Yangzhou Museum consists of Yangzhou China Woodblock Printing Museum and New Yangzhou Museum (hereinafter referred to as "Yangzhou Shuangbo Museum"). Shuangboge has a unique architectural style, and its appearance is lotus leaf, which is integrated with the adjacent lakeside geographical environment, realizing the blending of architecture and nature and embodying the architectural concept of "harmony". The natural, smooth and angular architectural appearance lines abstractly reflect the attribute of water, are the refinement of Yangzhou local cultural spirit, and embody the design concept of harmony and unity between man and nature and integration of architecture and environment.
Yangzhou Museum
The predecessor of Shuangbo Museum is Yangzhou Museum. The history of Yangzhou Museum can be traced back to the Yangzhou Cultural Relics Museum established in 195 1 and the Subei Museum established in the same year. After more than 50 years of development, Yangzhou Museum has become an influential comprehensive museum with rich collections, complete functions and distinctive local characteristics at home and abroad. In August, 2003, with the approval of the State Council, Yangzhou China Woodblock Printing Museum was established, and 300,000 ancient books collected by Yangzhou Guangling Bookstore were merged into Yangzhou Museum, establishing Yangzhou Double Museum. Yangzhou Shuangboge Project officially started on June 8, 2003, and the main project was capped on April 5, 2004. On April 8, 2005, the civil engineering was completed. In the same year1October 9th, 10, Shuangbo Chen Zhan Project was completed and fully opened to the outside world.
After completion, the Yangzhou Shuangbo Museum covers a total area of 50,000 square meters, with a building area of 25,000 square meters, an exhibition area of 1 10,000 square meters, a cultural relics warehouse area of 5,000 square meters, an office area of 3,000 square meters and a public service area of 7,000 square meters. There are Guangling Tide-Yangzhou City Story, Yangzhou Eight Eccentric Paintings and Calligraphy, Ming and Qing Painting and Calligraphy Collection, National Treasure Museum, Yangzhou Ancient Sculpture, China Woodblock Printing Exhibition Hall, Yangzhou Woodblock Printing Exhibition Hall and a temporary exhibition hall with eight exhibition halls.
Yangzhou China Woodblock Printing Museum is the only woodblock printing museum in China, with a total exhibition area of about 465,438+000 square meters, which is divided into China Pavilion and Yangzhou Pavilion. The exhibition route is 798 meters long, and * * * exhibits cultural relics 175 pieces, among which Yangzhou Pavilion also displays more than 200,000 pieces of ancient woodcuts in warehouse style. The exhibition focuses on the woodblock printing technology and woodblock printing in past dynasties, reflecting the historical evolution of woodblock printing in China and its far-reaching influence in the world printing history. The exhibition hall is enclosed in an arc, with an atrium in the middle and a lighting roof. Spatial form has a certain personality and is lively and changeable.
Yangzhou Museum
The exhibition chooses suitable materials according to the theme and determines the modeling style. In the exhibition space of ancient books warehouse, the steel frame is divided into upper and lower floors, and metallic paint shelves and glass partitions are boldly used to form an orderly and profound momentum, which is elegant without losing the flavor of the times. Through the long-distance floor-to-ceiling glass curtain wall, we can see that more than 200,000 ancient books collected and collected in Yangzhou over the years are densely and orderly placed on special bookshelves, and professionals are doing related work on the spot. At present, this method of protection and exhibition at the same time is the first in China museum industry.
The content design of the exhibition is scientific, knowledgeable, interesting and ornamental. It gets rid of the previous display mode of object positioning, adopts the latest design concept of information grouping and layered communication, organically combines exhibits with modeling objects, explains exhibition information at different levels, and appropriately arranges multimedia equipment in each exhibition area to strengthen participation and interaction and further expand information. The exhibition copy has a strong sense of space and composition. It is a successful example of the close combination of logical thinking and image thinking, which has a realistic guiding role in the design of museum display content in China at present.
Basic exhibition 1, 4 special exhibitions, temporary exhibition hall 1. The basic exhibition "Guangling Tide-The Story of Yangzhou Ancient City" has an exhibition area of 2,300 square meters, the exhibition route is 580 meters long, and 856 cultural relics are exhibited. Based on the urban stories of Han Dynasty, Cheng Tang, Cheng Song and Ming and Qing Dynasties, the main line of Yangzhou's historical development is outlined concisely and vividly, which also reflects the general trend of China's historical development.
Guanglingchao
Guangling Tide is a general history exhibition with outstanding theme, novel design, clear information dissemination, accurate display language and meaningful and logical space treatment, which explores a new idea for the basic display style of China local museums.
The exhibition area of the National Treasure Pavilion is 1.84 square meters, and only 1 exhibit, namely Yuanji Blue Glazed Bailong Plum Bottle, is displayed in the exhibition hall. This plum bottle belongs to a large-scale vessel in the blue glazed porcelain of Jingdezhen kiln in Yuan Dynasty. It has beautiful shape, bright and pure blue glaze and strong artistic appeal, which embodies the highest firing level of Jingdezhen kiln in Yuan Dynasty. At present, only three pieces of this plum vase have been handed down from generation to generation, one of which is in the Old Palace and the existing Summer Palace, and the other is in the Ji Mei Museum in Paris. Both bottles are damaged, but this bottle in our museum is the largest and most beautifully decorated. It was appraised as a national treasure by the National Cultural Relics Appraisal Committee 1992.
The exhibition area of ancient sculpture art exhibition is 526 square meters, with 35 pieces of cultural relics/kloc-0. The cultural relics on display in this exhibition are divided into nine categories: jade carving, stone carving, brick carving, Qi Diao carving, bone carving, ivory carving, bamboo carving, porcelain carving, nuclear carving and wood carving, which respectively explain the splendid ancient carving art in China. Among them, jade carving, Qi Diao carving, wood carving, brick carving, nuclear carving and many other works have very strong Yangzhou local characteristics and are deeply loved by the audience.
The exhibition area of the painting and calligraphy museum is 7 17.2 square meters, including two exhibitions, namely "Yangzhou Eight Eccentric Painting and Calligraphy Exhibition" and "Ming and Qing Painting and Calligraphy Exhibition", with 66 cultural relics on display. Most of the exhibits selected in the Ming and Qing calligraphy and painting exhibitions are works of painters and painters closely related to Yangzhou, and they are good at bringing out the best in each other with the Yangzhou Eight Eccentric Boutique Exhibition Chunlan Qiuju. The superb artistic attainments of painters and calligraphers not only reflect the gathering of literati in Yangzhou painting world, but also show the rich cultural background of Yangzhou, a famous historical and cultural city.
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