only Mao Huanlian and Yan Qi have this kind of wisdom, which is relatively more difficult. After all, her bosom friend is Nalan, the popular lover of absolute beauty. What is commendable is that Mao Huanlian and Nalan are bosom friends rather than lovers, which is not the requirement of revolutionary morality. In fact, Gui Zhongming was excellent from the beginning. The yellow shirt with extremely high martial arts, like the heroic teenager in the story of Romance, can compete with Ling Weifeng almost as soon as it appears. In the book, in the confrontation between martial arts heroes and the government, the ghost must be the first person to take the lead. Compared with Zhang, who was caught as soon as he appeared, it was quite glorious. Only later, with the appearance of Nalan, Gui became a silly boy with high martial arts. When it comes to the Seven Swords, you can't help mentioning Nalan Rong Ruo. Liang considers himself a fan of Nalan, and reproduces the glorious image of his idol with pen and ink in the book. For many readers, the Seven Swords are famous for Nalan. However, the revolutionary flavor of the Seven Swords is relatively heavy, so Nalan in the book has changed a little. For example, as soon as Nalan appeared, he sang his new words to Nalan Minghui. Although this new word is famous, it is a rather sad speech of mourning. Even if he asked menstruation to talk about his heart, he wouldn't be as excited as a writer publishing his works today. The book also confessed that Nalan was widowed at that time. At this time, he should have been immersed in the spiritual world of mourning. Nalan in the book is more like a scholar with true temperament. In the book, Mao Huanlian also instilled revolutionary theory into Nalan, who became a sympathizer of proletarian revolution. Including the intersection of Nalan and Mao Huanlian. Clever as Mao is, he is only a literary youth at best. It is incredible to learn from the poet master Nalan and become a bosom friend. Later, Nalan got better. In the tent near the Tibetan area, Nalan talked with Mao Huanlian by candlelight, just like dreaming. If Mao Huanlian gives flowers to each other, he refuses Nalan's feelings. In the candlelight, Nalan took Mao Huanlian's hand and said, "It's almost dawn. I'll walk you out." This situation remains to be recalled. On Gui's wedding night, I still can't help thinking of Nalan in Beijing, lamenting that life is not perfect, perhaps because I feel that I missed Nalan in my heart. Beijing is tired of visitors, and Nalan is the departure of later poets. I always feel that Nalan in Seven Swords is more like Nalan before marriage. He is not completely tired of glory, has no deep sadness in mourning, has the kindness and sadness of a pure teenager, and has the lovesickness of parting. In the seven swords, there are joys and sorrows in the world, and where you will go can be seen everywhere. So are Gui's parents and adoptive father. The stories of Gui Tianlan, Shi Tiancheng and Shi Auntie are very common in martial arts. At the same time, the two brothers and sisters fell in love with their only sister, and the younger sister chose one, and the other only accepted it silently, and sincerely blessed the younger brother and sister. During the war years, Shi Tiancheng was separated from his wife and children, and Gui Tianlan went out with his sister and mother. Aunt Shi misses her husband day and night, and she lives with her brother Gui Tianlan in troubled times. On the night of her remarriage, Aunt Shi waited for her husband day and night. Shi Tiancheng, a grumpy man, turned against his brother's wife and was bent on revenge for his wives. Shi Tiancheng took revenge on his brother, but his son knocked him off the cliff with a hidden weapon. After learning the truth, Gui Zhongming left home painfully and even lost his memory. In the end, Shi Tiancheng seriously injured his brother, causing him to die at the hands of the enemy. Mao Huanlian and Gui returned to Jiange. After more than ten years of war and hatred, the separated families finally reunited. People in stone houses are telling their parting pains. Ling Weifeng, outside the stone house, can't help but feel sad when he thinks of the tragic experiences of all the people in the house and his own life experience. And Gui Tianlan, who suffered all her life, was frustrated in her youthful love, existed in name only with her middle-aged sister, and was misunderstood and hated by her younger brother. He was defeated by the Qing army in his later years, shouldering Li Dingguo's last wish, and silently staring at the mountain in front of him in the hut of Jiange. Is it endless pain in his heart or painful indifference? Later, Mao Huanlian and Gui Zhongming followed