What does Kunlun culture represent? It represents the cultural characteristics of a place. 1. What is Kunlun Culture? Kunlun culture, as its name implies, is a regional culture in Qinghai with Kunlun Mountain as the main vein, an affirmation of the unique and outstanding creation of the vast number of Qinghai people for thousands of years, an accumulation of natural, humanistic and aesthetic experiences in the mysterious plateau, and a gathering of material and spiritual wealth created by life reproduction and social progress. However, the understanding of Kunlun culture was not like this from the beginning. Mountain culture, western queen mother culture, tourism culture and other forms constitute the dynamic system of Kunlun culture research. It can be said that the study of Kunlun culture is a process of gradually understanding the whole Qinghai Plateau from mountains and rivers to human ecology. Second, mountain culture-the initial interpretation of Kunlun culture. Where is the legendary Kunlun Mountain? This is an unsolved case in China's academic history of two thousand years. There are two rivers, Central Asia, Northwest China, Tianshan Mountain, Qilian Mountain and Mount Tai in Gu Jiegang. Although we still can't agree on the exact view of Kunlun Mountain, one thing is certain. In the minds of China people, Kunlun Mountain is always associated with the concept of "the West". China people think that Kunlun Mountain is the highest mountain in the world, located in the middle of the earth and the west of China, and the mythical Kunlun Mountain is the source of the Yellow River. It is conceivable that even tribal alliances in primitive times have a narrow range of activities. When they look at the world from a "self-centered" perspective, they often think that the highest mountain in their territory is the highest mountain in the world, which stands tall in the world and is endowed with mythical significance. Therefore, from the perspective of ethnology and mythology, although Kunlun Mountain is the "mountain of the world" in China's ancient mythology, it is probably just a very ordinary mountain at first (even we can directly understand it as a social altar located on a high mountain, like Mount Tai). Moreover, with the continuous division and migration of ancient Zhongyuan people, the carrier of Kunlun myth, Kunlun myth created more Kunlun mountains and Kunlun myths in the migration process. In this way, it can be said that in the face of myth communication theory, the geographical debate about Kunlun Mountain View should be extinct. However, things are not that simple. Today, at the turn of the century, as a brand, Kunlun Mountain is very attractive. With the name of Kunlun Mountain, there will be an actual Kunlun Mountain. Perhaps this is the greatest contribution to the study of Kunlun culture. His works in this field include: Lu Wei's Semantic Interpretation of Kunlun, Xiao Bing's Supplementary Evidence of Kunlun Qilian Theory, Gu Jiegang's Shanhaijing Kunlun Domain and Ling Chunsheng's Kunlun Mountain and the Queen Mother of the West. Trying to prove that Kunlun Mountain is the present Kunlun Mountain is the first stage of Kunlun cultural research. Third, the western queen mother culture-the unsuccessful interpretation of Kunlun culture. Where there is Kunlun Mountain, there is the myth of the Queen Mother of the West. Since they can use Yaochi (Qinghai Lake) and Erlang Shendong (the fairy cave of the Western Queen Mother) to prove Kunlun Mountain, it also proves the Western Queen Mother who lives in Kunlun Mountain. Perhaps, the rich historical materials directly led to the study of the Queen Mother of the West, and then entered the second stage of the study of Kunlun culture. His works in this field include The Story of the Queen Mother of the West and the Cowherd and the Weaver Girl by Chen Bo and The Queen Mother of the West and Xirong. Wu Han's The Legend of the Queen Mother of the West-The Evolution of the Story of the Queen Mother of the West; Nana Ogawa Zhuoji (Japan) Kunlun and Queen Mother of the West; Queen Mother Kaoxi of Lv Simian; Fang Shiming's Legend of the Queen Mother of the West; The Changes of Lin's The Queen Mother of the West and Its Enlightenment: The Fallen Leaves of Zhou Ming Return to the Roots —— On the Changes of the Images of the Empress Dowager in China's Myth: Three Trees in the Picture of the Empress Dowager in the Eastern Han Dynasty in Pixian County by Tang Chi; Dong's Textual Research on the Han Dynasty Portrait Stone of Mu's Meeting with the Queen Mother of the West: Li's Discussion on the Evolution of the Myth of the Queen Mother of the West: Kong Siyang's A Study on the Origin of the Legend of the Queen Mother of the West has produced hundreds of influential and fruitful experts and scholars in literature and history. At the same time, a large number of experts and scholars who are enthusiastic about public welfare have emerged in Qinghai, such as Zhao, Xie Zuo, Zhao Zongfu, Li, Zhu Shikui, Yi Yizhi, and Ying Xu. They initiated a new era in the study of Kunlun culture in Qinghai. Its research is not in-depth and the results are not rich. It provides many valuable theoretical and academic materials for anthropological research. However, from Tiger's Tooth and Leopard's Tail to Singing in the West Sea, from Oracle Bone Inscriptions in Yin Ruins to Three Trees in Han Bricks, quoting classics, from Guizang to Daozang, from the biography