Cast actor Hu Erding accounts for Yuan Huer's wife Li Yu, director Li San Zhao Kuiying Ma Babei, Li Junhua Zhang Ying Liu Bin Liu Yongcai cast director Lu Ban, deputy director (assistant) Su Li screenwriter Ming Chen photography Du Yu music Wang Yunjie editing Wang Lian, Cheng Zhixing art design Zhang Hanchen lighting Wang Wenqi recording Sui Xizhong, the audience and Chen Zhiyuan (the leader of the audience) also introduced Hu Ershuanglang, simple, simple and brave footman played by Guo Zhenqing, who has two relationships with the footman's family. As the stationmaster of the porter service station, his work is bold and meticulous, which has been affirmed by the workers.
Ding Zhanyuan, played by Ziping Li, was a porter who went underground to party member to inspire, mobilize and organize workers to unite and fight resolutely with feudal leaders. He is brave, firm and wise, and pays attention to strategy in the struggle. After liberation, he became the trade union chairman of the porter service station.
Music score theme song title lyrics composition "Potter's Song" Seck Wang Yunjie? Behind-the-scenes tidbits Yuan was then the director of the Central Film Bureau. He directly asked about the filming, personally wrote the editing outline, and spent several nights helping to edit. It was suggested that the words "director Yuan" should be written in the movie subtitles, but Yuan resolutely declined? . Are all the popular actors who play porters in this film real porters? . When Liu Yongshan, a porter himself, photographed the scene where Hu Er was killed, he recalled his past sufferings and was so angry that he forgot that he was acting. He caught the actor who played the head and fell down. It took the actor five or six minutes to recover? . When shooting the strike scene in Tianjin, the film used 1500 popular actors from various units? . In the film, Hu Er lives in a big yard and is shot in a poor residential area called "Fish Pond" in Tianjin. During the filming to welcome the PLA into the city, some residents in the compound didn't eat until the afternoon because there was no stove in the yard during the filming. . When the film crew filmed in Tianjin Freight Yard, the porter took it as his task to help the film reflect the lives of workers. Once, in order to help the crew grab the sun, the workers in the freight yard moved more than 400 hemp bags weighing more than 200 kilograms from east to west and from west to east three times in one day without complaint? . Background of behind-the-scenes production and creation 195 1 year, the drama "Gate Six" rehearsed by Tianjin Workers' Art Troupe went to Beijing to perform, which aroused enthusiastic response from all parties. Officials from the All-China Federation of Trade Unions, the Ministry of Culture and the Propaganda Department of the Communist Party of China (CPC) suggested that the Central Film Bureau adapt the play into a film. At this time, the film "Harbor Life", which describes the life of Dalian workers before liberation, ran aground because of the script review. Because of the same theme, the Film Bureau ordered the screenwriter Chen Ming and director Wu Zuguang of Harbor Life to take over Gate Six and appointed the Northeast Film Studio to shoot it? .
After receiving the task, Chen Ming quickly wrote the script and delivered it for shooting after approval. However, due to director Wu Zuguang's poor understanding of the life of Tianjin dock workers and poor choice of actors, the working sample of Gate Six was not approved when it was submitted for trial. Although the filming work has been 80%, the film bureau decided to suspend filming, change directors and remake. .
Ban Lü, director of the Rescue Film Bureau, worked as a worker in his early years and organized the workers' movement. However, after taking over the film, he still spent half a year going deep into the Beijing-Tianjin handling industry, visiting workers' families, observing the "mansion" of the person in charge, and understanding the living conditions and struggles of the bottom workers in the old society. Ban Lü was shocked by the exploitation of porters in the old society, and he was deeply impressed by the will quality tempered by the hard work of the workers. According to these feelings and experiences, it is believed that movies should pay attention to the principle of reflecting the general typicality with individuals, reveal the general fate of the working class through the experience and fate changes of the Hu family, and reflect their growth process from spontaneous to conscious. So he decided to take "tough and bold" as the basic style of the film? .
After determining the actors for the remake, the actors were also adjusted, and all the actors were replaced except Li who played Hu's second wife. Ban Lü requires that an actor who plays a porter must be physically strong, stocky in image and strong in temperament, and know, be familiar with and even personally engage in dock handling. Guo Zhenqing, a drama actor who was born as a tram worker, was first taken a fancy to by Su Li, the deputy director, and later decided by Ban Lü to become an actor in Tiger Tiger. Liu Bin, the backbone of the workers in the film, is played by Liu Yongcai, the prototype of the role and the worker of the No.6 yard. .
For the feudal leader camp, Ban Lü invited Xie Tian, who had collaborated in The Legend of Heroes of New Children, to play Ma Jinlong. After many recommendations, Ban Lü chose Tianjin storyteller Chen Shihe to play Ma Bapei, the father of Ma Jinlong, because Chen Shihe's age and appearance are similar to Ma Yushan, the prototype of Ma Bapei, and he is experienced in Jianghu? .
After the filming of role-building resumed, Ban Lü led all the members to the freight yard at Gate 6 of Tianjin Wharf, where they lived and worked with the workers, learned about their hard life and struggle experience in the past, and sought the basis for role-building. At the beginning of his life experience, Guo Zhenqing auditioned for a worker in a play, in which Hull learned that the child's head was smashed to death. His Lacrimosa way expressed the grief and indignation of the characters, but the workers reported that he didn't act like it. This once made him doubt whether he was qualified for this role. Later, inspired by in-depth life and director, he redesigned the characterization. When shooting the scene of the child's tragic death, he no longer showed sadness and depression, but emphasized the strong characteristics of the characters. When Ziping Li designed the role of Ding Zhanyuan, his initial concern was the courage and firmness of the role. After contact with the old workers, he found that the workers were very particular about strategies in the struggle, such as using the contradiction between big and small handles. Inspired by this, Ziping Li not only highlighted the perseverance of the characters in his performances, but also paid attention to the wisdom of the working class? .
Award winning record Award winning time Winner 1957 Ministry of Culture 1949- 1955 Excellent Film Award Third Prize "Gate 6"? Production and release of release information Country/region release/release date (details) China 1953 Film evaluation The feature of this film is to use real workers in life as the starring role. The tone, body language and straightforward personality of Liu Yongcai, the actor of worker Liu Bin, presented a vivid image of a dock worker for the audience, while Guo Zhenqing, the actor of Hu Er, gave a simple and profound performance with sincere feelings, animating a worker movement leader who grew up in the struggle. Under the conditions at that time, the film can be called smooth editing and strong visual impact. In the performance of the conflict between striking workers and the police, the rhythm is tense, the sense of space depth is strong, and there is tension. The beginning and the end of the film are supplemented with different music that is sad, desolate and relaxed, which enhances the expressiveness and appeal of the film through the completely different expressions and emotions of the workers at work. But as far as story interpretation is concerned, it is still relatively simple and stylized, lacking certain visibility and suspense effect, flat characterization, and insufficient three-dimensional sense and realism of the image. . (Shanghai Sanlian Bookstore Review)