Li Shangyin (about 8 13-858), born in western Henan (xi) and Fan Nan, born in Xingyang, Zhengzhou (now Xingyang, Henan), was a famous poet in the late Tang Dynasty, and was also called "Little Du Li" with Du Mu, Li Shangyin and Li He.
Because the style of poetry and prose is similar to Duan Hewen of the same period, and all three of them rank sixteenth in the family, it is also called "Thirty-six Style". Li Shangyin was one of the few poets who deliberately pursued the beauty of poetry in the late Tang Dynasty and even the whole Tang Dynasty. He is good at poetry writing, and parallel prose also has high literary value.
His poems are novel in conception and beautiful in style, especially some love poems and untitled poems are touching, beautiful and moving, and are widely read. However, some poems (represented by Jinse) are obscure and inseparable, and there is a saying that "poets always love Quincy and hate that no one writes about Jian Zheng".
In the second year of Tang Wenzong (837), Li Shangyin became the first scholar, and served as secretary of the provincial school, bookkeeper of the school and commander of Hongnong. Because he was involved in the political whirlpool of "the dispute between Niu and Li", he was excluded and frustrated all his life. In the last years of Emperor Xuanzong of the Tang Dynasty (about 858), Li Shangyin died of illness in Zhengzhou and was buried in Xingyang, his hometown. It is also said that he was buried in Yongdian, Huaizhou (now Wangzhuang Town, Qinyang Mountain) at the foot of Qinghua Beishan, whose ancestral home is Dongyuan.
Extended information 1. The creative background of yat sen villa.
Since Li Shangyin married Wang Maoyuan in 838 (regarded as Li's party), he has been in the narrow valley of party struggle and was hated and excluded by the Niu Party. Xuanzong followed suit, and the Niudang dominated the state affairs, which made the situation worse for him. He had to leave Chang 'an and follow Zheng Ya to Guilin as an adjutant.
Zheng Ya trusts him more. He can feel some warmth in the curtains. At the same time, leaving Chang 'an, the vortex of party struggle, can temporarily avoid being constantly looked down upon by the Cattle Party, which is also a kind of spiritual liberation. This poem was written against this background.
Second, the appreciation of "Yat Sen Qing"
Shou Lian said that he lived in seclusion, overlooking the city, and the season was the early summer of the Qing Dynasty. At first glance, it seems irrelevant, and the two sentences are not subordinate to each other. In fact, the "deep house" overlooking the city is the foothold of watching the yat sen villa, and the quiet early summer further points out the specific season of the yat sen villa, which can be said to be the fusion of poetry and topic from time and place-the yat sen villa seen by Gao Lan in early summer.
The parallel couplets are vague, comprehensive and deeply entrusted, and the necklaces turn to yat sen villa paintings. In this way, reality and density alternate, and poetry appears relaxed and purposeful, rather than dull and monotonous. It's sunny after the rain, and the clouds are clearing away. With Gaolan overlooking, the line of sight is farther, so it is said that "it will be blocked." This sentence is written from the side, the scenery is written from the inside out, and the next sentence is written from the front and the angle is from the outside to the inside.
Wei Lian said that the bird returned to its nest, its posture was light and smart, and it was still what it saw when it reached the top. Dry Nest, Light Body, Sunny, Guifei and Evening. The return of birds usually touches the traveler's mind, but it has become a foil to the happy sunshine mood here.
As a meaningful poem, the writing of "Yat Sen Qing" is closer to the "Xing" of "intentionally or unintentionally". Perhaps the poet had no clear intention to express his ambition, but when he climbed to the top of the mountain, he touched something and triggered an association. His feelings were integrated with the environment, thus integrating the feeling of understanding for a moment into the description of the late sunny scenery, so it was particularly natural and seamless.
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