A butterfly in love with flowers
In the courtyard, deep willows pile up smoke, and the curtains are not counted. Jade music carving saddle tour smelting place, the building is not high, look at Zhangtai Road.
March storm, closing at dusk, not planning to stay in spring. Tears ask flowers silently, and red flies over the swing.
Author Ouyang Xiu 1007- 1072, whose name is Yongshu, was named Drunken Weng, and in his later years, he was also named Jushi and Luling (now Ji 'an, Jiangxi). Song Renzong tiansheng eight years (1030) Jinshi, tired of knowing the imperial edict, Hanlin bachelor. During the reign of Emperor Yingzong, the official went to the Tang dynasty and participated in the discussion of state affairs. The Zongshen dynasty moved the Ministry of War ministers and took Prince Shao Shi as the official. A pawn is Wen Zhong. He advocated political and literary innovation. He is not only a supporter of Fan Zhongyan's Qingli New Deal, but also a leader of the poetry innovation movement in the Northern Song Dynasty. The creative achievements are also considerable, and poems, words and essays are the best at the moment. He is also happy to reward and punish backward, Su Shi and his son, Ceng Gong and Wang Anshi are all out of his door. Ci collection includes Gong Jin Yuefu by Ouyang Wenzhong and Qinqu by Zuiweng.
This word was written in late spring by Forever in My Heart, and it is very popular to get married together. The "courtyard" is deep, the "curtain" is heavy, and it is also a "willow pile of smoke", which is both thick and dense-living in this gloomy and quiet environment, the heroine is depressed and imprisoned physically and mentally. The three words "deep" overlap, and writing it is banned, which is similar to the pain of being imprisoned. It not only implies the loneliness of the heroine, but also has a deep feeling of resentment. Therefore, Li Qingzhao was greatly praised, and once drafted his language as "Deep Courtyard". Obviously, the heroine's material life is rich. But her mental pain is self-evident. The following sentence in "Jade Music Carving Saddle" shows the ruthless ravages of reality on her soul step by step: her lover is unlucky, but she doesn't return; Spring goes and spring comes, and time is like water. At the end of the article, I asked myself tearfully. Hua didn't speak and didn't shy away from answering. Didn't "Flying Flowers Over the Swing" show her fate more clearly than words? Flowers in tears are like flowers, and people are like flowers. In the end, flowers are inseparable from people, and it is difficult to avoid the fate of being abandoned. This kind of brushwork, which completely uses the environment to hint and contrast the characters' thoughts, is deep and gentle, full of twists and turns, and truly shows the inner pain of the nobles living in a claustrophobic state. Of course, tracing back to the source, there is a saying in the article that "a hundred tongues ask flowers for silence" ("Poems of Cherishing Spring"), and Yan Yun also has a saying that "flowers are asked for silence all day" ("Falling Flowers"). Ouyang Xiu's words may be detached from this, but not only the language is more beautiful, the meaning is deeper, the realm is muddy and the charm is long.