1. Chivalrous feelings of Hong Kong films under the unique cultural background of Hong Kong
Hong Kong films experienced decades of glory in the last century. The martial arts spirit in Hong Kong movies, the past events in the United States, fighting violence with violence, and the confrontation between small people and big countries expressed their struggle against the colonial sovereign state, which was deeply loved and praised by Chinese people all over the world. More prominent are the works of directors such as John Woo and Tsui Hark, who are good at portraying and deducing loyalty in Jianghu. There is no political consideration in the film. The theme caters to the public's taste and seeks chivalry in street culture, which has won the recognition of many local audiences.
For example, John Woo, who is known as the director of violence aesthetics in Hong Kong, both "The True Color of a Hero" and "Two Heroes with One Blood" embody the narrow concept of chivalry in Jianghu, so the interpretation of martial arts morality is typical of Hong Kong. Hong Kong was ruled by Britain as a colony for a whole hundred years. Under the long-term rule, Hong Kong people downplayed the nationalist complex with the concept of state, but they subconsciously resisted the suzerain Britain. In addition, a large number of mainlanders moved to Hong Kong for various reasons in the last century, and they have deep feelings for the traditional culture of China.
It is precisely because of this historical reason that there is no strong nationalism in Hong Kong's film and television works, but more street chivalry. Therefore, although the Jianghu is narrow-minded, we can also appreciate Hong Kong people's obsession and yearning for China's traditional culture. At the same time, we can also see the biased understanding of martial arts culture ethics, and promote an objective view of the martial arts cultural connotation of Hong Kong-made literary works, discard its dross and take its essence.
2. Martial arts games in Taiwan Province Province have made great contributions to the development of original games in China, especially in the understanding and interpretation of martial arts culture. They have produced excellent game works that have been praised so far, such as Legend of the Sword and the Chivalrous Man, Legend of the Storm, Legend of the Heroes of Jin Yong and other popular game products. The game company of Taiwan Province Province shows the elements of martial arts culture in the game and guides the players to enter the story of virtual games.
However, in the design of the game, it also shows the need to stick to the plot and set levels, overemphasizing the requirements of players to complete tasks in the game, and lacking the creation of martial arts feelings in cultural connotation. In order to cater to players' tastes, strengthen the upgrade of fighting monsters and expand players' personal heroism infinitely, the positive cultural connotation in martial arts culture is missing. Therefore, in recent ten years, the martial arts games in Taiwan Province Province are very classic, but the depth is lacking. It is also regrettable that this form of chivalry has no inherent subjective initiative and lacks the touching feelings of martial arts culture.
3. When interpreting the martial arts complex in Chinese mainland movies, these three regions should have the deepest understanding of martial arts ethics in martial arts culture. For example, the definition of chivalry in the classic martial arts films Shaolin Temple and Heroes from Ancient Times has gone far beyond the old-fashioned brotherhood, and more are heroes at the national level, with the aim of focusing on the country's righteousness, but objectively speaking, there is a layer of political explanation in the works.