Book number: 1734554
Publishing House: Baihuazhou Literature and Art
Pricing: 28.0.
ISBN: 780647907
Author: Chen
Release date: 2005-11-01
Version: 1
Format: 32
Introduction:
Directory:
Preface (Chen)
cite
The first part is "the occurrence and expansion of the concept of beauty"
Chapter 1 "Beauty" originates from "Taste"
The first section is about "the bigger the sheep, the more beautiful it is"
The second section questions the original meaning of "beauty" in Shuo Wen Jie Zi.
A new probe into "original consciousness" of "beauty"
The fourth section analyzes the original meaning of "beauty".
The second chapter is the aesthetic concept related to "beauty"
Section 1 Visual occurrence-"big", "literature and art", "beauty" and "wealth".
Section II Auditory Occurrence-"Sound", "Chapter" and "Rhyme"
The third quarter tactile occurrence-"wind"
The occurrence of the fourth quarter taste-"light"
Section 5 Synaesthesia-"Harmony"
Section 6 Beauty of Physical and Mental Freedom-"Hugh"
Chapter III "Truth" —— An ontological view of "beauty"
Section 1 Truth-Essence, Sincerity, Belief, Emotion and Reality
Zhuangzi's "Truth" in the Second Section
The third part: the aesthetic process of "truth"
Chapter four "goodness"-utilitarianism's view of "beauty"
The first section compares the concept of "goodness" between Taoism and Confucianism.
The second part: the occurrence of the relationship between "goodness" and "beauty"
Section III "Controlling Desire by Tao" —— The Formation of Utilitarianism's View of Beauty
On the Astronomical Aesthetics and Humanistic Aesthetics of Chinese Versions
The first chapter is the original beauty consciousness in Shangshu and Yijing.
The first section is a textual research on the consciousness of potential beauty in Shangshu Hongfan.
The second section is the concepts of "rigidity" and "softness" bred by the Book of Changes.
The third section discusses the astronomical beauty and humanistic beauty in Yi Zhuan.
Chapter two advocates political beauty, social beauty and personality beauty.
The first section "It has a good reputation, but only for its prestige."
Section 2 "Benevolence is beautiful"
Section 3 "Incomplete absence is beauty"
The third chapter is the concept orientation of "nature" and "great beauty in heaven and earth"
The first section "All things are auxiliary and dare not do it"
The second section "The knower enjoys water, and the benevolent enjoys Leshan"
Section 3 "The water quality on the mountain is very interesting"
The fourth chapter is the aesthetic vision of "harmony between man and nature"
The first section is "the harmony between husband and things is profound"
Section 2 "Wandering at the beginning of things"
The third section is "to achieve harmony, the status of heaven, and the education of all things"
The fifth chapter is the consciousness of Buddhist beauty without saying "beauty"
The first section "Wonderful enlightenment lies in truth"
Section 2 "refers to the moon, not the moon"
Section 3 "Take part in living sentences, but don't take part in dead sentences"
The second "beauty" in conflict and reconciliation
The first chapter is the opposition and transformation between "beauty" and "ugliness"
The first section "false", "false", "evil" and "ugly" meaning analysis.
The second section combs the relationship between truth, goodness and beauty and opposition.
The third section of the negative tendency of "beauty"
Chapter II Seeking Freedom through Restriction
The first section utilitarian constraints
Section 2 Under the traditional constraints
Section 3 under the restriction of form
Chapter III Between Aesthetic Acceptance and Aesthetic Creation
The first section: the practical acceptance view of "taking what I want"
The second section "Wang Hua Ben Yan" accepts politics and religion.
The third section is the aesthetic acceptance view of "silence and happiness"
Surplus theory
The first chapter is the special contribution of calligraphy to China's aesthetics.
The first section is the change of aesthetic concept caused by the rise of cursive art.
Section 2 Calligraphy Art Promotes All-round "New Changes" of Various Arts
Section III Aesthetic Category in calligraphy theory
Chapter two "leisure" and "leisure" and contemporary aesthetic culture.
The first part begins with "Happy Football"
The second section is the concept of "leisure" and "leisure" based on the principle of "happiness"
Section 3 "Leisure" and the beauty of "leisure" are "aimlessness" and "appropriateness"
Section IV Contemporary Aesthetic Cultural Orientation
The conclusion is meaningful.
Re-discussion on "Beauty" and China People's Aesthetics (Zhu Ling)
postscript