Zhou Ji said, "Beginners seek emptiness, and emptiness is aura." Reiki communication is the time when the image presents the soul life and the aesthetic feeling is born.
Therefore, the cultivation of aesthetic feeling lies in being able to be empty, creating a distance for the image, making the image isolated and insulated, and forming its own realm: the curtain of the stage, the frame of the picture, the stone pedestal of the statue, the step railing of the building, the rhythm of poetry, the scenery seen outside the window, the market with lights at night and the quiet scenery under the bright moon are all beautiful scenery born under the conditions of distance and separation.
Li's poem "Young Beauty" once said: "The wind is like a fan of rain, and the curtain is like a curtain. Sometimes the flowers and plants on the shore are scarred."
Li Shangyin's Ci: "Painting eaves and flowers like willows is like a city, and it is bright in a curtain of wind and rain."
Ups and downs are also good conditions for division. A misty scene, poetic and picturesque.
The apathy of spirit is the basic condition for the etherealization of art, and Tao Yuanming's "Plain-hearted Man" refers to this realm. One of his poems, Drinking, can better express the poet's mental state in this respect:
"build a house accord with human conditions,
There is no noise of horses and chariots.
Ask what you can do,
The heart is far from being self-centered.
Under the hedge of picking chrysanthemums,
See Nanshan leisurely.
The mountains are getting better every day,
Birds live in harmony.
There is a real meaning in this,
I forgot what I wanted to say. "
2. Enrichment: the weather is grand, calm and profound, and the content is substantial.
After Zhou Ji commented on the emptiness of Ci, he advocated: "Realism is actually full of energy. Energetic, you can give yourself deep feelings. In the middle of the night, although the description is dull and the painting is shallow, the feelings are horizontal and there is no owner in the five miles. Those who read the article peep at the fish, which means carp. In the middle of the night, they are stunned, ignorant, crying with their mothers, and their hometown is full. " This sentence can really describe a touching rich creation.
Describing this magnificent artistic spirit, Si Kongtu said: "There are storms in the sky and ashes on the seamounts. The real power is full, and everything is around. " Return to the air, accumulate life, and be a hero. "Anger far, did not return. Who is the judge of the wonderful creation of nature? " "There was a real massacre, and ups and downs followed." "throw it in the wild, turn it to the Tao and be angry." "Follow the Tao and you will become a spring." "The spirit is empty and the spirit is like a rainbow!" Artists are full of energy and colorful, and artistic creation follows that of Zhen Zai.
3. Artistic conception: it is the crystallization of "emotion" and "scenery" (image)
Wang Anshi has a poem:
"Yang is blue and black,
The sunset of lotus is red.
Thirty-six vicious springs,
Meet at the same time. "
The first three sentences are all scenery. The gorgeous spring scenery in the south of the Yangtze River, but after the last sentence, the whole scene was shrouded, ah, infiltrated, with a boundless layer of melancholy, sadness of memories and joy of reunion. Scenes interweave and become a beautiful poem.
Ma Yuan Dongli has a poem called "Tianjingsha":
"The withered vine and the old tree faint crow,
Small bridges and flowing water,
The ancient road, the west wind and the thin horse,
The sun went down-
Heartbroken people are at the end of the world! "
It is also the first four sentences that describe the scenery completely, and the last sentence describes the feelings. The whole article turns into a sad, lonely, desolate and cold universe, touching the endless poetic realm.
4. Style: China's classical aesthetic theory not only attaches importance to thought-manifested as "bone", but also attaches importance to emotion-manifested as "wind"
Liu Xie said: "when you express your feelings, you must start with the wind;" Shen Lingfu's words don't precede the bones. ..... If you keep your words straight, you will have a good style, you will have a good style.
There is a great debate in academic circles about the understanding of "wind bone", that is, whether "bone" is just a word (paving word). I think "bone" has something to do with words. But words have conceptual content. When the word is clear, the realistic image it represents or the thinking about the image will be clear. "Concise" means that a sentence should be understood correctly, not distorted or quibbled. This correct expression resulted in tattoos. But "bones" are not enough. In order to impress people, we must move from logic to art. So besides "bone", there is also "wind". "Wind" can be moving, and "wind" comes from emotion.
5. Meteorology: refers to the charm and style of poetry and calligraphy.
Tang Hanyu's poem "Counselor" said: "Jian 'an can do seven things, and the weather is getting worse." Guan Li Si Shi: "Today, the Han stele is an official script, and Cheng Miao's post is in lower case. Judging from its weather, how can you believe that it is a book written by Qin people? "Yuan Chucai's Zhang Nan Gift" Part VII: "The weather is indescribable, and the autumn sky is flying like a dragon. Ming Xianzu Ye's "Luan Yongji Persuades Officials": "This poem is too elegant, unlike human works." . Liu Dakui's Biography of Gong Minchuan, a Doctor in Qing Dynasty: "Interplanting refers to painting, which is exquisite in pen and ink, flying in the sky and hidden by many people." "
Above, I hope to help you.