The Mid-Autumn Festival in Guangxi cuisine is particularly round, and the situation is clear and fresh.
Because of winning the first menstrual period, the poet will not sigh for the coming year.
Vientiane's concentration is long and mighty, and it helps Chanjuan for four nights.
When the scales are clear and the heart is flat, there is no poetry. This post is Evonne's "Thin Gold Body" and "Leaping Autumn Moon Post" in the Palace Museum. The strokes of the works are as thin as "tendons", stretching and elegant, yet forceful, vivid and moist, not to mention tender and tender, and full of book spirit. Evonne studied the calligraphy of Xue Ji and Huang Tingjian in his early years, and then joined various schools of Chu Suiliang, which made him very slim and beautiful, and changed his "second Xue" (Xue Ji and Xue Yao) and formed his own unique style. Looking at the works, we can find that the lines are thin and straight, and there are hooks drawn horizontally with a pen, which are a bit like daggers and knives, and the vertical hooks are slender, and some couplets are like hairspring, which is close to calligraphy. His pen originated from Chu and Xue, but it was thinner. The closing gesture was written in Huang Tingjian's big script, which was very imposing. From an aesthetic point of view, this kind of writing is very attractive and elegant. In the era of centralized imperial power in ancient times, under normal circumstances, solemnity, solemnity, elegance and atmosphere were the main characteristics of royal style. But history seems to have taken an irregular turn in the turbulent Song Dynasty, which led to a great reversal of the imperial power and the aesthetic standards of the royal family. Evonne abandoned state affairs and devoted himself to the art of calligraphy and painting, which promoted the expression and catharsis of his artistic talent. With the distortion of historical reality, his aesthetic standards have become a great departure from tradition and formed a unique artistic style. This may be the historical origin of the formation of Song Huizong's "thin gold style" calligraphy! The excellent art school is spread with its excellent artistic value, and the light of art will not be affected by the lack of a certain aspect of the creator. Evonne's "Book of Thin Gold" ink is elegant and magnificent, just as York praised his calligraphy in the Book of Commendation: "The gold thread is wonderful, the color is better than nothing, almost like magic, and it is in autumn."
Evonne's cursive script is also very accomplished. His "Qian Zi Wen" is vigorous in brushwork, with great changes in the thickness of stippling, setbacks in quick brushwork, unconstrained by composition and random changes in composition, which is natural and highly artistic. Evonne is also good at writing round fans in grass. In his poem "Poems of Swallows Flying over the Water", Tuan Fan "scattered" the word 14 in a limited space, "Swallows flying over Shui Han, mud falling and flowers wet", in which poetry and calligraphy constitute a perfect artistic conception. It is said that the group fan writing has become a trend since Hui Zong, and it has become a new form for literati to express calligraphy art, which is also an innovation of Evonne's calligraphy art form.
In the history of calligraphy art in China, there are several emperors' names, such as Liang Wudi Xiaoyan, Emperor Taizong Li Shimin, Southern Tang Empress Li Yu of the Five Dynasties, Evonne of Song Huizong and Li Hong, and Emperor Qianlong of the Qing Dynasty. Most of these so-called "real dragons" are lovers and followers of calligraphy art, among which Song Huizong Evonne may be the only one who can really be called a calligrapher. You may not know all about the emperor's fatuity, but we can say that there are several treasures about his achievements in painting and calligraphy.
That's true. His contribution to the construction and development of the Song Dynasty Painting Academy, his advocacy and creation of painting and calligraphy, and his arrangement and preservation of ancient art are incomparable to many emperors. Therefore, later generations dubbed Zhao as the emperor who loved Danqing instead of Jiangshan. The emperor, who loves China's calligraphy and painting art, has really made great achievements in this respect. He is good at painting and calligraphy, and ordered lettering, including painting and calligraphy in the imperial examination subjects, building painting academies and so on, all of which are conducive to the inheritance and development of painting and calligraphy. The "thin gold style" he created has become a unique and self-contained style in the history of calligraphy.