Shi Tiancheng's wishes. One of their sons inherited the incense of Gui Tianlan, that is, Gui Huasheng, who married a foreign princess, was the later glacier goddess. These are Liang's compensation for Gui Tianlan. When Liang later revised Seven Swords, he wrote that Zhang obeyed Zhuo Yihang's wishes and sent two sad epiphyllum to the white-haired witch. I don't know how the author feels. Liang's most famous love story finally came to an end in 60 years of sorrow. The hundred-year-old Lian Nishang faced the short-lived worries that represent the seas run dry and the rocks crumble, and recalled her decades-long love-hate relationship with Zhuo Yihang. All her emotions were concentrated in the vast sea of clouds in Tianshan Mountain. No fear, no joy, no sorrow, no life and no death. There is only emotion in infinite emotion. Significantly, in the decades-long love legend between Lian Nishang and Zhuo Yihang, there has always been a spectator, and that is the later Huiming Zen master Yue Mingke. Dressing for Zhuo Yihang's bald head overnight, Zhuo Yihang's sorrow for dressing is waiting for him to die. Outside of this thrilling love, the spectator has been standing quietly. Let's not talk about their love, hate, sadness and joy when they were young. Imagine Lian Zhuo looking back at the starry night at the north and south peaks of Tianshan Mountain, waiting for sadness to bloom. In the middle, Huiming stood in the sea of clouds in Tianshan Mountain, witnessed the persistence and pain of two friends when they were old, and uttered the words "love is evil" with a sigh. Looking at Zhuo's love and pain, will inner calm ignorance ripple in my heart? At that time, Yue Mingke made a white promise with iron coral under the protection of Xiong Tingbi. Therefore, Lord Xiong Tingbi was framed by eunuchs and passed the first nine levels; Lover Iron Coral unfortunately died in Yue Mingke's arms. From then on, there was a Zen master who lived alone in Tianshan Mountain and watched the sunset and the moon rise in Tianshan Mountain to witness the joys and sorrows of others. "Let's rely on the wind and cloud to be the palm of China's hand." The forgetfulness of Zen master Huiming, the founder of Tianshan School, may have too much helplessness. Zhuo Yihang, who is practicing, is suffering from sorrow and there is still hope for life and death; Hui Ming, the Zen master, died in different ways. All the joys and sorrows, joys and sorrows have gone with the wind, leaving only the serenity of witnessing a legendary love. In the legend of Tianshan Mountain for decades, Zhuo Yihang dressed in fashion interpreted the tragic love in the world, and Master Huiming witnessed it quietly alone. Most of the seven swords in Tianshan Mountain are filled with sadness, and Wu is an exception. Compared with other people in Seven Swords, Wu's life is insulated from sadness. As a closed disciple of the white-haired witch, Wu Mingming's sunshine adds a lot of luster to her master's sadness. The sunshine of martial arts and the biting swordsmanship of the white-haired witch sword are a beautiful and handsome landscape among the seven swords. In the battle of glaciers, I was knocked off a cliff and jumped off a cliff to save. The close disciple of the white-haired witch is really extraordinary. In the face of reserved Li Siyong, Wu is bold and straightforward, and his sweetheart is handy. I thought Wu would bring more sunshine and joy to the Tianshan Sect full of sadness. Although it was later known that Li Siyong had died, Wu lived in seclusion in Tianshan with a pair of children. Jiang Lang's Biefu expresses the ecstasy of human parting, and Seven Swords is also full of joys and sorrows. It is true that Seven Swords is not as brilliant as Li Shengnan, Andy and Liang Yusheng's favorite figures, but it injects Liang Yusheng into looking back on his life and lamenting the joy and sadness when the scenery changes. It's just ecstasy. Only those who have experienced it can appreciate the taste of real parting. Such as Ling's longing for returning to southern Xinjiang, Nalan's blessing from all over the world, Gui Tianlan's departure from the troubled times of Shi Tiancheng's family, Zhuo Yihang's face in the sky, and the calm gaze of the Buddhist monk at the seaside in tianshan cloud. Yan's Preface to Poems on the Mountain wrote: "The things recorded in his article, such as joys and sorrows, are like magic, like electricity, like the dust before yesterday's dream, but they can hide the volume, and the feeling is changeable and sighing is unreal!" Many lovers are spoony, just like Jiang Kui's sentence "Don't be sad for a long time." In the dim hope, the ends of the earth miss each other and look forward to meeting in their lifetime.