Which films of Wong Kar-wai embody the consciousness of seeking roots? Urgently entreat

"Chongqing Forest", a metaphor about canned pineapple, looking for the time limit of love; And the song Hotel California; There is also a person talking to himself, crying towels, etc. Find out the necessity and ability of people to communicate.

In The Story of Teddy Boy, Teddy Boy has been looking for his mother, and there are four metaphors about birds flying.

"2046" and "Tree Hole" are a continuation and exploration. 2046 can be the room number in the mood for love, the room number in the movie "4046", the room number in the novel "2046" written by Effie, or the "2046" train on which the robot rides, which in itself is a pursuit of self-belonging.

The ashes of time, looking for memories. Ouyang Feng loves her sister-in-law but avoids the desert alone. Huang and Taohua, Murong Yan and Murong Yan Dou are looking for memories. . .

. . . . You can go to see these movies by yourself. Wong Kar-wai is one of my favorite directors, a typical representative of post-modernism, describing the life of people on the edge of the city and looking for the lost heart of urbanites in a materialistic world ~ ~ ~