Liu's Three-body is the pinnacle of China's sci-fi cultural works so far, and there is nothing in it. This is because in the early days, Liu didn't expect the cultural industry in China to develop too fast, so he sold the film and television copyright of Three-body in a hurry. This leads to some confusion in the copyright of "Three-body", and the most important thing is that film and television works bloom everywhere.
China 3d series animation technology, art painting almost outshines others. The development of 3d animation in China was not discussed in the early stage. Around 202 1, the development of domestic serial animation has reached a new stage. Other domestic animation technologies have their own advantages, and Linglong Art Painting has become the 3d serial animation company with the highest comprehensive technical level in China.
Judging from the creative teams of film version and TV series version, the animated version of Three-body seems to be the most anticipated film and television work of Three-body. Suppose that the animated version of Three-body has surpassed Linglong in terms of reputation, quality and performance. By then, it will not only promote the progress of science fiction animation in China, but also promote the progress of science fiction culture and popular culture in China.
Yi Hua Tian kai
Founded at the peak of the investment boom in the domestic animation industry, Art Painting Tian Kai was originally a small team of more than a dozen people. While the whole animation industry is gradually on the right track, this humble team has gradually acquired the ability to undertake the first sci-fi IP in China with the help of the market, capital, platform and audience.
In the four years of the growth of art and painting, the animation industry has experienced the spring breeze blown by capital and the winter after the bubble burst. For people in the industry, this is a difficult but complete exploration. Regardless of the outcome, the decision to animate "Three-body" is itself a brave attack on the future of the industry after the staged exploration of domestic animation.