of Emperor Wu of Han Dynasty to the story of Emperor Wu of Han Dynasty, all of them fabricated myths to prove that the study of the Queen Mother of the West in Kunlun culture has reached a dead end. Fourth, regional culture-the turning point of Kunlun culture research. It seems to be a turning point in the study of Kunlun culture that the investigation activities and academic seminars are held. It is the first time to bring Kunlun culture into the category of regional culture. Although there are not many achievements this time, there are also many inspirations. First of all, scholars believe that in the eyes of ancient China ancestors, heaven and earth can be interlinked, and Kunlun Mountain is a mountain that can connect heaven and earth. Secondly, they think that Kunlun culture is a kind of regional culture. As the main individual image of Qinghai, it also represents the overall cultural characteristics. It is not difficult to understand that the unique permeability, inclusiveness, innovation and continuity of regional culture endow Kunlun cultural individuals with rich characteristics. The so-called infiltration refers to the infiltration of Kunlun cultural spirit. Here, for thousands of years, every nation has carried out emotional and cultural exchanges and recognition with its broad mind and open attitude. The communication of all ethnic groups in this land has changed from a shallow interactive system at the beginning to an organized contact in the social system, and expanded to a deep cultural and psychological contact, which not only expresses the different needs of different ethnic groups, but also embodies the common needs and interests of * * *. The so-called tolerance is the tolerance of Kunlun culture in the process of national integration, and the absorption and acceptance of various cultures. The past history of ethnic exchanges proves that different cultural patterns, values and religious beliefs communicate and influence each other, forming mutual recognition and understanding. The national consciousness and feelings of different ethnic groups for the Central Plains culture are condensed through inter-ethnic communication, which maintains the relationship between the country and the outlands in history, the gradual development of the mainland and the plateau, and the unity of the country. The so-called innovation is the innovative vitality of Kunlun culture, and colorful painted pottery art and painting art have become the symbol of Kunlun cultural creativity. The so-called continuation is the continuation of the cultural character and quality of Kunlun, which embodies the cultural spirit of Kunlun: full of vitality, eclecticism, fortitude and courage, as well as the dual characters of conformity, conservative nostalgia and easy satisfaction. As a cultural concept of "big region", Kunlun culture can be summarized as folk culture represented by the creation and singing of "Hua 'er", folk song and dance culture represented by Song Yushu and dance, Tibetan Buddhism culture represented by painting, sculpture and architecture, prehistoric museum culture represented by exquisite painted pottery, and open culture of ancient western China represented by Tubo tombs in Dulan and a large number of unearthed Chinese and western cultural relics. It is a national folk festival culture represented by Jockey Club, Nadam, Jiuqu Yellow River Lantern Festival, Naton Festival in Tuxiang, Regong Art Festival and Salar Art Festival, and a folk culture represented by Tibetans, Turks and Salars. But as I said at the beginning of the article, Kunlun culture should be a collection of material and spiritual wealth created by life, reproduction and social progress. It is a large system, including nature, humanity and everything that can be used as an aesthetic photo. To be sure, Kunlun culture is a natural culture, and the magnificent natural scenery of Qinghai is included in it; Kunlun culture is a humanistic culture, which embodies the extensibility of this period of history. It is not limited by Cayo culture-Tubo culture-Tubo culture-Hehuang culture, and is not bound by special regional thinking. It breaks the background framework and emphasizes the historical symbolic significance and enlightenment of humanistic and historical characteristics. Kunlun culture is an economic culture, and its potential advantages in cultural resources can be completely transformed into realistic economic advantages. As the leader of cultural industry, the development and utilization of tourism culture will certainly promote the diversified development of Kunlun culture. Kunlun culture has its own characteristics, not only regional characteristics, but also cultural characteristics and thinking characteristics. Without thinking characteristics, there would be no Kunlun culture. To develop Kunlun culture, we must strive to maintain, dominate and create Kunlun cultural characteristics. Kunlun culture is still a developing culture. We are still infiltrating, tolerating and absorbing the excellent traditional cultures of all ethnic groups, and keeping abreast of the trend of the times to keep abreast of the pulse of Qinghai's cultural undertakings. Follow-up: The Kunlun culture you mentioned is very extensive and easy to accept. It embodies Qinghai culture ... but from the perspective of myths and legends and religion, it has a higher realm and imagination. This is sacred. ......
Please accept it, thank you!