Wuxi qianzhongshu former residence
Qian Zhongshu's former residence is called "Qian Sheng Wutang" and is located in Wuxi. This house was built by Qian Zhongshu's grandfather Qian Fujiong on 1923. From 65438 to 0925, Qian Zhongshu's uncle Qian Hou Ji had a big family. With his father's consent, he added four two-story buildings. The whole former residence covers an area of 1.600 square meters, with 28 bungalows, 4 buildings, 65,438 patios +0 patios, 3 ancient wells, a kitchen in the east and a garden in the back. It is a typical courtyard house in the south of the Yangtze River.
The former residence is in front of Xinjie, seven rooms wide, with six rows of doors in the middle being Qianjia Gate, and the plaque of "Former Residence of Qian Zhongshu" is hung high at the door; There is a stone tablet standing by the wall, which reads "Jiangsu Cultural Relics Protection Unit: Former Residence of Qian Zhongshu".
The piers on both sides of the gate are inlaid with a pair of brick couplets: literary talent conveys happiness; The wind is strong and the tide is high. "Bai Xi" is the word of Qian Yi, a writer in the Northern Song Dynasty. Qian Yi, a native of Hangzhou, was smart and studious since childhood. 17-year-old scholar, known as Jiangnan genius. Su Shi has a poem "Li See West Platform and Erqian in Jinmen Temple". The "two money" in the poem is the literary leader and money in the early Song Dynasty. Su Shi praised Er Qian for his outstanding talent. Part One said that he would inherit Qian Yi's literary talent; "Shooting tide" refers to the story of Qian Liu, king of wuyue, shooting tide in Qiantang. During the Five Dynasties, the Qiantang River levee was in disrepair. During the spring tide, the people were flooded and miserable. Qian Liu organized migrant workers to repair the dike, but it was repeatedly hit by the tide and could not be constructed. Some people think it's a water demon. Qian Miao asked 3,000 archers to shoot arrows on the surging tide. The tide quickly receded and the dike was built. The people appreciate their virtue and pass on the story of Qiantang shooting tide from generation to generation. The second couplet says that the descendants of "Shengwutang" should inherit the good tradition of their ancestors Qian Liu and do more good deeds and practical things.
Walking into the gate of the former residence, there is a screen in the middle of the hall, and a plaque with the words "Qian Zhongshu Memorial Hall" is hung on the screen; In front of the screen is a portrait of Qian Zhongshu. Qian Zhongshu wears a pair of glasses on his long face, his head is bald, and his mouth is smiling, which seems a little shy. On the screen is a raw lacquer painting, which depicts an ancient locust tree, and there is a poem next to it: there are not many ants in the withered locust tree, and the autumn frog crows from one day. This should be the inner monologue of Qian Zhongshu and Jiang Yang.
Walking through the hall, there is a long and narrow courtyard behind. It is said that as soon as you enter the easternmost part, it is the Qian Temple, where Qian worships his ancestors at 4: 08. The two rooms near the entrance hall are the places where Qian Zhongshu's father, Qian Ji Bo, teaches money's children when he comes home during the winter and summer vacations. They are called "Houdong Books", where young Qian Zhongshu and several cousins listen to their father's lectures and usually study calligraphy and composition. Qian Jibo (1887- 1957), the 32nd grandson of King Qian Wusu, is a famous scholar in China. He used to be a Chinese teacher at Jiangsu Third Normal University, a professor at St John's University in Shanghai, a professor at Guanghua University in Shanghai, a professor at Tsinghua University in Beijing, a professor at Zhejiang University, a professor at National Normal University, a professor at Huazhong University, a dean of the Faculty of Arts.
Wuxi qianzhongshu former residence
To the west of the hall is Qian Zhongshu's bedroom. Qian Zhongshu's uncle Qian Jicheng had no children, and Qian Zhongshu was adopted by his uncle since childhood. When Qian Zhongshu moved into St. Wu Tang, his uncle had died for many years, lived alone with his aunt Shi Mao, and was disciplined by his father Qian Jibo academically. When Qian Zhongshu was a child, he was often punished by his father until he was 16 years old.
Being beaten by his father, he was ashamed and painful. From then on, he determined to make progress, studied hard and even secretly learned to write poetry. By the time he applied for Tsinghua University, Qian Zhongshu was already the proud son of his father.
The second entrance is also a seven-bay, the middle three rooms are the main hall, facing the patio is a row of wooden doors, with glass above and wooden boards below. There are several paid armchairs and coffee tables in the hall, and a plaque of "Shengwutang" is hung on the beam. The name of the plaque is inscribed by Qian Fujiong. There is a picture of Gu Song Qingquan hanging on the front screen, with couplets on both sides: I wonder if it is too late to entertain myself; You will get a different book when you want it. Couplets are hung on the front column: Rank Gan lives in a place like a brother; Obviously, my ancestors had laws and regulations that my descendants would forget. The first part is from The Book of Songs Xiaoya Skan. The general idea is that the stream is clear and the South Mountain is deep and secluded. Brothers and sisters get together and live in harmony. The second part comes from the Song of Five Children in Shangshu. "... it is clear that my ancestor, the king of all nations, has laws and regulations and left all my descendants behind. ..... "It means that family rules and family instructions handed down from generation to generation should be passed down for the benefit of future generations.
On the west side of the hall is Qian Fujiong's residence. On the door is a couplet composed of poems by Xu Lin (one of the six gentlemen of the Reform Movement of 1898): Try to study ancient prose with this text; On the east side are Qian Zhongshu's parents' two bedrooms. On the door is a couplet composed of Gong Zizhen's poems: the ancient embrace can't survive, and the sky is full of thoughts. From these two couplets, it is not difficult to see that Qian Zhongshu's grandparents not only assiduously studied ancient masterpieces and inherited China's excellent cultural traditions, but also agreed with the new ideas and viewpoints of Gong Zizhen and Xu Lin, abandoned the outdated "ancient embrace", faced up to the "contemporary" sufferings and were interested in the great cause of political reform and reform.
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